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Afzali, Minou (29 June 2020). Superheld*innen im Spital?
Afzali, Minou (29 June 2020). Superheroes in the Hospital?
Afzali, Minou (27 August 2021). Designing Health Care: Improving health care through Evidence-based Design In: Designing Health Care: Improving health care through Evidence-based Design. Lugano: Swiss Schools of Public Health SSPH+
Afzali, Minou (27 October 2022). Wie kann Design zu einer altersfreundlicheren Gesundheitsgrundversorgung beitragen? In: Hin zu einer altersfreundlichen Gesundheitsversorgung. Bern. 27.10.2022.
Afzali, Minou (13 October 2022). Design als Trigger von Aggression? Die stressfördernde bzw. -lindernde Wirkung der Gestaltung des räumlichen Umfelds. In: Tagung „high noon?“ Gewalt und Deeskalation in Sozial- und Gesundheitseinrichtungen, pflegenetz. Wien, Austria Trend Hotel Schloss Wilhelminenberg. 13.-14.10.2022.
Afzali, Minou (10 September 2022). Design for Health Care In: 19th European Doctoral Conference in Nursing Science 2020 – Designing the Future of Healthcare – Nurses Taking the Lead. Bern. 09.09.2022 until 10.09.2022.
Afzali, Minou; Boner, Jörg; Marder, Thomas (11 November 2021). Design in allen Facetten
Afzali, Minou; Hahn, Sabine (10 September 2022). Interprofessional Science to Design better Health Care In: 19th European Doctoral Conference in Nursing Science 2020 – Designing the Future of Healthcare – Nurses Taking the Lead. Bern. 09.-10.09.2022.
Afzali, Minou; Inauen, Rahel Ursula; Schmid, Jimmy; Tschuppert, Ramona Larissa; Odermatt, Jean; Blum, Alexa (4 June 2022). Evicence-based Design in a Geriatric Clinic In: EDRA53: Health in al design: Promoting health, equity, sustainability and resilience through environment al design. Greenville, SC. June 01-04, 2022.
Afzali, Minou; Mareis, Claudia; Aeschbacher, Daniel (1 November 2021). Was bleibt von der «guten Form»?
Afzali, Minou; Scheuermann, Arne (27 August 2020). The Design of Health Care Environments: Examples of Evidence-Based Design In: SSPH+ Lugano Summer School. Swiss School of Public Health
Afzali, Minou; Schmid, Jimmy; Odermatt, Jean (2020). Bericht «Optimierung Innenraumgestaltung» Basel: Universitäre Altermedizin Felix Platter
Afzali, Minou (2018). Zur Rolle des Designs in kultursensiblen Alters- und Pflegeeinrichtungen (Dissertation, Universität Bern, Institut für Sozialanthropologie)
Asperska, Julia; Hölling, Hanna Barbara (2023). Two Questions: Julia Asperska, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge
Aubry, Gilles (2019). Salam Godzilla [Movie]. Nyon: International Film Festival Visions du Réel
Aubry, Gilles (2022). Atlantic Ragagar [Movie]. Ji-Hlava, Tschechien: Ji.Hlava International Documentary Film Festival (IDFF)
Aubry, Gilles (2023). Sawt, Bodies, Species. Sonic Pluralism in Morocco. Hamburg, Germany: adocs Produktion und Verlag 10.53198/9783943253641
Aubry, Gilles Joseph André (2022). Salam Godzilla. Unsounding the 1960 Agadir Earthquake In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. Sound Studies: Vol. 6 (pp. 21-44). Bielefeld: Transcript 10.14361/9783839462522-002
Auslander, Philip; Hölling, Hanna Barbara (2022). Two Questions: Philip Auslander, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge
Bacciagaluppi, Claudio (2019). Ein unbekanntes Portrait von Carl Ditters von Dittersdorf? Studien zur Musikwissenschaft, 61, pp. 33-40. Wien: Hollitzer Verlag, Wien
Badrutt, Gaudenz (2021). Die Einmaligkeit der Wiederholung beim Hören improvisierter und komponierter elektroakustischer Musik In: Gartmann, Thomas; Schäuble, Michaela (eds.) Studies in the Arts - Neue Perspektiven auf Forschung über, in und durch Kunst und Design (pp. 137-153). Bielefeld: transcript Verlag 10.14361/9783839457368
Baur, Ruedi; Felsing, Ulrike (2005). Le lointain n’existe plus: Prozesshaftes Design [Performance or Exhibition]. Abstract, Lausanne. November 2005.
Berthod, Jonas (June 2020). Time and the Essence Swiss Design Awards blog
Berthod, Jonas (September 2020). Read More Weltformat Magazin: Not (Yet) Cancelled, pp. 25-29.
Bodor, Judit; Hölling, Hanna Barbara (2021). Two Questions: Judit Bodor, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge
Boeck, Angelika; Tepe, Peter; Gartmann, Thomas (2022). Thomas Gartmann: Vertiefungen w/k - Zwischen Wissenschaft & Kunst, pp. 1-10. Prof. Dr. Peter Tepe 10.55597/d16467
Bortolotti, Raphaël (2021). Les décors et machines originaux du théâtre de Feltre: Enjeux techniques d’une scène de province dans l’Italie du XIXe siècle In: Illiano, Roberto (ed.) Performing Arts and Technical Issues. Staging and Dramaturgy: Vol. 4 (pp. 235-268). Brepols
Bortolotti, Raphaël; Brunello, Giulia; Kappeler, Annette (2022). In the Wings: Offstage Labour in a Provincial Italian Theatre Quellen und Forschungen aus italienischen Archiven und Bibliotheken, 102(1), pp. 333-359. Walter de Gruyter 10.1515/qufiab-2022-0016
Bortolotti, Raphaël; Kappeler, Annette (5 June 2019). Macchinati Progetti. Das Theater Feltre im Risorgimento In: Theater-Maschinen. Gotha. 2019.
Botta, Massimo (25 March 2021). Panel discussion In: Closing session of the conference of the Swiss Design Network "Design as Common Good: Framing Design through Pluralism and Social Values". online. March 25-26, 2021.
Butz, Heinrich (2022). Zu Gast - Michèl Kessler HKB-Zeitung(4), p. 27. Berner Fachhochschule BFH, Hochschule der Künste Bern
Bärtsch, Manuel (2021). Wagner on Welte: Tristan und Isolde around 1905 In: Gartmann, Thomas; Schäuble, Michaela (eds.) Studies in the Arts - Neue Perspektiven auf Forschung über, in und durch Kunst und Design (pp. 155-175). Bielefeld: transcript Verlag 10.14361/9783839457368
Caduff, Corina (2003). Die Literarisierung von Musik und bildender Kunst um 1800 Fink
Casagrande, Bruna (2017). A report from the audience: The multi-perspective Witness-Report as a Method of documenting Performance Art VDR Beiträge zur Erhaltung von Kunst- und Kulturgut, pp. 95-99. Verband der Restauratoren (VDR) e. V.
Casagrande, Bruna; Schneider Willen, Nadja; Welter, Judith; Ullrich, Wolfgang; Black, Karla (2017). Materialities – Physical States of Artworks In: Now - tomorrow - flux: an anthology on the museum of contemporary art (pp. 147-179). Ringier
Chichester, Lee K.; Gisler, Priska; Hürzeler, Luzia; Csernay, Sarah; Étienne, Noémie (15 October 2021). Koloniale Tiere? Tierbilder im Kontext des Kolonialismus. Eine Tagung im Rahmen der Ausstellung August Gaul. Moderne Tiere In: Koloniale Tiere? Tierbilder im Kontext des Kolonialismus. Eine Tagung im Rahmen der Ausstellung August Gaul. Moderne Tiere. Bern: Kunstmuseum Bern
Chiquet, Vera (20 October 2023). Citizen Science and Crowdsourcing in the Humanities In: DARIAH Study Days 2023. Bern. Friday 20th of October.
