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A

Afzali, Minou (29 June 2020). Superheld*innen im Spital?

Afzali, Minou (29 June 2020). Superheroes in the Hospital?

Afzali, Minou (27 August 2021). Designing Health Care: Improving health care through Evidence-based Design In: Designing Health Care: Improving health care through Evidence-based Design. Lugano: Swiss Schools of Public Health SSPH+

Afzali, Minou (27 October 2022). Wie kann Design zu einer altersfreundlicheren Gesundheitsgrundversorgung beitragen? In: Hin zu einer altersfreundlichen Gesundheitsversorgung. Bern. 27.10.2022.

Afzali, Minou (13 October 2022). Design als Trigger von Aggression? Die stressfördernde bzw. -lindernde Wirkung der Gestaltung des räumlichen Umfelds. In: Tagung „high noon?“ Gewalt und Deeskalation in Sozial- und Gesundheitseinrichtungen, pflegenetz. Wien, Austria Trend Hotel Schloss Wilhelminenberg. 13.-14.10.2022.

Afzali, Minou (10 September 2022). Design for Health Care In: 19th European Doctoral Conference in Nursing Science 2020 – Designing the Future of Healthcare – Nurses Taking the Lead. Bern. 09.09.2022 until 10.09.2022.

Afzali, Minou; Boner, Jörg; Marder, Thomas (11 November 2021). Design in allen Facetten

Afzali, Minou; Hahn, Sabine (10 September 2022). Interprofessional Science to Design better Health Care In: 19th European Doctoral Conference in Nursing Science 2020 – Designing the Future of Healthcare – Nurses Taking the Lead. Bern. 09.-10.09.2022.

Afzali, Minou; Inauen, Rahel Ursula; Schmid, Jimmy; Tschuppert, Ramona Larissa; Odermatt, Jean; Blum, Alexa (4 June 2022). Evicence-based Design in a Geriatric Clinic In: EDRA53: Health in al design: Promoting health, equity, sustainability and resilience through environment al design. Greenville, SC. June 01-04, 2022.

Afzali, Minou; Mareis, Claudia; Aeschbacher, Daniel (1 November 2021). Was bleibt von der «guten Form»?

Afzali, Minou; Scheuermann, Arne (27 August 2020). The Design of Health Care Environments: Examples of Evidence-Based Design In: SSPH+ Lugano Summer School. Swiss School of Public Health

Afzali, Minou; Schmid, Jimmy; Odermatt, Jean (2020). Bericht «Optimierung Innenraumgestaltung» Basel: Universitäre Altermedizin Felix Platter

Afzali, Minou (2018). Zur Rolle des Designs in kultursensiblen Alters- und Pflegeeinrichtungen (Dissertation, Universität Bern, Institut für Sozialanthropologie)

Aubry, Gilles (2019). Salam Godzilla [Movie]. Nyon: International Film Festival Visions du Réel

Aubry, Gilles (2022). Atlantic Ragagar [Movie]. Ji-Hlava, Tschechien: Ji.Hlava International Documentary Film Festival (IDFF)

Auslander, Philip; Hölling, Hanna Barbara (2022). Two Questions: Philip Auslander, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge

B

Bacciagaluppi, Claudio (2019). Ein unbekanntes Portrait von Carl Ditters von Dittersdorf? Studien zur Musikwissenschaft, 61, pp. 33-40. Wien: Hollitzer Verlag, Wien

Badrutt, Gaudenz (2021). Die Einmaligkeit der Wiederholung beim Hören improvisierter und komponierter elektroakustischer Musik In: Gartmann, Thomas; Schäuble, Michaela (eds.) Studies in the Arts - Neue Perspektiven auf Forschung über, in und durch Kunst und Design (pp. 137-153). Bielefeld: transcript Verlag 10.14361/9783839457368

Baur, Ruedi; Felsing, Ulrike (2005). Le lointain n’existe plus: Prozesshaftes Design [Performance or Exhibition]. Abstract, Lausanne. November 2005.

Berthod, Jonas (June 2020). Time and the Essence Swiss Design Awards blog

Berthod, Jonas (September 2020). Read More Weltformat Magazin: Not (Yet) Cancelled, pp. 25-29.

