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Number of items at this level: 90.

B

Baumgartner, Luise (2017). Metamorphosen. Bergbau und Ruinen in der Landschaftsmalerei des Cinquecento In: Forum Walter Benjamin Kolleg. Universität Bern. 2017.

Baumgartner, Luise; Segieth, Floria; Zahnd, Vivian; Braun, Jennifer (22 October 2020). Präsentation des Forschungsprojekts zum künstlerischen Nachlass von Victor Surbek und Marguerite Frey-Surbek In: digitaler Vortrag für die Mitglieder der SIGEGS. Zoom. 22.10.2020.

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Caduff, Corina (2016). Mündlichkeit, Performanz und Autorschaft in der Spoken Word-Szene Leseforum(2016/1) leseforum.ch

Claire, Bishop; Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie (2021). Can Performance Art be Conserved? Claire Bishop in Conversation [Movie]. In: Performance: Conservation, Materiality, Knowledge. Bern University of the Arts

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Dobrusskin, Beate; Glaus, Kirsten (2012). Catalogue of Damage Terminology for Works of Art and Cultural Property Paper [Textbook] . Schriftenreihe Konservierung und Restaurierung der HKB. Bern: Schriftenreihe Konservierung und Restaurierung der Hochschule der Künste Bern

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Estrada, Carolina (1 December 2020). The Lost Sounds of the Nightingale: A Music Revival in the Digital Era HKB Zeitung(4), p. 21.

Estrada Bascunana, Carolina (2020). Granados’ Secrets Revealed by His Piano Rolls In: Morales, Luisa; Christoforidis, Michael; Clark, Walter (eds.) Enrique Granados in Context. Studies in Spanish Keyboard Music: Vol. 6 (pp. 181-196). Spain: Fimte

Estrada Bascunana, Carolina (11 July 2020). 19th-century Spanish pianists’ performances In: Early Recordings: Methodologies in Research and Practice. Institute of Musical Research and the Royal Musical Association

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Feldman, Julia Pelta (4 December 2019). Induced Demand: MoMA Reopens Texte zur Kunst Online

Felsing, Ulrike (2017). Wechselwirkungen zwischen digitalen und analogen Repräsentationslogiken NEUE kunstwissenschaftliche forschungen, 3, pp. 38-47. 10.11588/nkf.2017.3.33430

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Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine In: Gartmann, Thomas (ed.) Von der Fuge in Rot bis zur Zwitschermaschine - Paul Klee und die Musik (pp. 7-10). Basel: Schwabe Verlag

Görgen, Arno (2020). Zwischen Pathologisierung und Enhancement. Formen der Medikalisierung digitaler Spiele In: Simond, Stefan Heinrich; Görgen, Arno (eds.) Krankheit in Digitalen Spielen. Interdisziplinäre Betrachtungen. Medical Humanities (pp. 17-49). Bielefeld: transcript Verlag 10.14361/9783839453285-003

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Hölling, Hanna B. (2018). Archive and Documentation Art and Documentation Journal, 17(1), pp. 19-28. SID

Hölling, Hanna B. (2020). The Lands of Art: On Land (Art) and its Shifting Grounds (2016) In: Landscape: Institute of Land and Environmental Art. Landscape: Vol. 1 (pp. 52-69). St Gallen, Berlin: Vexer Verlag

Hölling, Hanna B. (2019). Mídia transicional: permanência, recursividade e o paradigma da conservação In: A memória do digital e outras questões das artes e museologia (pp. 37-49). Belo Horizonte: Editora da Universidade do Estado De Minas Gerais, Brasil.

Hölling, Hanna B. (2018). Performance: Nachleben, Materialität, Interpretation | Performance: Afterlife, Materiality, Interpretation: lecture followed by an artist talk with Johannes Hedinger (Com&Com) [Performance or Exhibition]. In: Forschungsmittwoch. Bern University of the Arts. October 17, 2019

Hölling, Hanna B. (14 March 2019). Über die Begriffe der Zeit, Materialität, und Authentizität in Paiks Medienkunst (Unpublished). In: Internationale Tagung zu Fragen und Aspekten der Bewahrung und Restaurierung von Medienkunst. Frankfurt, Museum of Communication. March 14, 2019.

Hölling, Hanna B. (12 December 2019). Unpacking the Score: Fluxus and the Material Legacy of Intermediality (Unpublished). In: Smithsonian American Art Museum Lunch Bag Seminar Series. Smithsonian American Art Museum, Washington DC. December 12, 2019.