Chopard, Cléa (2019). Dislocution [Movie]. In: What if? : Counterfactual Explorations and Thought Experiments. Istituto svizzero di Roma. 22-23 mai 2019
Claire, Bishop; Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie (2021). Can Performance Art be Conserved? Claire Bishop in Conversation [Movie]. In: Performance: Conservation, Materiality, Knowledge. Bern University of the Arts
Denecke, Kerstin; Thilo, Friederike J.S.; Lueg, Christopher; Olalia, Loraine; Haldemann, Anouk; Kaufmann, Beatrice (2022). Participatory Development of an Image-Based Communication Aid for Migrant Patients and Emergency Nurses In: Bürkle, Thomas; Denecke, Kerstin; Holm, Jürgen; Sariyar, Murat (eds.) Healthcare of the Future 2022. Studies in Health Technology and Informatics: Vol. 292 (pp. 15-20). Amsterdam: IOS Press BV 10.3233/SHTI220312
Dobrusskin, Sebastian (1988). Abnahme von Kugelschreiberfarbstoff – ein Fallbericht Restauro – Zeitschrift für Kunsttechniken, Restaurierung und Museumsfragen, 4(94), pp. 292-296. Georg D. W. Callwey, München
Dobrusskin, Sebastian (26 September 2003). "Real Life" im Studium: die konservatorische Betreuung des museum franz gertsch in Burgdorf durch die Vertifungsrichtung Graphik, Schriftgut und Photographie der Hochschule der Künste Bern = “Real Life” at University: Preservation at the museum franz gertsch in Burgdorf, Carried out by the Conservation Programme for Graphic Art, Books, Archives and Photography at the University of Art in Berne In: X. IADA Kongress Preprints. Göttingen. 22.–26.09.2003.
Dobrusskin, Sebastian (August 1999). Frühe, nichtphotographische Kopier- und Vervielfältigungstechniken IADA Preprints 1999, pp. 195-205. Kopenhagen: The Royal Academy of Fine Arts – The School of Conservation
Dobrusskin, Sebastian; Singer, Hannah; Banik, Gerhard (1991). Humidification with Moisture Permeable Materials In: 7th International Congress of Restorers of Graphic Art (pp. 143-148). Uppsala: IADA
Dupré, Sven; Hölling, Hanna Barbara (2022). Two Questions: Sven Dupré, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge
Engel, Xymna (15 September 2021). «Seine Ideen sind hochaktuell» Der Bund, p. 23.
Feder, Ido; Hölling, Hanna Barbara (2023). Two Questions: Ido Feder, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: Berner Fachhochschule, Hochschule der Künste / SNSF Performance: Conservation, Materiality, Knowledge
Feldman, Jules Pelta (2022). Performing Disability and Endurance: On Carolyn Lazard’s Support System (for Tina, Park, and Bob) In: Millett-Gallant, Ann; Howie, Elizabeth (eds.) Disability and Art History from Antiquity to the Twenty-First Century (pp. 252-267). London: Routledge 10.4324/9781003048602-21
Feldman, Julia Pelta (4 December 2019). Induced Demand: MoMA Reopens Texte zur Kunst Online
Feldman, Julia Pelta (2016). On Carolyn Lazard's Support System (for Tina, Park, and Bob) Brooklyn: Room & Board
Feldman, Julia Pelta (2020). Pyramid Schemes Texte zur Kunst, 30(117), pp. 240-243.
Feldman, Julia Pelta (2020). Restitution is not enough: deaccessioning for justice in contemporary art 21: Inquiries into art, history, and the visual(1), pp. 205-215.
Feldman, Julia Pelta (2 January 2018). The Myth of Artistic Freedom Zeit Online
Feldman, Julia Pelta (2015). Bed Piece: Pelta Feldman Variation. a permanent installation by Daniel Fishkin at Room & Board Brooklyn: Room & Board
Feldman, Julia Pelta (25 October 2020). Bildersturm und Gerechtigkeit: Warum unsere Denkmäler uns im Stich lassen Deutschlandfunk
Feldman, Julia Pelta (7 March 2019). Ceramics in the Expanded Field: The Art World, the Clay World, and the Case for John Mason Momus
Feldman, Julia Pelta (2016). Chohreh Feyzdjou In: Global/Local 1960-2015: Six Artists from Iran (pp. 57-65). New York: Grey Art Gallery, New York University
Feldman, Julia Pelta (October 2017). Das Bild muss weg Deutschlandfunk
Feldman, Julia Pelta (2020). Female Imagery Cache(01) Intercom Verlag
Feldman, Julia Pelta (2 February 2020). Gerechtigkeit in der Gegenwartskunst: Restitution ist nicht genug
Feldman, Julia Pelta (2020). Selling Point Artforum Artforum International Magazine
Feldman, Julia Pelta (2021). Against Getting It: Julia Pelta Feldman on the limits of accessibility Artforum, 59(21) Artforum International Magazine
Feldman, Julia Pelta (2021). 'Censorship now!!': Destruction and Memory in Art In: Dispositiv-Erkundungen | Exploring Dispositifs. Berlin: Logos
Feldman, Julia Pelta (13 July 2022). 'Sag was!' Republik, pp. 1-7. Republik AG, Zürich
Feldman, Julia Pelta; Spector, Shelley (2016). Shelley Spector: I Live Here Brooklyn: Room & Board
Felsing, Ulrike; Chiquet, Vera; Fornaro, Peter (2023). A Participatory Interface for a Photo Archives Archiving Conference, 20(1), pp. 109-111. Society for Imaging Sciences and Technology 10.2352/issn.2168-3204.2023.20.1.23
Felsing, Ulrike; Frischknecht, Max (2021). Critical Map Visualizations In: Shifts in Mapping Maps as a tool of knowledge. Bielefeld: Transcript
Flamm, Verena; Hofmann, Christa; Dobrusskin, Sebastian; Banik, Gerhard (1990). Conservation of Tracing Papers In: 9th Triennial Meeting, Dresden, German Democratic Republic, 26-31 August 1990 2 (pp. 463-467). ICOM Committee for Conservation, Los Angeles
Frischknecht, Max (26 March 2021). An Artistic Research Into The Use of Personal Data for Political Communication In: Deep City: Climate Crisis, Democracy, and the Digital. EPFL Lausanne. 24.03 – 26.03.2021.