Bodor, Judit; Hölling, Hanna Barbara (2021). Two Questions: Judit Bodor, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge

Boeck, Angelika; Tepe, Peter; Gartmann, Thomas (2022). Thomas Gartmann: Vertiefungen w/k - Zwischen Wissenschaft & Kunst, pp. 1-10. Prof. Dr. Peter Tepe 10.55597/d16467

Bortolotti, Raphaël (2021). Les décors et machines originaux du théâtre de Feltre: Enjeux techniques d’une scène de province dans l’Italie du XIXe siècle In: Illiano, Roberto (ed.) Performing Arts and Technical Issues. Staging and Dramaturgy: Vol. 4 (pp. 235-268). Brepols

Bortolotti, Raphaël; Brunello, Giulia; Kappeler, Annette (2022). In the Wings: Offstage Labour in a Provincial Italian Theatre Quellen und Forschungen aus italienischen Archiven und Bibliotheken, 102(1), pp. 333-359. Walter de Gruyter 10.1515/qufiab-2022-0016

Bortolotti, Raphaël; Kappeler, Annette (5 June 2019). Macchinati Progetti. Das Theater Feltre im Risorgimento In: Theater-Maschinen. Gotha. 2019.

Botta, Massimo (25 March 2021). Panel discussion In: Closing session of the conference of the Swiss Design Network "Design as Common Good: Framing Design through Pluralism and Social Values". online. March 25-26, 2021.

Butz, Heinrich (2022). Zu Gast - Michèl Kessler HKB-Zeitung(4), p. 27. Berner Fachhochschule BFH, Hochschule der Künste Bern

Bärtsch, Manuel (2021). Wagner on Welte: Tristan und Isolde around 1905 In: Gartmann, Thomas; Schäuble, Michaela (eds.) Studies in the Arts - Neue Perspektiven auf Forschung über, in und durch Kunst und Design (pp. 155-175). Bielefeld: transcript Verlag 10.14361/9783839457368

C

Caduff, Corina (2003). Die Literarisierung von Musik und bildender Kunst um 1800 Fink

Casagrande, Bruna (2017). A report from the audience: The multi-perspective Witness-Report as a Method of documenting Performance Art VDR Beiträge zur Erhaltung von Kunst und Kulturgut, pp. 95-99. Verband der Restauratoren (VDR) e. V.

Casagrande, Bruna; Schneider Willen, Nadja; Welter, Judith; Ullrich, Wolfgang; Black, Karla (2017). Materialities – Physical States of Artworks In: Now - tomorrow - flux: an anthology on the museum of contemporary art (pp. 147-179). Ringier

Chichester, Lee K.; Gisler, Priska; Hürzeler, Luzia; Csernay, Sarah; Étienne, Noémie (15 October 2021). Koloniale Tiere? Tierbilder im Kontext des Kolonialismus. Eine Tagung im Rahmen der Ausstellung August Gaul. Moderne Tiere In: Koloniale Tiere? Tierbilder im Kontext des Kolonialismus. Eine Tagung im Rahmen der Ausstellung August Gaul. Moderne Tiere. Bern: Kunstmuseum Bern

Chopard, Cléa (2019). Dislocution [Movie]. In: What if? : Counterfactual Explorations and Thought Experiments. Istituto svizzero di Roma. 22-23 mai 2019

Claire, Bishop; Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie (2021). Can Performance Art be Conserved? Claire Bishop in Conversation [Movie]. In: Performance: Conservation, Materiality, Knowledge. Bern University of the Arts

D

Denecke, Kerstin; Thilo, Friederike J.S.; Lueg, Christopher; Olalia, Loraine; Haldemann, Anouk; Kaufmann, Beatrice (2022). Participatory Development of an Image-Based Communication Aid for Migrant Patients and Emergency Nurses In: Bürkle, Thomas; Denecke, Kerstin; Holm, Jürgen; Sariyar, Murat (eds.) Healthcare of the Future 2022. Studies in Health Technology and Informatics: Vol. 292 (pp. 15-20). Amsterdam: IOS Press BV 10.3233/SHTI220312

Dobrusskin, Sebastian (1988). Abnahme von Kugelschreiberfarbstoff – ein Fallbericht Restauro – Zeitschrift für Kunsttechniken, Restaurierung und Museumsfragen, 4(94), pp. 292-296. Georg D. W. Callwey, München

Dobrusskin, Sebastian (August 1999). Frühe, nichtphotographische Kopier- und Vervielfältigungstechniken IADA Preprints 1999, pp. 195-205. Kopenhagen: The Royal Academy of Fine Arts – The School of Conservation

Dobrusskin, Sebastian; Singer, Hannah; Banik, Gerhard (1991). Humidification with Moisture Permeable Materials In: 7th International Congress of Restorers of Graphic Art (pp. 143-148). Uppsala: IADA

Dupré, Sven; Hölling, Hanna Barbara (2022). Two Questions: Sven Dupré, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge

E

Engel, Xymna (15 September 2021). «Seine Ideen sind hochaktuell» Der Bund, p. 23.

