Hölling, Hanna Barbara (12 November 2021). Beyond Conservation: Object, Event, Performance in Franz Erhard Walther's Werkstücke In: Rethinking German Minimalism. Dia Art Foundation
Full text not available from this repository. (Request a copy)This presentation focuses on Franz Erhard Walther’s Werkstücke, explicating their complex materiality as not only objects and not entirely performances. In this account, the definition of Walther’s Werkstücke remains fluid, gravitating between implements and sculptures, inviting a variety of aesthetic interpretations and testing the limits of traditional conservation. Walther’s works unfold as heterogeneous artworks-assemblages of activated performances and simultaneously active physical artifacts. Their completion in the mind of the viewer adds yet another level of complexity to the work.
Item Type: |
Conference or Workshop Item (Paper) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Materiality in Art and Culture |
Name: |
Hölling, Hanna Barbara0000-0002-3063-4405 |
Subjects: |
N Fine Arts > N Visual arts (General) For photography, see TR N Fine Arts > NX Arts in general |
Publisher: |
Dia Art Foundation |
Language: |
English |
Submitter: |
Hanna Barbara Hölling |
Date Deposited: |
24 Nov 2021 13:43 |
Last Modified: |
23 Dec 2021 14:52 |
URI: |
https://arbor.bfh.ch/id/eprint/15755 |