Frischknecht, Max (2021). Zur Barrierefreiheit der kantonalen Impfplattformen Learning from Corona Health Care Communication Design HCCD
Frischknecht, Max (2022). Nodegoat: Eine web-basierte Forschungsumgebung für die Geisteswissenschaften Einblicke in die Digital Humanities hypotheses.org
Fritz, Ueli; Krauter Kellein, Anne (2017). Makellos transparent oder mit romantischen Schlieren? - Überlegungen zu Sortenvielfalt und Ästhetik des Fensterglases im frühen 20. Jahrhundert mit Fokus auf dem Spiegel- oder Kristallglas In: Wolf, Sophie; de Pury-Gysel, Anne (eds.) Annales du 20e congrès de l'association internationale pour l'histoire du verre : Fribourg/Romont, 7-11 septembre 2015 (pp. 713-719). Rahden/Westfalen: Verlag Marie Leidorf GmbH
Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine In: Gartmann, Thomas (ed.) Von der Fuge in Rot bis zur Zwitschermaschine - Paul Klee und die Musik (pp. 7-10). Basel: Schwabe Verlag
Gartmann, Thomas (May 2022). Provenance Research on Stringed Instruments Newsletter of the Network of European Restitution Committees on Nazi-Looted Art(13), pp. 18-19. Network of European Restitution Committees on Nazi-Looted Art
Gartmann, Thomas (2022). Studies in the Arts: ein künstlerisch-wissenschaftliches Doktorat w/k - Zwischen Wissenschaft & Kunst, pp. 1-6. Prof. Dr. Peter Tepe 10.55597/d16289
Gartmann, Thomas (2022). Studies in the Arts: An Artistic-Scientific Doctorate w/k - Between Science and Art, pp. 1-6. Dr. Peter Tepe 10.55597/e7614
Gartmann, Thomas; Boeck, Angelika; Tepe, Peter (2022). Thomas Gartmann: an in-depth interview w/k - Between Science and Art, pp. 1-10. Prof. Dr. Peter Tepe 10.55597/e7729
Gartmann, Thomas; Schäuble, Michaela (2021). Überlegungen zu einem künstlerisch-wissenschaftlichen Doktoratsprogramm In: Gartmann, Thomas; Schäuble, Michaela (eds.) Studies in the Arts - Neue Perspektiven auf Forschung über, in und durch Kunst und Design (pp. 7-14). Bielefeld: transcript Verlag 10.14361/9783839457368
Gisler, Priska (2019). Urban Topologies of Epistemic Change: The Zoo and the Heterotopia of the Map Contemporary Social Science, Special Issue ‘Urban Animals’ Taylor & Francis
Gisler, Priska (2021). Being in Spitzbergen: Teilnehmende Wahrnehmung und Erkenntnisgewinn in einem künstlerischen Forschungsprojekt In: Wahrnehmen als soziale Praxis. Künste und Sinne im Zusammenspiel (pp. 395-417). Wien, New York: Springer VS.
Gisler, Priska; Baum, Jacqueline (2022). The future is next, the future is now! In: Kunstvermittlung geht an Land. Studentische Perspektiven auf die Gegenwart der Zukunft von Kunstmuseen in der Schweiz. (pp. 5-29). St. Gallen / Berlin: Vexer Verlag
Gisler, Priska; Hadorn, Laura; Hipp, Anna; Ryffel, Priska (2022). Digitales Kapital im Einsatz: eine Ethnografie zur Transformation digitaler Praktiken in der Kunstausbildung Digitale Gesellschaft. Bielefeld: transcript
Gordon, Rebecca; Hölling, Hanna Barbara (2022). Two Questions: Rebecca Gordon, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge
Gusman, Tancredi; Hölling, Hanna Barbara (2022). Two Questions: Tancredi Gusman, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge
Gäumann, Simone; Kaufmann, Beatrice; Pedemonte, Daniela; Tischhauser, Annina (21 June 2023). Vielfältiger Anklang in Bern West knoten & maschen – BFH-Blog zur Sozialen Sicherheit Berner Fachhochschule BFH, Soziale Arbeit
Görgen, Arno (2020). Zwischen Pathologisierung und Enhancement. Formen der Medikalisierung digitaler Spiele In: Simond, Stefan Heinrich; Görgen, Arno (eds.) Krankheit in Digitalen Spielen. Interdisziplinäre Betrachtungen. Medical Humanities (pp. 17-49). Bielefeld: transcript Verlag 10.14361/9783839453285-003
Görgen, Arno (22 June 2022). Krankheit im Digitalen Spiel: ein Topos im Wandel In: GameLab-Stammtisch. Augsburg. 22.06.2022.
Haiduk, Marina (10 November 2022). Gestaltungselemente als Bedeutungsträger? Die Wartburg-Quinterne im Kontext künstlerischer Darstellungen (Unpublished). In: Online-Studientag zur Wartburg-Quinterne. Bern / online. 10.11.2022.
Haiduk, Marina (2022). Das mittelalterliche Rabab www.musikforschung.de Gesellschaft für Musikforschung
Harren, Natilee; Hölling, Hanna Barbara; Wielocha, Aga (16 November 2022). Natilee Harren: Fluxus Forms of Activation. An invited lecture and a panel discussion organized by SNSF Activating Fluxus within the Research Wednesday seminar series, Bern University of the Arts In: Research Wednesday seminar series. Bern, online: SNSF Activating Fluxus
Helio, Eléonore; Ekeba, MIchel; Hölling, Hanna Barbara; Magnin, Emilie; Badcock, Jacob; Maly, Valerian (2023). Performing the ‘Mask:’ Kongo Astronauts (Eléonore Hellio and Michel Ekeba) on Postcolonial Entanglements In: Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) Performance: The Ethics and the Politics of Conservation and Care: Volume 1 (pp. 200-216). London and New York: Taylor & Francis
Herbst, Kristina; Dobrusskin, Sebastian (2016). pARTicip – Kunstgenuss per App Restauro – Zeitschrift für Kunsttechniken, Restaurierung und Museumsfragen, 2016(6), p. 12. Georg D. W. Callwey, München
Hirsch, Thilo; Haiduk, Marina (5 November 2021). Zur Interpretation und Rekonstruktion von Musikinstrumenten in Bildquellen. Versuch eines methodisch-praktischen Leitfadens In: Das mittelalterliche Rabab. Ein Streichinstrument mit arabisch-islamischer Vergangenheit und Gegenwart. Bern, Schweiz. 05. bis 06. November 2021.
Hofmann, Rita (2015). Surface science in photography Nanotechnology Perceptions, 11(1), pp. 5-19. 10.4024/N01HO15R.ntp.011.01
Hölling, Hanna Barbara (14 March 2019). Über die Begriffe der Zeit, Materialität, und Authentizität in Paiks Medienkunst (Unpublished). In: Internationale Tagung zu Fragen und Aspekten der Bewahrung und Restaurierung von Medienkunst. Frankfurt, Museum of Communication. March 14, 2019.
Hölling, Hanna Barbara (2018). Performance: Nachleben, Materialität, Interpretation | Performance: Afterlife, Materiality, Interpretation: lecture followed by an artist talk with Johannes Hedinger (Com&Com) [Performance or Exhibition]. In: Forschungsmittwoch. Bern University of the Arts. October 17, 2019
Hölling, Hanna Barbara (2020). Archiefactiveringen: Nam June Paik tussen tekst en object Metropolis, 41(1), pp. 42-45. Stichting Metropolis M
Hölling, Hanna Barbara (2018). Archive and Documentation Art and Documentation Journal, 17(1), pp. 19-28. The Academy of Fine Arts in Gdansk
Hölling, Hanna Barbara (2020). The Lands of Art: On Land (Art) and its Shifting Grounds (2016) In: Landscape: Institute of Land and Environmental Art. Landscape: Vol. 1 (pp. 52-69). St Gallen, Berlin: Vexer Verlag
Hölling, Hanna Barbara (2020). Archival Activations—Nam June Paik between Text and Object Metropolis M, 41(1) Stichting Metropolis M
Hölling, Hanna Barbara (2019). Mídia transicional: permanência, recursividade e o paradigma da conservação In: A memória do digital e outras questões das artes e museologia (pp. 37-49). Belo Horizonte: Editora da Universidade do Estado De Minas Gerais, Brasil.