F

Feldman, Jules Pelta (2022). Performing Disability and Endurance: On Carolyn Lazard’s Support System (for Tina, Park, and Bob) In: Millett-Gallant, Ann; Howie, Elizabeth (eds.) Disability and Art History from Antiquity to the Twenty-First Century (pp. 252-267). London: Routledge 10.4324/9781003048602-21

Feldman, Julia Pelta (4 December 2019). Induced Demand: MoMA Reopens Texte zur Kunst Online

Feldman, Julia Pelta (2016). On Carolyn Lazard's Support System (for Tina, Park, and Bob) Brooklyn: Room & Board

Feldman, Julia Pelta (2020). Pyramid Schemes Texte zur Kunst, 30(117), pp. 240-243.

Feldman, Julia Pelta (2020). Restitution is not enough: deaccessioning for justice in contemporary art 21: Inquiries into art, history, and the visual(1), pp. 205-215.

Feldman, Julia Pelta (2 January 2018). The Myth of Artistic Freedom Zeit Online

Feldman, Julia Pelta (2015). Bed Piece: Pelta Feldman Variation. a permanent installation by Daniel Fishkin at Room & Board Brooklyn: Room & Board

Feldman, Julia Pelta (25 October 2020). Bildersturm und Gerechtigkeit: Warum unsere Denkmäler uns im Stich lassen Deutschlandfunk

Feldman, Julia Pelta (7 March 2019). Ceramics in the Expanded Field: The Art World, the Clay World, and the Case for John Mason Momus

Feldman, Julia Pelta (2016). Chohreh Feyzdjou In: Global/Local 1960-2015: Six Artists from Iran (pp. 57-65). New York: Grey Art Gallery, New York University

Feldman, Julia Pelta (October 2017). Das Bild muss weg Deutschlandfunk

Feldman, Julia Pelta (2020). Female Imagery Cache(01) Intercom Verlag

Feldman, Julia Pelta (2 February 2020). Gerechtigkeit in der Gegenwartskunst: Restitution ist nicht genug

Feldman, Julia Pelta (2020). Selling Point Artforum.com

Feldman, Julia Pelta (2021). Against Getting It: Julia Pelta Feldman on the limits of accessibility Artforum, 59(21) Artforum International Magazine

Feldman, Julia Pelta (2021). 'Censorship now!!': Destruction and Memory in Art In: Dispositiv-Erkundungen | Exploring Dispositifs. Berlin: Logos

Feldman, Julia Pelta (13 July 2022). 'Sag was!' Republik, pp. 1-7. Republik AG, Zürich

Feldman, Julia Pelta; Spector, Shelley (2016). Shelley Spector: I Live Here Brooklyn: Room & Board

Felsing, Ulrike; Frischknecht, Max (2021). Critical Map Visualizations In: Shifts in Mapping Maps as a tool of knowledge. Bielefeld: Transcript

Flamm, Verena; Hofmann, Christa; Dobrusskin, Sebastian; Banik, Gerhard (1990). Conservation of Tracing Papers In: 9th Triennial Meeting, Dresden, German Democratic Republic, 26-31 August 1990 2 (pp. 463-467). ICOM Committee for Conservation, Los Angeles

Frischknecht, Max (26 March 2021). An Artistic Research Into The Use of Personal Data for Political Communication In: Deep City: Climate Crisis, Democracy, and the Digital. EPFL Lausanne. 24.03 – 26.03.2021.

Frischknecht, Max (2021). Zur Barrierefreiheit der kantonalen Impfplattformen Learning from Corona Health Care Communication Design HCCD

Frischknecht, Max (2022). Nodegoat: Eine web-basierte Forschungsumgebung für die Geisteswissenschaften Einblicke in die Digital Humanities hypotheses.org

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Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine In: Gartmann, Thomas (ed.) Von der Fuge in Rot bis zur Zwitschermaschine - Paul Klee und die Musik (pp. 7-10). Basel: Schwabe Verlag

Gartmann, Thomas (May 2022). Provenance Research on Stringed Instruments Newsletter of the Network of European Restitution Committees on Nazi-Looted Art(13), pp. 18-19. Network of European Restitution Committees on Nazi-Looted Art