Hölling, Hanna B. (15 February 2020). Feedback and Feedforth: New Approaches to Nam June Paik – a response paper and discussion (Unpublished). In: College Art Association Annual Conference, Chicago. CAA Chicago. February 15, 2020,.

Hölling, Hanna B. (10 May 2019). Unity and Diversity: Discipline Formation & Cultures of Expertise - Session chair and concluding remarks (Unpublished). In: The Making of Art Experience – Artechne international conference. Discipline Formation & Cultures of Expertise. University of Utrecht, University of Amsterdam, NICAS and Rijksmuseum:. May 10, 2019.

Hölling, Hanna B. (15 April 2019). On performance, archive and conservation (Unpublished). In: VALIE EXPORT Center think tank on performance, media and archives.

Hölling, Hanna B. (23 April 2019). Keynote address: Time and Memory in Fluxus Films (Unpublished). In: 5º Seminário de Artes Digitais (SAD) | 5th Seminar for Digital Arts, State University of Minas Gerais/UEMG. State University of Minas Gerais/UEMG.

Hölling, Hanna B.; Bewer, Francesca G.; Ammann, Katharina (2019). Introduction: Material Encounters In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 1-14). Boston and Leiden: Brill https://doi.org/10.1163/9789004396852

Hölling, Hanna B.; Greyson, Saisha (22 November 2019). Art Bites Gallery Talk: Hanna Hölling and Saisha Grayson on Nam June Paik Global Grove (Unpublished). In: Art Bites Gallery Talk. Smithsonian American Art Museum, Washington DC:. November 22, 2019.

Hölling, Hanna B.; Hedinger, Johannes M. (2020). Introduction to Landscape In: Landscape: Institute of Land and Environmental Art. Landscape: Vol. 1 (pp. 2-7). St Gallen, Berlin: Vexer Verlag

Hölling, Hanna B.; Otero Pailos, Jorge (2019). Materials, Objects, Transitions: Jorge Otero-Pailos in Conversation with Hanna Hölling In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1. Boston and Leiden: Brill

Hölling, Hanna Barbara (21 February 2020). Media Art: Conservation and Philosophy (Unpublished). In: Conservation and Philosophy workshop organized by Tate Modern and Institute of Philosophy, University of London. University of London Institute in Paris. February 21, 2020.

Hölling, Hanna Barbara (October 2018). Conservation and Exactitude (Unpublished). In: Media of Exactitude in the Humanities, Arts, and Science international conference | Medien der Genauigkeit: Ideale, Praktiken, Darstellungen. University of Basel. October 5, 2018.

Hölling, Hanna Barbara (1 November 2018). Object, Event, Performance: Rethinking Materiality in Fluxus Intermedia (Unpublished). In: Kunst und Material: Repräsentation, Stofflichkeit, Prozesse | Art and Material: Representation, Materiality, Processes. SIK-ISEA | Schweizerisches Institut für Kunstwissenschaft | Swiss Institute for Art Research Zürich. November 1, 2018.

Hölling, Hanna Barbara (26 September 2020). Critical Grounds: Institute for Land and Environmental Art--Introduction to an international conference (Unpublished). In: Critical Grounds: Art and Politics of Landscape. Tenna, Grisons. 26.09.2020.

Hölling, Hanna Barbara (1 October 2020). What is Landscape: Alps Art Academy Seminar (Unpublished). In: Alps Art Academy International Summer School. Tenna, Grisons. 25.09.2020.

Hölling, Hanna Barbara (2020). Paik, Musically In: The Legacy of Nam June Paik. Seoul: The National Museum of Modern and Contemporary Art,

Hölling, Hanna Barbara (1 October 2020). Ceci n’est pas une Paik: Materiality and Knowledge in the Conservation of Media Art (Unpublished). In: Paik Soiree, Free University of Amsterdam and Stedelijk Museum. Amsterdam. 01.10.2020.

Hölling, Hanna Barbara (1 September 2020). Archival Activations: Writings by Nam June Paik Amsterdam: Metropolis M Online

Hölling, Hanna Barbara (2021). Zeit, Materialität, Authentizität in Paiks Medienkunst / Time, Materiality and Authenticity in Paik's Media Art In: Nam June Paik: Pre Bell Man - Eine Ikone der Medienkunst /An Icon of Media Art. Frankfurt: Museum für Kommunikation Frankfurt

Hölling, Hanna Barbara (2021). Unpacking the Score: Fluxus and the Material Legacy of Intermediality (In Press). On Curating: Fluxus Special Issue(51) University of the Arts Zurich

Hölling, Hanna Barbara (2021). Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia (Submitted). Afterall(52) University of Chicago Press

Hölling, Hanna Barbara (2021). Keeping Time: On Museum, Temporality and Heterotopia ArtMatters: International Journal for Technical Art History

Hölling, Hanna Barbara (2021). Assembling a Work of Art: An Annotated History of Fluxfilm No. 1 MAP - Media | Archive | Performance, 11(1)

Hölling, Hanna Barbara (10 June 2021). Performance: Vom Weiterleben Flüchtiger Kunst (Unpublished). In: Vortragsreihe Still Alive. Dresden. June 10, 2021.