Hölling, Hanna Barbara (October 2018). Conservation and Exactitude (Unpublished). In: Media of Exactitude in the Humanities, Arts, and Science international conference | Medien der Genauigkeit: Ideale, Praktiken, Darstellungen. University of Basel. October 5, 2018.
Hölling, Hanna Barbara (1 November 2018). Object, Event, Performance: Rethinking Materiality in Fluxus Intermedia (Unpublished). In: Kunst und Material: Repräsentation, Stofflichkeit, Prozesse | Art and Material: Representation, Materiality, Processes. SIK-ISEA | Schweizerisches Institut für Kunstwissenschaft | Swiss Institute for Art Research Zürich. November 1, 2018.
Hölling, Hanna Barbara (15 April 2019). On performance, archive and conservation (Unpublished). In: VALIE EXPORT Center think tank on performance, media and archives.
Hölling, Hanna Barbara (23 April 2019). Keynote address: Time and Memory in Fluxus Films (Unpublished). In: 5º Seminário de Artes Digitais (SAD) | 5th Seminar for Digital Arts, State University of Minas Gerais/UEMG. State University of Minas Gerais/UEMG.
Hölling, Hanna Barbara (10 May 2019). Unity and Diversity: Discipline Formation & Cultures of Expertise - Session chair and concluding remarks (Unpublished). In: The Making of Art Experience – Artechne international conference. Discipline Formation & Cultures of Expertise. University of Utrecht, University of Amsterdam, NICAS and Rijksmuseum:. May 10, 2019.
Hölling, Hanna Barbara (15 February 2020). Feedback and Feedforth: New Approaches to Nam June Paik – a response paper and discussion (Unpublished). In: College Art Association Annual Conference, Chicago. CAA Chicago. February 15, 2020,.
Hölling, Hanna Barbara (21 February 2020). Media Art: Conservation and Philosophy (Unpublished). In: Conservation and Philosophy workshop organized by Tate Modern and Institute of Philosophy, University of London. University of London Institute in Paris. February 21, 2020.
Hölling, Hanna Barbara (12 December 2019). Unpacking the Score: Fluxus and the Material Legacy of Intermediality (Unpublished). In: Smithsonian American Art Museum Lunch Bag Seminar Series. Smithsonian American Art Museum, Washington DC. December 12, 2019.
Hölling, Hanna Barbara (1 October 2020). Ceci n’est pas une Paik: Materiality and Knowledge in the Conservation of Media Art In: Paik Soiree, Free University of Amsterdam and Stedelijk Museum. Amsterdam. 01.10.2020.
Hölling, Hanna Barbara (26 September 2020). Critical Grounds: Institute for Land and Environmental Art--Introduction to an international conference In: Critical Grounds: Art and Politics of Landscape. Tenna, Grisons. 26.09.2020.
Hölling, Hanna Barbara (2021). Über das Nichts, die Leere und die Langeweile In: Plötzlich diese Leere. St Gallen: VGS Verlagsgenossenschaft St. Gallen
Hölling, Hanna Barbara (2021). Unpacking the Score: Notes on the Material Legacy of Intermediality On Curating: Fluxus Special Issue(51) University of the Arts Zurich
Hölling, Hanna Barbara (2021). Assembling a Work of Art: An Annotated History of Fluxfilm No. 1 MAP - Media | Archive | Performance, 11(1) Media - Archive - Performance
Hölling, Hanna Barbara (10 June 2021). Performance: Vom Weiterleben Flüchtiger Kunst In: Vortragsreihe Still Alive. Dresden: Albertinum
Hölling, Hanna Barbara (30 April 2021). Response paper to Salvador Muñoz-Viñas: “The Role of Science in the Conservation World: A Naïve Exploration” In: Brill-Nuncius Seminar, The Making of Conservation Science. Utrecht University. April 30, 2021.
Hölling, Hanna Barbara (31 March 2021). The Contingencies of Care: On the Conservation of Video and Media Installations In: Video Festival Locarno 1980-2001 Symposium. Lausanne University.
Hölling, Hanna Barbara (2021). Exhausting Conservation: Object, Event, Performance in Franz Erhard Walther’s Werkstücke In: Object—Event—PerformanceObject—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 62-84). New York: Bard Graduate Center
Hölling, Hanna Barbara (2021). Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia Afterall, 52(52), pp. 106-119. University of Chicago Press 10.1086/719773
Hölling, Hanna Barbara (12 November 2021). Beyond Conservation: Object, Event, Performance in Franz Erhard Walther's Werkstücke In: Rethinking German Minimalism. Dia Art Foundation
Hölling, Hanna Barbara (29 November 2021). Post-Preservation: Paik's Virtual Archive, Potentially In: The Gift of Nam June Paik. Giheung-gu, Yongin: Nam June Paik Arts Center
Hölling, Hanna Barbara (2021). Caring For Performance: Recent Debates CeROArt – Conservation, exposition, restauration d'objets d'arts(12), pp. 1-13. 10.4000/ceroart.8119
Hölling, Hanna Barbara (2022). Post-Preservation: Paik's Virtual Archive, Potentially In: Nam June Paik Reader. Yongin, Seoul, South Korea: Nam June Paik Art Center
Hölling, Hanna Barbara (12 June 2022). Transformations and Mediations in Fluxfilm Nr.1 and Fluxus Events - invited lecture within the Summer Institute for Technical Studies in Art, Harvard Art Museums, Harvard University. In: Symposium of the Summer Institute for Technical Studies in Art, Harvard Art Museums. Harvard, Cambridge, Mass.
Hölling, Hanna Barbara (18 November 2022). Can We Talk Post-Preservation? A letter to Nam June Paik - Invited lecture at the National Museum for Modern and Contemporary Art in Soul, South Korea In: My Paik Nam June Conference. Seoul, South Korea: National Museum for Modern and Contemporary Art
Hölling, Hanna Barbara (2022). Can We Talk Post-Preservation? A letter to Nam June Paik - Conference Preprint In: My Paik Nam June (pp. 52-65). Seoul, South Korea: National Museum of Modern and Contemporary Art
Hölling, Hanna Barbara (2015). Revisions: Zen for Film New York / Chicago: Bard Graduate Center / The University of Chicago Press
Hölling, Hanna Barbara (2017). Paik's Virtual Archive: Time, Change and Materiality in Media Art Berkley: University of California Press
Hölling, Hanna Barbara (2023). Conserving Active Matter: Activating Conservation? Review of Conserving Active Matter, edited by Peter N. Miller and Soon Kai Poh (Bard Graduate Centre, 2022, distributed by the University of Chicago Press) Zeitschrift für Kunstgeschichte, 86(3), pp. 426-432. De Gruyter 10.1515/zkg-2023-3008
Hölling, Hanna Barbara (2023). Notation and Eternity in Symphonie No. 5 and Liberation Sonata for Fish In: Museum Ostwall, im Dortmunder U; Frieling, Rudolf (eds.) Nam June Paik: I Expose the Music (pp. 109-114). Leipzig: Spector Books
Hölling, Hanna Barbara (2023). Notation und Ewigkeit in Symphonie No. 5 and Liberation Sonata for Fish In: Museum Ostwall, im Dortmunder U; Frieling, Rudolf (eds.) Nam June Paik: I Expose the Music (pp. 109-114). Leipzig: Spector Books
Hölling, Hanna Barbara (2017). Lost to museums? Changing media, their worlds, and performance Museum History Journal, 10(1), pp. 97-111. Routledge 10.1080/19369816.2017.1257873
Hölling, Hanna Barbara (31 May 2023). Object—Event—Performance: Media, Materiality and Meaning in Video and Media Art In: Dance Studies Lecture Series. Rio de Janeiro. 31 May 2023.