Gartmann, Thomas (2022). Studies in the Arts: ein künstlerisch-wissenschaftliches Doktorat w/k - Zwischen Wissenschaft & Kunst, pp. 1-6. Prof. Dr. Peter Tepe 10.55597/d16289

Gartmann, Thomas (2022). Studies in the Arts: An Artistic-Scientific Doctorate w/k - Between Science and Art, pp. 1-6. Dr. Peter Tepe 10.55597/e7614

Gartmann, Thomas; Boeck, Angelika; Tepe, Peter (2022). Thomas Gartmann: an in-depth interview w/k - Between Science and Art, pp. 1-10. Prof. Dr. Peter Tepe 10.55597/e7729

Gartmann, Thomas; Schäuble, Michaela (2021). Überlegungen zu einem künstlerisch-wissenschaftlichen Doktoratsprogramm In: Gartmann, Thomas; Schäuble, Michaela (eds.) Studies in the Arts - Neue Perspektiven auf Forschung über, in und durch Kunst und Design (pp. 7-14). Bielefeld: transcript Verlag 10.14361/9783839457368

Gisler, Priska (2019). Urban Topologies of Epistemic Change: The Zoo and the Heterotopia of the Map Contemporary Social Science, Special Issue ‘Urban Animals’ Taylor & Francis

Gisler, Priska (2021). Being in Spitzbergen: Teilnehmende Wahrnehmung und Erkenntnisgewinn in einem künstlerischen Forschungsprojekt In: Wahrnehmen als soziale Praxis. Künste und Sinne im Zusammenspiel (pp. 395-417). Wien, New York: Springer VS.

Gisler, Priska; Baum, Jacqueline (2022). The future is next, the future is now! In: Kunstvermittlung geht an Land. Studentische Perspektiven auf die Gegenwart der Zukunft von Kunstmuseen in der Schweiz. (pp. 5-29). St. Gallen / Berlin: Vexer Verlag

Gisler, Priska; Hadorn, Laura; Hipp, Anna; Ryffel, Priska (2022). Digitales Kapital im Einsatz: eine Ethnografie zur Transformation digitaler Praktiken in der Kunstausbildung Digitale Gesellschaft. Bielefeld: transcript

Gordon, Rebecca; Hölling, Hanna Barbara (2022). Two Questions: Rebecca Gordon, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge

Gusman, Tancredi; Hölling, Hanna Barbara (2022). Two Questions: Tancredi Gusman, in conversation with Hanna Hölling [Movie]. In: Two Questions. Bern: SNSF Performance: Conservation, Materiality, Knowledge

Görgen, Arno (2020). Zwischen Pathologisierung und Enhancement. Formen der Medikalisierung digitaler Spiele In: Simond, Stefan Heinrich; Görgen, Arno (eds.) Krankheit in Digitalen Spielen. Interdisziplinäre Betrachtungen. Medical Humanities (pp. 17-49). Bielefeld: transcript Verlag 10.14361/9783839453285-003

Görgen, Arno (22 June 2022). Krankheit im Digitalen Spiel: ein Topos im Wandel In: GameLab-Stammtisch. Augsburg. 22.06.2022.

H

Haiduk, Marina (10 November 2022). Gestaltungselemente als Bedeutungsträger? Die Wartburg-Quinterne im Kontext künstlerischer Darstellungen (Unpublished). In: Online-Studientag zur Wartburg-Quinterne. Bern / online. 10.11.2022.

Haiduk, Marina (2022). Das mittelalterliche Rabab www.musikforschung.de Gesellschaft für Musikforschung

Harren, Natilee; Hölling, Hanna Barbara; Wielocha, Aga (16 November 2022). Natilee Harren: Fluxus Forms of Activation. An invited lecture and a panel discussion organized by SNSF Activating Fluxus within the Research Wednesday seminar series, Bern University of the Arts In: Research Wednesday seminar series. Bern, online: SNSF Activating Fluxus

Herbst, Kristina; Dobrusskin, Sebastian (2016). pARTicip – Kunstgenuss per App Restauro – Zeitschrift für Kunsttechniken, Restaurierung und Museumsfragen, 2016(6), p. 12. Georg D. W. Callwey, München

Hirsch, Thilo; Haiduk, Marina (5 November 2021). Zur Interpretation und Rekonstruktion von Musikinstrumenten in Bildquellen. Versuch eines methodisch-praktischen Leitfadens In: Das mittelalterliche Rabab. Ein Streichinstrument mit arabisch-islamischer Vergangenheit und Gegenwart. Bern, Schweiz. 05. bis 06. November 2021.