Hölling, Hanna Barbara (30 April 2021). Response paper to Salvador Muñoz-Viñas: “The Role of Science in the Conservation World: A Naïve Exploration” (Unpublished). In: Brill-Nuncius Seminar, The Making of Conservation Science. Utrecht University. April 30, 2021.

Hölling, Hanna Barbara (31 March 2021). The Contingencies of Care: On the Conservation of Video and Media Installations (Unpublished). In: Video Festival Locarno 1980-2001 Symposium. Lausanne University.

Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Maly, Valerian (2021). Performance: The Ethics and the Politics of Care [Movie]. In: Colloquia within the research project Performance: Conservation, Materiality, Knowledge. Bern, Switzlerland: Bern University of the Arts

Hölling, Hanna Barbara; Landwehr, Dominik (2020). Zur Theorie der Landschaft [Movie]. In: Alps Art Academy, Department of Theory. Tenna, Switzerland: Institute for Land and Environmental Art

Hölling, Hanna Barbara; Miller, Peter (2020). Three Questions with Hanna Hölling [Movie]. In: Three Questions: A Series by Bard Graduate Center. New York: Bard Graduate Center

I

Inderst, Rudolf (2020). Die Darstellung von Wissenschaft und Technologie in Digitalen Spielen. Ein Editorial In: Görgen, Arno (ed.) Wissenschaft und Technologie in Digitalen Spielen (pp. 9-24). Marburg: Büchner Verlag

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Klügl, Johanna; Hafner, Albert; Di Pietro, Giovanna (September 2017). Towards a description of the degradation of archaeological birch bark In: Icom-CC 18th Triennial Conference 2017 Copenhagen. Paris: International Council of Museums

Küffer, Simon (2020). Das massenmediale Bild als konstitutives Moment des Geldes In: Ötsch, Walter Otto; Graupe, Silja (eds.) Imagination und Bildlichkeit der Wirtschaft (pp. 297-316). Springer VS

Küffer, Simon (November 2020). Hat die Linke ein Kunstprogramm? Das Denknetz (Zeitung)(8), pp. 37-39. Denknetz

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Lombardo, Tiziana; Wörle, Marie; Hubert, Vera; Hildbrand, Erwin; Hinterleitner, Christina; Mayer, Ingo; von Arx, Urs (2019). Influence of Process Parameters on Chlorinated Biocide Decontamination by li-CO 2 on Artificially Contaminated Model Materials Studies in Conservation, 65(2), pp. 65-76. Taylor & Francis 10.1080/00393630.2019.1641001

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Mayer, Ingo; Hunger, K.; Hubert, V.; Petrak, G.; Lehmann, E. (2009). Destructive and non-destructive methods for the evaluation of chlorinated pesticides concentration and emissions from wooden art objects In: COST Action IE0601 “Wood Science for Conservation of Cultural Heritage”- International Conference on Wooden Cultural Heritage: Evaluation of Deterioration and Management of Change. Hamburg, Germany. 7-10 Oct 2009.

Melzer, Tine (2016). Taxidermy for Language-Animals Zürich: Rollo Press

Metcalf, Megan; Olinghaus, Cori; Hölling, Hanna Barbara; Feldman, Julia Pelta (2021). Living Materials: Ethics and Principles For Embodied Stewardship - A Panel and a Conversation between Cori Olinghaus and Megan Metcalf [Movie]. In: Performance: Conservation, Materiality, Knowledge. Bern University of the Arts

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Noorlander, Nathalie Salomé; Sidler, Celia Romana (2011). Ein Versuch glücklich zu werden [Performance or Exhibition]. In: Museumsnacht Basel. Ausstellungsraum Klingental, Basel. 21.01.2011

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2018). Fingerprint [Performance or Exhibition]. In: Haussichten. Museum Bruder Klaus, Sachseln. 01.07. - 01.11.2018

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2016). Hey! [Performance or Exhibition]. In: Arbeit am Leben. Kunstplattform akku Emmen. 27.08. - 09.10.2016