Hölling, Hanna Barbara (2 June 2023). Performance: Who Cares? In: Lecture an der University Rio de Janeiro, Center for Heritage Management and Documentation in Museums. Rio de Janeiro. 2. Juni 2023.
Hölling, Hanna Barbara (2017). Reflections on the Impossibility of Material Continuation The Moving Image: The Journal of the Association of Moving Image Archivists, 17(1), pp. 163-166. University of Minnesota Press 10.5749/movingimage.17.1.0163
Hölling, Hanna Barbara (2017). The Technique of Conservation: On Realms of Theory and Cultures of Practice Journal of the Institute of Conservation, 40(2), pp. 87-96. Taylor & Francis 10.1080/19455224.2017.1322114
Hölling, Hanna Barbara (8 September 2017). Time and Conservation In: ICOM Committee for Conservation 18th Triennial Meeting: Theory and History of Conversation (pp. 1-9). Paris: International Council of Museums ICOM
Hölling, Hanna Barbara (2016). The Virtual Body of Art: Reflections on the Impossibility of Material Continuation: Review of The Virtual Body of Art by Elzbieta Wysocka (Warsaw: Narodowe Centrum Kultury, 2013) VDR Beiträge zur Erhaltung von Kunst- und Kulturgut(1), pp. 126-128. Verband der Restauratoren (VDR) e. V.
Hölling, Hanna Barbara (2016). Transitional Media: Duration, Recursion, and the Paradigm of Conservation Studies in Conservation, 61(sup2), pp. 79-83. Taylor & Francis 10.1080/00393630.2016.1181929
Hölling, Hanna Barbara (2013). Re:Paik: On Time, Changeability and Identity in Multimedia Installations (Dissertation, University of Amsterdam, Humanities)
Hölling, Hanna Barbara (2014). The Explicit Material: On the Intersections of Conservation, Art History and Human Sciences Simulacrum(1), pp. 22-27. Stichting Simulacrum
Hölling, Hanna Barbara (2013). Versions, Variations, and Variability: Ethical Considerations and Conservation Options for Computer-Based Art The Electronic Media Review, 2, pp. 33-45. American Institute for Conservation
Hölling, Hanna Barbara (2005). Zur Konservierung des Environments The Portable War Memorial von Edward Kienholz Kölner Museums-Bulletin: Berichte und Forschung aus den Museen der Stadt Köln(3), pp. 39-48. Museumsdienst Köln
Hölling, Hanna Barbara (2010). On the Afterlife of Performance: de Appel Arts Centre in Amsterdam and STUK Kunstcentrum in Leuven: Part 1 Amsterdam: De Appel Arts Centre
Hölling, Hanna Barbara (2011). On the Afterlife of Performance: de Appel Arts Centre in Amsterdam and STUK Kunstcentrum in Leuven: Part 2 Amsterdam: De Appel Arts Centre
Hölling, Hanna Barbara (2011). Virtualization as a Preservation Strategy for Computer-based Art: An (Empirical) Study into the Installation I/Eye (1993) by Bill Spinhoven van Oosten Amsterdam: Netherlands Media Art Institute NIMK
Hölling, Hanna Barbara (2017). What is the future of media art? University of California Press Blog Post University of California Press
Hölling, Hanna Barbara (2023). Urmimala Sarkar Munsi: On Dance and Preservation in India Performance: Conservation, Materiality, Knowledge - Writing, pp. 1-8. SNSF Performance, Conservation, Materiality, Knowledge / Berner Fachhochschule, Hochschule der Künste. performanceconservationmaterialityknowledge.com
Hölling, Hanna Barbara (21 December 2021). Conserving Ourselves, Creating Ourselves: Thinking with the Philosopher Alva Noë Performance: Conservation, Materiality, Knowledge - Writing, pp. 1-9. SNSF Performance: Conservation, Materiality, Knowledge / Berner Fachhochschule, Hochschule der Künste. performanceconservationmaterialityknowledge.com
Hölling, Hanna Barbara (23 March 2021). On the Continuity of Practice in Florian Feigl’s work Performance: Conservation, Materiality, Knowledge - Writing, pp. 1-6. Performance: Conservation, Materiality, Knowledge / Berner Fachhochschule, Hochschule der Künste. performanceconservationmaterialityknowledge.com
Hölling, Hanna Barbara (5 November 2022). About Fish, or Toward Radical Affinity in Paik’s Scores Activating Fluxus - Writing SNSF Activating Fluxus / Berner Fachhochschule, Hochschule der Künste
Hölling, Hanna Barbara (2017). Sztuka i proces: kontynuacja, względny czas trwania i archiwum Fluxus In: Sztuka w procesie - proces w sztuce: Ku nowej filozofii ochrony dziedzictwa kultury (pp. 51-61). Warszawa: Akademia Sztuk Pieknych w Warszawie
Hölling, Hanna Barbara (2017). 汉娜·霍玲, 白南准《禅之电影》的美学变化 2016 = The Aesthetics of Change in Paik's Zen for Film, 2016 In: Zhenhua, Lee (ed.) Time-based, Non-places, edited by Lee Zhenhua (pp. 72-97). Shenzhen: Shenzhen: 3rd Shenzhen Independent Animation Biennale & Alte Brücke Verlag
Hölling, Hanna Barbara (2015). Archival Turn: Toward New Ways of Conceptualising Changeable Artworks In: Smits, Raitis; Manovich, Lev (eds.) Data Drift: Archiving Media And Data Art In The 21st Century (pp. 73-81). Riga: RIXC and Liepaja’s University, Art Research Lab
Hölling, Hanna Barbara (2015). Die Wandelbarkeit von Objekten und Konzepten: Zur Erhaltung von computerbasierten Medien am Beispiel von I/Eye In: Heuken, Simone (ed.) Die Vergänglichkeit des Materials (pp. 129-149). Köln: Verband Deutscher Restauratoren VDR
Hölling, Hanna Barbara (2015). The Aesthetics of Change: On the Relative Durations of the Impermanent In: Hermens, Emma; Robertson, Frances (eds.) Authenticity in Transition (pp. 13-24). London: Archetype Publications
Hölling, Hanna Barbara (2014). Dal recupero alla ri-medizione; pratiche di restauro per l’arte basate sull’utilizzo del computer nel caso di I/Eye (1993) di Bill Spinhoven van Oosten In: Martore, Paolo (ed.) Tra memoria e oblio: percosi nella conservazione dell’arte contemporanea (pp. 229-250). Roma: Castelvecchi Publishers
Hölling, Hanna Barbara (2014). From Social to Technological Interactivity: Delegating the Act, Translating the Object In: Imesch-Ochslin, Kornelia (ed.) Hannes Schmid: Momentous II, 永恒的瞬间 (pp. 52-58). Beijing: Today Art Museum Beijing / Hebei Fine Arts Publishing House
Hölling, Hanna Barbara (2013). On the Identity of Nam June Paik’s Changeable Multimedia Installations in the Context of Their Conservation In: Park, Manu; Kim, Seong Eun; Park, Sang Ae (eds.) Hanna Hoelling, Bernhard Serexhe, Glenn Wharton: Nam June Paik Art Center Interviews (pp. 90-118). Seoul: Nam June Paik Art Center
Hölling, Hanna Barbara (2013). What’s Next? Translating Time, Transforming Objects in the Conservation of Multimedia In: Hedinger, Johannes M.; Meyer, Thorsten (eds.) What's Next ? Kunst nach der Krise: Ein Reader (pp. 251-258). Berlin: Kulturverlag Kadmos
Hölling, Hanna Barbara (2012). Monitor’s Matters In: Proctor, Jacob (ed.) Simon Denny: Full Participation (pp. 185-87). Aspen: Aspen Art Press
