Kilchenmann, Marc (2017). Ben Johnston – Voraussetzungen und Potenzial seiner Extended Just Intonation In: Hochholdinger-Reiterer, Beate; Gartmann, Thomas (eds.) Beiträge der Graduate School of the Arts I. Beiträge der Graduate School of the Arts: Vol. 1 (pp. 39-51). Bern: Graduate School of the Arts
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In his work, the American composer Ben Johnston (born 1926) – one of the foremost representatives of so-called Extended Just Intonation – draws on a wide range of historical, theoretical and stylistic influences. This essay discusses the makings of Johnston’s work, which developed from Harry Partch’s Just Intonation, and highlights the oftentimes unexpected connections to concepts of microtonal composers such as Russolo, Carrillo and Wyschnegradsky.
Item Type: |
Book Section (Book Chapter) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Interpretation Bern Academy of the Arts > HKB Teaching |
Name: |
Kilchenmann, Marc; Hochholdinger-Reiterer, Beate and Gartmann, Thomas  0000-0002-0892-0261 |
Subjects: |
M Music and Books on Music > M Music M Music and Books on Music > ML Literature of music |
ISSN: |
2571-6328 |
ISBN: |
978-3-9524098-6-2 |
Series: |
Beiträge der Graduate School of the Arts |
Publisher: |
Graduate School of the Arts |
Language: |
German |
Submitter: |
Marc Kilchenmann |
Date Deposited: |
18 Dec 2019 12:52 |
Last Modified: |
22 Mar 2023 09:53 |
Related URLs: |
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Additional Information: |
978-3-9524098-7-9 (elektronische Version) |
Uncontrolled Keywords: |
Ben Johnston Extended Just Intonation Musik des 20. Jahrhunderts Neue Musik |
ARBOR DOI: |
10.24451/arbor.8427 |
URI: |
https://arbor.bfh.ch/id/eprint/8427 |
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