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2016). Der Taumel auf der Promenade [Performance or Exhibition]. In: Der Taumel auf der Promenade. Kunsthaus Langenthal. 31.08. - 13.11.2016

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2017). Reclaim The Streets! oder Die Rutsche auf dem Dorfplatz [Performance or Exhibition]. In: Zur frohen Aussicht. Ernen. 01.07. - 24.09.2017

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2014). Global Player / Imagined Community [Performance or Exhibition]. In: Goûts ou dégoûts - art et alimentation. Musée Jurassien des Arts, Moutier. 24.05.-31.08.2014

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2013). Es geht uns blendend [Performance or Exhibition]. In: Experimenta 13: Natur Stadt Kunst. Öffentlicher Raum von Basel. 26.02.-22.03.2013

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2012). The Fat Day Or What Remains Of It [Performance or Exhibition]. In: IRBIS -12°; Dancing Fundaments. Aesthetic of Inconvenience. Plazzet 1, Samedan. 28.01.-02.03.2012

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2013). Die Krise [Performance or Exhibition]. In: Kulturnacht Solothurn. Kunstmuseum Solothurn. 27.04.2013

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2015). Salle d'attente [Performance or Exhibition]. In: NOW 15. Nidwaldner Museum. 25.10.-17.01.2015

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2015). Unser Paradies [Performance or Exhibition].

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2011). Lazy Afternoon [Performance or Exhibition].

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2011). Marmora [Image]. Basel/Hamburg: Edition Taube

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2013). Ein Bild als letzter Rest [Image]. Kanton Obwalden, Schweizweit: ohne

Noorlander, Nathalie Salomé; Sidler, Celia Romana (2020). Neobiota [Performance or Exhibition]. In: Zart 2020. Solothurn. 04.07.-25.09.2020

Noorlander, Nathalie Salomé; Sidler, Celia Romana; Krähenbühl, Franz; Bayerdörfer, Mirjam; Matesic, Philip; Meyer Cesta, Barbara; Steiner, Rudolf; Trifilo, Gianluca (2019). Wir überbauen [Performance or Exhibition]. In: Wir überbauen. Shedhalle Zürich. 04.09.2019 - 13.10.2019

Noorlander, Nathalie Salomé; Sidler, Celia Romana; Willimann, Nina; Arai, Mayumi; Muff, Barbara; Stoffer, Ruth; Notz, Adrian; Wilke, Alice (2018). It's just about We [Performance or Exhibition]. In: It's Just About We. Ausstellungsraum Klingental, Basel. 14.01. - 11.02.2018

Noppeney, Claus; Endrissat, Nada; Lzicar, Robert (17 April 2013). Design Driven Innovation in Artistic Perfumery: A Case Study on the Value of Design and Designers in Product Development In: 10th European Academy of Design Conference: Crafting the Future. Gotheburg, Sweden. 17.-19. Apr. 2013.

Noppeney, Claus; Lzicar, Robert; Endrissat, Nada (11 September 2012). Seeing Trust – Smelling Trust: Communicating emotions in a Design Process In: 8th International Conference on Design and Emotion: OUT OF CONTROL. London, UK. 11.-14.09.2012.

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Palmbach, Cornelius; Bäschlin, Nathalie; Läuchli, Matthias; Fankhauser, Thomas; Hoess, Anita (2013). Transportmonitoring bei Gemäldetransporten – Neue Datensammlung zur Charakterisierung der Schock- und Vibrationsimmissionen In: 23. Tagung des Österreichischen Restauratorenverbandes 2012. Konservieren, Restaurieren: Vol. 14 (pp. 30-41). Wien: Österreichischer Restauratorenverband

Pfister, Eugen; Görgen, Arno (2020). Politische Transferprozesse in Digitalen Spielen. Eine Begriffsgeschichte In: Görgen, Arno; Simond, Stefan Heinrich (eds.) Krankheit in Digitalen Spielen. Interdisziplinäre Betrachtungen. Medical Humanities: Vol. 6 (pp. 51-74). Bielefeld: transcript Verlag 10.14361/9783839453285-004

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Ribes, Delphine; Henchoz, Nicolas; Portier, Hélène; Defayes, Lara; Phan, Thanh-Trung; Gatica-Perez, Daniel; Sonderegger, Andreas (2021). Trust Indicators and Explainable AI: A Study on User Perceptions In: Human-Computer Interaction – INTERACT 2021. INTERACT 2021. Lecture Notes in Computer Science: Vol. 12933 (pp. 662-671). Cham: Springer International Publishing 10.1007/978-3-030-85616-8_39

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Schmid, Jimmy (2020). Blogreihe zum Thema Infografiken HCCD-Blog «Learning from Corona»

Schmid, Jimmy (2020). HCCD-Blog «Learning from Corona» In: Raumwelten 2020 – Panel Hochschulen und Wirtschaft: Scenography & Experience Design: Quo vadis?. D-Ludwigsburg/Stuttgart. 19. 11. 2020.

