Panchia, Bhavisha Laxmi (2022). Playing it Back. Critical Reflections on Curating Sound In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. On Sound Ontologies and Decolonised Listening. Sound Studies: Vol. 6 (pp. 59-75). Bielefeld: Transcript Verlag 10.14361/9783839462522-004
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Over the last twenty years, museums and galleries have slowly opened their hearts, doors, walls and websites to the reverberation of sound works, musical performances and immersive installations. Finding microphones, musical instruments, vinyl records, turntables, amplifiers, musical scores, mixers, cassettes, recorders, headphones, wires, speakers and voices is not the rare occurrence that it once used to be. Exhibition halls are no longer the quiet, austere, sanctified spaces for contemplation either; codes of conduct such as measured silence and regulated movement have in many ways loos- ened.
Item Type: |
Book Section (Book Chapter) |
|---|---|
Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Practices and Theories in the Arts > Auditory Cultures |
Name: |
Panchia, Bhavisha Laxmi 0000-0001-5716-0660; Ismaiel-Wendt, Johannes Salim 0000-0001-9818-2145 and Schoon, Andi 0000-0002-4390-5593 |
Subjects: |
M Music and Books on Music > M Music N Fine Arts > NX Arts in general |
ISBN: |
978-3-8376-6252-8 |
Series: |
Sound Studies |
Publisher: |
Transcript Verlag |
Projects: |
[UNSPECIFIED] Listen, that's us! |
Language: |
English |
Submitter: |
Andi Schoon |
Date Deposited: |
14 Jun 2023 09:27 |
Last Modified: |
01 Jul 2023 02:30 |
Publisher DOI: |
10.14361/9783839462522-004 |
Related URLs: |
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Additional Information: |
This text is posted here by permission of transcript Verlag for personal use only, not for redistribution |
Uncontrolled Keywords: |
Postcolonial Studies Sound Studies |
ARBOR DOI: |
10.24451/arbor.19346 |
URI: |
https://arbor.bfh.ch/id/eprint/19346 |
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