Hölling, Hanna Barbara (2010). Konservierung In: Hedinger, Johannes M.; Gossolt, Marcus (eds.) Lexikon zur zeitgenössischen Kunst von Com&Com (pp. 83-84). Zürich: Niggli Publishers
Hölling, Hanna Barbara (2013). Revisions: Zen for Film - Exhibition [Performance or Exhibition]. In: Bard Graduate Center Gallery. New York: Bard Graduate Center
Hölling, Hanna Barbara (2021). Keeping Time: On Museum, Temporality and Heterotopia ArtMatters: International Journal for Technical Art History(1), pp. 47-54. Archetype Publications
Hölling, Hanna Barbara (2021). Introduction: Object—Event—Performance In: Hölling, Hanna Barbara (ed.) Object—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 1-40). New York: Bard Graduate Center / Chicago University Press
Hölling, Hanna Barbara (2013). Seeking the authentic moment: De- and re-materialisations in Paik’s video and multimedia installations AICCM Bulletin, 34(1), pp. 85-92. Taylor & Francis 10.1179/bac.2013.34.1.010
Hölling, Hanna Barbara; Bewer, Francesca G.; Ammann, Katharina (2019). Introduction: Material Encounters In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 1-14). Boston and Leiden: Brill https://doi.org/10.1163/9789004396852
Hölling, Hanna Barbara; Bodor, Judit; Sitt, Andree; ]performance s p a c e[, group (18 November 2021). Curating as Expanded Conservation In: Living Archives: A Scottish Research Council Project. Dundee: University of Dundee
Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Maly, Valerian (2021). Performance: The Ethics and the Politics of Care [Movie]. In: Colloquia within the research project Performance: Conservation, Materiality, Knowledge. Bern, Switzlerland: Bern University of the Arts
Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Maly, Valerian (10 June 2022). Performance: Four Perspectives - A panel by/with Hanna B. Hölling, Jules Pelta Feldman, Emilie Magnin and Valerian Maly In: Revolving Documents #1: Narrations of the Beginnings of Performance Art - BANG BANG translocal hi:stories of performance art. Basel: Museum Tinguely
Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Wielocha, Aga (30 September 2022). Conserving Performance: Interdisciplinary Perspectives. Second Annual Colloquium organized by SNSF Performance: Conservation, Materiality, Knowledge, Bern University of the Arts. In: Conserving Performance: Interdisciplinary Perspectives. Bern, Online: Bern University of the Arts
Hölling, Hanna Barbara; Feldman, Julia Pelta; Ribeiro, Felipe; Diagne, Mariama; Lasica, Shelley (24 May 2022). The Afterlives of Performance - Keynote. With response by Jules Pelta Feldman, followed by a panel discussion with Mariama Diagne, Shelley Lasica and Felipe Ribeiro In: New School, Something Great. Berlin: New School, Something Great
Hölling, Hanna Barbara; Greyson, Saisha (22 November 2019). Art Bites Gallery Talk: Hanna Hölling and Saisha Grayson on Nam June Paik Global Grove (Unpublished). In: Art Bites Gallery Talk. Smithsonian American Art Museum, Washington DC:. November 22, 2019.
Hölling, Hanna Barbara; Hedinger, Johannes M. (2020). Introduction to Landscape In: Landscape: Institute of Land and Environmental Art. Landscape: Vol. 1 (pp. 2-7). St Gallen, Berlin: Vexer Verlag
Hölling, Hanna Barbara; Hedinger, Johannes Martin (2021). The Propensity toward Openness: Bloch as Object, Event, and Performance In: Object—Event—PerformanceObject—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 261-283). New York: Bard Graduate Center
Hölling, Hanna Barbara; Hedinger, Johannes Martin (28 August 2022). Learning from the Earth: Three-day International Conference at the Institute for Land and Environmental Art, organized on the occasion of the 4th International Summer School Alps Art Academy and the Environmental Biennale Art Safiental In: Learning from the Earth: Institute for Land and Environmental Art. Tenna: Institute for Land and Environmental Art
Hölling, Hanna Barbara; Higgins, Hannah; Zinman, Gregory; Gyorody, Andrea; Metcalf, Megan; Pelta Feldman, Jules (22 February 2023). Book Presentation: Object—Event—Performance: Art, Materiality and Continuity since the 1960s In: Research Wednesday Seminar Series. Bern/Online. 22 February 2023.
Hölling, Hanna Barbara; Hock, Regina (2017). Paik's Virtual Archive: Interview with Hanna Hölling [Movie]. In: Collection and Archives. Karlsruhe, Germany: ZKM, Center for Art and Media
Hölling, Hanna Barbara; Landwehr, Dominik (2020). Zur Theorie der Landschaft [Movie]. In: Alps Art Academy, Department of Theory. Tenna, Switzerland: Institute for Land and Environmental Art
Hölling, Hanna Barbara; Landwehr, Dominik (2020). Hanna Hölling: Zur Theorie der Landschaft. Bilanz zur Alp Art Academy 2020 [Audio]. In: Alps Art Academy International Summer School. Tenna, Grisons. 2020
Hölling, Hanna Barbara; Magnin, Emilie (30 May 2023). Writing Performance: On Preservation through Documentation in Performance-based Works In: Workshop an der University Rio de Janeiro, Center for Heritage Management and Documentation in Museums. Rio de Janeiro. 30 May 2023.
Hölling, Hanna Barbara; Miller, Peter (2020). Three Questions with Hanna Hölling [Movie]. In: Three Questions: A Series by Bard Graduate Center. New York: Bard Graduate Center
Hölling, Hanna Barbara; Otero Pailos, Jorge (2019). Materials, Objects, Transitions: Jorge Otero-Pailos in Conversation with Hanna Hölling In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 255-272). Boston and Leiden: Brill 10.1163/9789004396852_012
Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (2023). Introduction: Caring for Performance In: Performance: The Ethics and the Politics of Conservation and Care: Volume 1. Routledge Advances in Theatre & Performance Studies (pp. 1-20). London and New York: Taylor & Francis 10.4324/9781003309987-1
Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie; Falsnaes, Christian; Feder, Ido; Gaweda, Dorota; Grau, Pascale; Raymond, Rosanna; Sanvy, Davide-Christelle; (16 May 2023). Conserving Performance: Artists Speak - Third Annual Colloquium In: Third Annual Colloquium. Bern/Online. 16 May 2023.
Hölling, Hanna Barbara; Schilling, Lara; Adang, Lisa; Ahn, Cabelle; Hill, Linden; Gardner, Andrew (2015). Revisions: Digital Interactive [Performance or Exhibition]. New York: Brad Graduate Center
Hölling, Hanna Barbara; Wharton, Glenn; Serexhe, Bernhard (2013). Interview: Hanna Hölling, Bernhard Serexhe, Glenn Wharton Seoul: Nam June Paik Art Center
Hölling, Hanna Barbara; Wielocha, Aga; Ellis, Josephine Lucy; Allgaier, Elke; Bovier, Lyonel; Gruhn, Elke; Montanari, Laura; Gazotti, Alessandro; Peterlini, Patrizio; von Ameluxen, Hubertus (5 May 2023). Activating Fluxus: In and Out of the Archive In: Two-Day Symposium and Fluxus Study Day at Foundation Bonotto. Molvena / online. 4-5 May 2022.