Schneider, Rebecca; Hölling, Hanna Barbara (30 May 2021). Rebecca Schneider: Not, Yet: When Our Art is in our Hands. With Antiphonal Interludes by Hanna Hölling (Unpublished). In: Performance: The Ethics and the Politics of Care. Bern University of the Arts. May 30, 2021.

Schoon, Andi (November 2019). Nicht nur für, sondern auch gegen etwas ausbilden! Bauhaus Imaginista Journal

Segieth, Floria; Zumbühl, Stefan; Dobrusskin, Sebastian (2013). Möglichkeiten und Grenzen der Beurteilung gefälschter Kunst – ein Situationsbericht (nicht nur) aus der Schweiz Kriminalistik – Unabhängige Zeitschrift für die kriminalistische Wissenschaft und Praxis, 67(1), pp. 55-62. C.F. Müller GmbH

Senkpiel, Fabiana (2018). Dieter Roths Werkstatt der Sinne: Selbstturm; Löwenturm (1969−1998) Bildsinne, Sonderausgabe von: Visual Past. A Journal for the Study of Past Visual Cultures(5), pp. 299-320.

Senkpiel, Fabiana (2019). Einverleibungen ‒ Interpikturale Bezugnahmen und intermediale Verfahren durch Lebensmittel in der Gegenwartskunst In: Augart, Isabella; Jessen, Ina (eds.) Metabolismen. Nahrungsmittel als Kunstmaterial (pp. 27-39). Hamburg: Hamburg University Press https://doi.org/10.15460/HUP.202

Senkpiel, Fabiana (10 December 2019). The Act of Un/masking in Black off (2016−) by Ntando Cele (Unpublished). In: “Our Time Has Come”: Towards Transatlantic and Transdisciplinary Approaches to Black Counter-Representations, from 1945 until Today. Université de Picardie Jules Verne, Amiens (France). 10.12.2019.

Senkpiel, Fabiana (2020). L’atto del divenire dell’immagine. Medialità e temporalità nell’autoritratto ‘poietico’ di Alessandro Allori (1555) Imagines, 3, pp. 144-155.

Senkpiel, Fabiana (2021). Food as an Art Material. Matters of Affordances and Material Images Art Style, Art & Culture International Magazine(7), pp. 89-114. http://doi.org/10.5281/zenodo.4589396

Senkpiel, Fabiana (16 March 2021). Modi künstlerischer Arbeiten mit Lebensmitteln als Kunstmaterial seit 1960 ‒ Materialität, multisensorische Erfahrung, Bildlichkeit (Unpublished). In: Lebensmittel in der Gegenwartskunst ‒ Materialität und multisensorische Erfahrung. Bern (online/intern). 16.‒17. März 2021.

Senkpiel, Fabiana (14 July 2021). Life is a river in a constant state of flux ‒ Curriculum (2004/2008) by Isabelle Krieg (Unpublished). In: Water and Sea in Word and Image - online conference 12th International IAWIS/AIERTI Conference/Session: Water as Material and Medium in Contemporary Art, Chair: Carla Taban. online / Université du Luxembourg. 12th - 16th July 2021.

Sidler, Celia Romana; Noorlander, Nathalie Salomé (2020). Leck mich! Trauerspiel in einem Akt [Performance or Exhibition]. In: Leck mich! Ein Trauerspiel in einem Akt. Basler Wettsteinhäuschen; Wett - Atelier für plastisches Wirken. 27.08.2020

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Wörle, Marie; Lombardo, Tiziana; Hubert, Vera; Hildbrand, Erwin; Mürau, Elke; Mayer, Ingo; Hinterleitner, Christina; von Arx, Urs; Moser, Hansruedi; Lehmann, Roland (2019). Decontamination of Biocide Treated Museum Objects of the Swiss National Museum’s Collection by Liquid CO 2 Technology Studies in Conservation, 65(2), pp. 77-85. Taylor & Francis 10.1080/00393630.2019.1662644

Wülfert, Stefan (2020). Grenzen der Partizipation in der Denkmalpflege NIKE Bulletin (4/2020), pp. 8-13.

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