Schürch, Dorothea (2018). Gil J Wolmans 'poésie physique': Audioscoring als musikwissenschaftliche Feldforschung In: Gartmann, Thomas; Schäuble, Michaela (eds.) Beiträge der Graduate School of the Arts II. Beiträge der Graduate School of the Arts: Vol. 2 (pp. 61-74). Bern: Graduate School of the Arts
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The paradigm change in the technology of recording and documentation systems is at the core of the “poésie physique” by Gil J Wolman (1929–1995). There was a shift from letter textualisation in his lettristic poems to the tape recordings of his Mégapneumie in the 1950s. Audioscoring investigates these systems and their influence on avant-garde vocal practices in a studio-like research laboratory, utilising the audiotaped pieces as acoustic scores (“audioscores”).
Item Type: |
Book Section (Book Chapter) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Interpretation Bern Academy of the Arts > HKB Teaching |
Name: |
Schürch, Dorothea; Gartmann, Thomas  0000-0002-0892-0261 and Schäuble, Michaela |
ISSN: |
2571-6328 |
ISBN: |
978-3-9524098-9-3 |
Series: |
Beiträge der Graduate School of the Arts |
Publisher: |
Graduate School of the Arts |
Language: |
German |
Submitter: |
Service Account |
Date Deposited: |
30 Jul 2020 09:20 |
Last Modified: |
22 Mar 2023 10:34 |
Related URLs: |
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ARBOR DOI: |
10.24451/arbor.6468 |
URI: |
https://arbor.bfh.ch/id/eprint/6468 |
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