Inderst, Rudolf (2020). Die Darstellung von Wissenschaft und Technologie in Digitalen Spielen. Ein Editorial In: Görgen, Arno (ed.) Wissenschaft und Technologie in Digitalen Spielen (pp. 9-24). Marburg: Büchner Verlag
Irvin, Sherri; Hölling, Hanna Barbara (2023). Two Questions: Sherri Irvin, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: Berner Fachhochschule, Hochschule der Künste / SNSF Performance: Conservation, Materiality, Knowledge
Kappeler, Annette (15 October 2015). Images in action. An anthology on Claude-François Ménestrier In: Images en mouvement. Claude-François Ménestrier’s Writings on Image and Theater Theory. Basel. 15./16. Oktober 2015.
Kappeler, Annette (2020). Parler aux yeux. Les pantomimes dans les Amants magnifiques de Molière In: Naudeix, Laura (ed.) Molière à la cour. "Les Amants magnifiques" en 1670 (pp. 283-294). Rennes: Presses universitaires de Rennes
Kappeler, Annette (2019). Dramatische Darstellung in ihrem organischen Zusammenhange. Lebendiges Theaterspiel um die Wende zum 19. Jahrhundert In: Belebungskünste. Praktiken der Lebendigen Darstellung um 1800 (pp. 105-125). Paderborn: Fink 10.30965/9783846762929_007
Kappeler, Annette (2016). L’oeil du prince. Auftrittsformen in der Oper des Ancien Régime Eikones. Paderborn: Fink
Kappeler, Annette (2022). Merveilleux et Mathématique. Theatre Machines and Their Dual Iconographical Representation Castle Chronicles, 8(74), pp. 197-214.
Kappeler, Annette; Bortolotti, Raphaël (1 March 2022). Un teatro in provincia. Das Theater Feltre im 19. Jahrhundert In: Vortragsreihe der Schweizerischen Musikforschenden Gesellschaft. Bern, Institut für Musikwissenschaft. 01.03.2022.
Kappeler, Annette; Lazardzig, Jan; Gess, Nicola (2018). Einleitung: Images d’action. Die fest- und bühnentheoretischen Schriften Claude-François Ménestriers In: Kappeler, Annette; Lazardzig, Jan; Gess, Nicola (eds.) Images d’action. Die fest- und bühnentheoretischen Schriften Claude-François Ménestriers (pp. 11-45). Fink
Kaufmann, Beatrice (2 March 2021). The Pictures of the Pandemic In: Learning from Corona – Blog.
Kaufmann, Beatrice (2 March 2021). Die Bilder der Pandemie In: Learning from Corona – Blog.
Kaufmann, Beatrice (12 November 2020). “Design for Distancing” In: Learning from Corona – Blog.
Kaufmann, Beatrice (29 June 2020). Popcorn in the Washbasin or Making Pictograms Legible In: Learning from Corona – Blog.
Kaufmann, Beatrice (15 September 2021). «Learning from Corona» – ein Wissenschaftsblog zu Designfragen rund um die Pandemie In: ScienceComm'21. Universität Fribourg. 15.9.2021.
Kaufmann, Beatrice (17 May 2022). Sprechende Bilder: eine bildbasierte Kommunikationshilfe zur Unterstützung bei Sprachbarrieren im Kindernotfall In: UX Schweiz Bern Meetup. Bern. 17. Mai 2022.
Kaufmann, Beatrice (31 October 2023). When mimics and gestures are not enough: A picture-based aid for safe and effective communication in healthcare In: Guest Lecture Master Design, Hochschule Luzern. Luzern. October 31 2023.
Kaufmann, Beatrice; Olalia, Loraine; Denecke, Kerstin; Lueg, Christopher; Thilo, Friederike J.S.; Drewlow, Joshua; von Kaenel, François; Haldemann, Anouk (15 March 2022). Addressing Communication Challenges in Healthcare In: SHS Public. Basel. 15. März 2022.
Klingemann, Harald; Flückiger, Michael; Bongard, Thierry; Büchi, Marlen Eva; Carrara, Marco (2020). Design and Content Quality of Alcohol-Related German, French and Italian Self-Tracking Applications Substance Use & Misuse, 55(5), pp. 851-859. Taylor & Francis 10.1080/10826084.2019.1708117
Krauter Kellein, Anne (2022). Wie viel Interdisziplinarität braucht die Erhaltung zeitgenössischer Kunst? In: Fayet, Roger; Krähenbühl, Regula (eds.) Kunst und Material. Konzepte, Prozesse, Arbeitsteilungen. outlines: Vol. 12 (pp. 123-137). arthistoricum.net-ART-Books 10.11588/arthistoricum.1047
Krauter Kellein, Anne (2 November 2022). Wieviel Interdisziplinarität braucht die Zeitgenössische Kunst? In: Kunst und Material: Repräsentation, Stofflichkeit, Prozesse. Zürich. 1. - 2. November 2018.
Krauter Kellein, Anne (25 September 2021). Formbar und funktional? Zu den materialsemantischen Dimensionen des Betons im Werk von Eduardo Chillida In: Warum Beton? Abschiedssymposium für Professor Ueli Fritz. Bern. 25. September 2021.
Krauter Kellein, Anne (1997). Die Schriften Paul Scheerbarts und der Lichtdom von Albert Speer: "Das grosse Licht" (Dissertation, Universität Heidelberg, Philosophisch-Historische Fakultät)
Krauter Kellein, Anne (1987). Imagination und Dokument: Die eigene Kultur im fotografischen Abbild der fremden Kultur In: Exotische Welten: Europäische Phantasien (pp. 202-209). Stuttgart-Bad Cannstatt: Edition Cantz
Krauter Kellein, Anne Beitin, Andreas; Broeker, Holger; Hausig, Daniel; Schwarz, Michael (eds.) (2022). Das grosse Licht: Der Lichtdom von Albert Speer: Eine Veranstaltung des Kunstmuseum Wolfsburg und LIFA in Zusammenarbeit mit der Hochschule der Bildenden Künste Saar anlässlich der Ausstellung Macht! Licht! im Kunstmuseum Wolfsburg 2022 [Movie]. In: Beitin, Andreas; Broeker, Holger; Hausig, Daniel; Schwarz, Michael (eds.) Kolloquium VIII Physik, Metaphysik und die Politik des Lichts. Kunstmuseum Wolfsburg. 24. – 25. März 2022
Krauter Kellein, Anne (2 June 2017). Johannes Kunckels „Ars Vitraria experimentalis“, die Illustrationen und die verschiedenen Auflagen und Ausgaben des Buches In: WerkStattWissen: The Work of Art: Konferenz Materialtechnologie in Quellenschriften und Werkstattpraxis. Bern. 31.5.-2.6.2017.
Krauter Kellein, Anne (6 November 2021). Opakglas: ein fast vergessener Werkstoff in der Architektur In: International Symposium: Glass in Architecture: From the Post-Industrial Era: Production, Use And Conservation. Romont. 5–6 November 2021.
Krauter Kellein, Anne (2014). Hani Bäbler - Eine kunsthistorische Betrachtung In: Nachwuchs : Hani Bäbler (1958-2011) : [Ausstellung, Villa Renata, Basel, 7.-26. September 2014] (pp. 8-33). Basel: Verein Künstlericher Nachlass Hani Bäbler
Krauter Kellein, Anne (24 January 2019). 100jahrebauhaus: Zu den politischen Dimensionen des Lichts In: Eröffnungsfestivals 100 jahre bauhaus. Berlin. 17. - 24. Januar 2019.
