Bern Academy of the Arts > Institute Practices and Theories in the Arts > Auditory Cultures

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Jump to: 2023 | 2022 | 2021 | 2020 | 2019 | 2014
Number of items at this level: 16.

2023

Aubry, Gilles (2023). Sawt, Bodies, Species. Sonic Pluralism in Morocco. Hamburg, Germany: adocs Produktion und Verlag 10.53198/9783943253641

2022

Aubry, Gilles (2022). Atlantic Ragagar [Movie]. Ji-Hlava, Tschechien: Ji.Hlava International Documentary Film Festival (IDFF)

Panchia, Bhavisha Laxmi (2022). Playing it Back. Critical Reflections on Curating Sound In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. On Sound Ontologies and Decolonised Listening. Sound Studies: Vol. 6 (pp. 59-75). Bielefeld: Transcript Verlag 10.14361/9783839462522-004

Schildhauer, Nadine (2022). From a Postmodernist Sound to a Decolonized Dancefloor From Glitch to Deconstructed Club Music In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. On Sound Ontologies and Decolonised Listening. Sound Studies: Vol. 6 (pp. 85-99). Bielefeld: Transcript Verlag 10.14361/9783839462522-006

Aubry, Gilles Joseph André (2022). Salam Godzilla. Unsounding the 1960 Agadir Earthquake In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. Sound Studies: Vol. 6 (pp. 21-44). Bielefeld: Transcript 10.14361/9783839462522-002

Schoon, Andi (2022). Inszenierte Dokumente: zu Paul Bowles' Sammlung traditioneller marokkanischer Musik In: Feige, Daniel Martin; zur Nieden, Gesa (eds.) Musik und Subjektivität: Beiträge aus Musikwissenschaft, Musikphilosophie und kompositorischer Praxis. Musik und Klangkultur (pp. 114-120). Bielefeld: Transcript Verlag 10.14361/9783839449387-006

Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) (2022). Postcolonial repercussions: on sound ontologies and decolonised listening Sound Studies: Vol. 6. Bielefeld: Transcript Verlag

Schoon, Andi (2022). Instead of an editorial In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial repercussions: on sound ontologies and decolonised listening. Sound Studies: Vol. 6 (pp. 9-19). Bielefeld: Transcript Verlag

Schoon, Andi (2022). Tangier 1999: in search of authenticity: Paul Bowles longs for something and insists on its existence In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial repercussions: on sound ontologies and decolonised listening. Sound Studies: Vol. 6 (pp. 153-163). Bielefeld: Transcript Verlag

Aubry, Gilles Joseph André (2022). Performative (Un)sounding in the film Salam Godzilla: the 1960 Agadir earthquake and the Berber-Tashlhit poet In: Schröder, H. Julia; Straebel, Volker (eds.) Sound Studies and Sonic Arts Reader (pp. 173-182). Hofheim: Wolke Verlag

2021

Aubry, Gilles (2021). The Binding Effect [Movie]. La Chambre de l'Art, Brüssel. 3.9-3.10.2021.

2020

Schoon, Andi (2020). The Workplace In: The Bloomsbury Handbook of the Anthropology of Sound (ed. Holger Schulze) (pp. 241-256). London: Bloomsbury

2019

Aubry, Gilles (2019). Salam Godzilla [Movie]. Nyon: International Film Festival Visions du Réel

Aubry, Gilles; Saouli, Abdeljalil (2019). STONESOUND [Movie]. In: The Sakhra Encounters. Moulay Bouchta. March 15-17 2019

Aubry, Gilles; Beladel, Ramia (2019). A Wasted Breath Inside a Balloon [Audio]. Kino Rex. February 22th - 24th 2019.

2014

Aubry, Gilles; Atbane, Zouheir (2014). And who sees the mystery [Movie]. In: Exhibition "If You’re So Smart, Why Ain’t You Rich?". ESAV Marrakech (l’École Supérieure des Arts Visuels de Marrakech). February 28 – March 22, 2014

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