Krauter Kellein, Anne (2019). Wenn Farben sich verändern : die Perspektive der Restaurierung NIKE-Bulletin, 34(1), pp. 10-15. Nationale Informationsstelle zum Kulturerbe
Krauter Kellein, Anne (2009). Lichter der Grossstadt: Lichtästhetik der klassischen Avantgarde In: Gärtner, Ulrike; Hemken, Kai-Uwe; Schierz, Kai Uwe (eds.) KunstLichtSpiele (pp. 44-54). Bielefeld: Kerber
Krauter Kellein, Anne; Fayet, Roger; Krähenbühl, Regula; Wülfert, Stefan (2019). Kunst und Material: Arbeitsteilung im Schaffensprozess In: Kunst und Material: Arbeitsteilung im Schaffensprozess. Zürich. 14. - 15. November 2019.
Krauter Kellein, Anne; Fritz, Ueli (8 May 2013). Makellos transparent oder mit romantischen Schlieren? Überlegungen zu Sortenvielfalt und Ästhetik des Fensterglases im frühen 20. Jahrhundert (Unpublished). In: Forschungs-Mittwoch. Bern. 8. Mai 2013.
Krauter Kellein, Anne; Fritz, Ueli (2 December 2011). Fensterscheibe und Vorhangfassade im historischen Überblick In: Architektenseminar 2011 der Firma Glas Trösch. Rüschlikon. 2. Dezember 2011.
Krauter Kellein, Anne; Gfeller, Johannes; Köpp, Kai; Harenberg, Michael (3 December 2011). Celtic + ~~~ - Medien/Material/Semantik, verfallsbedingter und intendierter Medientransfer in Musik und bildender Kunst am Beispiel der Aktion von Joseph Beuys, Basel 1971 In: BONE-Festival Bern (recalling Terry Fox). Bern. 3. Dezember 2011.
Krauter Kellein, Anne; Mader, Franca (2022). The Digitale Kunst-Pforte: an interdisciplinary online platform for art technological source research and experimental reconstruction In: Oltrogge, Doris; Townsend, Joyce H.; Haack-Christensen, Anne; Stols-Witlox, Maartje (eds.) Reflecting on Reconstructions. The Role of Sources and Performative Methods in Art Technological Studies. Proceedings of the eighth symposium of the ICOM-CC working group on Art Technological Source Research, held at the Cologne Institute of Conservation (pp. 169-177). ICOM-CC Publications online
Krauter Kellein, Anne; Mader, Franca (27 September 2019). The Digitale Kunst-Pforte: an interdisciplinary online platform for art technological source research and experimental reconstruction. The 8th Interim Meeting of the ICOM-CC Art Technological Source Research Working Group on 26 / 27 September 2019 in the CICS Cologne In: 8th Interim Meeting of the ICOM-CC Art Technological Source Research Working: Reflecting On Reconstruction: The Role Of Sources And Performative Methods In Art Technological Studies. Köln. 26. - 27. September 2019.
Krauter Kellein, Anne; Zumbühl, Stefan (19 April 2014). Der "Block Beuys" aus konservierungsethischer Sicht In: Hearing zum Block Beuys. Darmstadt. 18./19. April 2008.
Küffer, Simon Renato (7 December 2019). Visuelle Rhetorik als Bildanalyse, Interpretation & Ideologiekritik In: Imagining the New Economy – Bildlichkeit in der Ökonomie am Beispiel der Schul- und Lehrbücher,. Cusanus Hochschule / Eutopia Bonn.
Küffer, Simon Renato (23 September 2022). The Visual Rhetoric of Money – Aesthetics, Affects and Narratives in Contemporary Mass Media Images In: Political Economy for Everybody? Popularizing and Moralizing the Economy in Political Conflicts. Leibniz-Center for Contemporary History Potsdam.
Küffer, Simon Renato (12 October 2022). Geld im Film – mit Elisabeth Bronfen und Wolfgang M. Schmitt In: Ein Abend im Museum: Money Talks. Bernisches Historisches Museum.
Küffer, Simon Renato (26 October 2022). Bilder des Geldes – mit Manuela Pfrunder und Cornelia Bohn In: Ein Abend im Museum: Money Talks. Bernisches Historisches Museum.
Küffer, Simon Renato (21 April 2022). Design & Politics In: Masterstudio Design. FHNW Basel.
Lzicar, Robert; Fischbacher, Roland (2015). Fan Talk In: Grand, Lurker (ed.) Die Not hat ein Ende: The Swiss Art of Rock (pp. 443-474). Zürich: Edition Patrick Frey
Macdonald, Brandie; Hölling, Hanna Barbara; Magnin, Emilie (12 May 2022). Conserving “Us:” Caring for Living Heritage, Oral Tradition and Indigenous Knowledge In: Performance: Conservation, Materiality Knowledge. Bern University of the Arts. May 12, 2022.
Melzer, Tine (2007). The Dream of the Speechmachine In: Castillo Deball, Mariana; Kopelman, Irene (eds.) A for Alibi. Berlin: Sternberg Press
Melzer, Tine; Groenendijk, Henk (2009). What’s in a Name? In: The Archive. Gray Magazine: Vol. 5 (pp. 37-44). Amsterdam: Gerrit Rietveld Acadamy
Metcalf, Megan; Olinghaus, Cori; Hölling, Hanna Barbara; Feldman, Julia Pelta (2021). Living Materials: Ethics and Principles For Embodied Stewardship - A Panel and a Conversation between Cori Olinghaus and Megan Metcalf [Movie]. In: Performance: Conservation, Materiality, Knowledge. Bern University of the Arts
Morgan, Kelli; Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (2023). Peeling the Paint off the Walls: Kelli Morgan on Black Performance and Racial Justice in Western Institutions In: Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) Performance: The Ethics and the Politics of Conservation and Care: Volume 1. Routledge Advances in Theatre & Performance Studies (pp. 188-199). London and New York: Taylor & Francis
Pfister, Eugen; Görgen, Arno (2020). Politische Transferprozesse in Digitalen Spielen. Eine Begriffsgeschichte In: Görgen, Arno; Simond, Stefan Heinrich (eds.) Krankheit in Digitalen Spielen. Interdisziplinäre Betrachtungen. Medical Humanities: Vol. 6 (pp. 51-74). Bielefeld: transcript Verlag 10.14361/9783839453285-004
Renken, Arno (2015). La traduction sans commune mesure In: Félix, François (ed.) Xi Dong /Ouest-est. Voies esthétique (pp. 159-169). Lausanne: L'Âge d'homme
Robinson, Julia; Hölling, Hanna Barbara; Wielocha, Aga; Ellis, Josephine Lucy (25 May 2023). Julia Robinson: Working In the Spirit of Fluxus In: Thursday Lecture seminar series. Bern. 25 May 2023.
Scheller, Katharina (3 June 2022). Mapping for Green Cities: Analyse und Exploration am Beispiel der städtischen Baumkartierung In: Design x Sustainability: Materiality, Systems, Shared Prosperity: 18. Jahrestagung der Deutsche Gesellschaft für Designtheorie und -forschung DGTF (pp. 110-113). Deutsche Gesellschaft für Designtheorie und -forschung 10.25368/2022.297
Scheller, Katharina (January 2022). Mapping for Green Cities: Analyse und Exploration am Beispiel der städtischen Baumkartierung Hochschule der Künste Bern
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