Hofmann, Rita (2015). Surface science in photography Nanotechnology Perceptions, 11(1), pp. 5-19. 10.4024/N01HO15R.ntp.011.01

Hölling, Hanna Barbara (14 March 2019). Über die Begriffe der Zeit, Materialität, und Authentizität in Paiks Medienkunst (Unpublished). In: Internationale Tagung zu Fragen und Aspekten der Bewahrung und Restaurierung von Medienkunst. Frankfurt, Museum of Communication. March 14, 2019.

Hölling, Hanna Barbara (2018). Performance: Nachleben, Materialität, Interpretation | Performance: Afterlife, Materiality, Interpretation: lecture followed by an artist talk with Johannes Hedinger (Com&Com) [Performance or Exhibition]. In: Forschungsmittwoch. Bern University of the Arts. October 17, 2019

Hölling, Hanna Barbara (2020). Archiefactiveringen: Nam June Paik tussen tekst en object Metropolis, 41(1), pp. 42-45. Stichting Metropolis M

Hölling, Hanna Barbara (2018). Archive and Documentation Art and Documentation Journal, 17(1), pp. 19-28. SID

Hölling, Hanna Barbara (2020). The Lands of Art: On Land (Art) and its Shifting Grounds (2016) In: Landscape: Institute of Land and Environmental Art. Landscape: Vol. 1 (pp. 52-69). St Gallen, Berlin: Vexer Verlag

Hölling, Hanna Barbara (2020). Archival Activations—Nam June Paik between Text and Object Metropolis M, 41(1) Stichting Metropolis M

Hölling, Hanna Barbara (2019). Mídia transicional: permanência, recursividade e o paradigma da conservação In: A memória do digital e outras questões das artes e museologia (pp. 37-49). Belo Horizonte: Editora da Universidade do Estado De Minas Gerais, Brasil.

Hölling, Hanna Barbara (October 2018). Conservation and Exactitude (Unpublished). In: Media of Exactitude in the Humanities, Arts, and Science international conference | Medien der Genauigkeit: Ideale, Praktiken, Darstellungen. University of Basel. October 5, 2018.

Hölling, Hanna Barbara (1 November 2018). Object, Event, Performance: Rethinking Materiality in Fluxus Intermedia (Unpublished). In: Kunst und Material: Repräsentation, Stofflichkeit, Prozesse | Art and Material: Representation, Materiality, Processes. SIK-ISEA | Schweizerisches Institut für Kunstwissenschaft | Swiss Institute for Art Research Zürich. November 1, 2018.

Hölling, Hanna Barbara (15 April 2019). On performance, archive and conservation (Unpublished). In: VALIE EXPORT Center think tank on performance, media and archives.

Hölling, Hanna Barbara (23 April 2019). Keynote address: Time and Memory in Fluxus Films (Unpublished). In: 5º Seminário de Artes Digitais (SAD) | 5th Seminar for Digital Arts, State University of Minas Gerais/UEMG. State University of Minas Gerais/UEMG.

Hölling, Hanna Barbara (10 May 2019). Unity and Diversity: Discipline Formation & Cultures of Expertise - Session chair and concluding remarks (Unpublished). In: The Making of Art Experience – Artechne international conference. Discipline Formation & Cultures of Expertise. University of Utrecht, University of Amsterdam, NICAS and Rijksmuseum:. May 10, 2019.

Hölling, Hanna Barbara (15 February 2020). Feedback and Feedforth: New Approaches to Nam June Paik – a response paper and discussion (Unpublished). In: College Art Association Annual Conference, Chicago. CAA Chicago. February 15, 2020,.

Hölling, Hanna Barbara (21 February 2020). Media Art: Conservation and Philosophy (Unpublished). In: Conservation and Philosophy workshop organized by Tate Modern and Institute of Philosophy, University of London. University of London Institute in Paris. February 21, 2020.

Hölling, Hanna Barbara (12 December 2019). Unpacking the Score: Fluxus and the Material Legacy of Intermediality (Unpublished). In: Smithsonian American Art Museum Lunch Bag Seminar Series. Smithsonian American Art Museum, Washington DC. December 12, 2019.

Hölling, Hanna Barbara (1 October 2020). Ceci n’est pas une Paik: Materiality and Knowledge in the Conservation of Media Art In: Paik Soiree, Free University of Amsterdam and Stedelijk Museum. Amsterdam. 01.10.2020.

Hölling, Hanna Barbara (26 September 2020). Critical Grounds: Institute for Land and Environmental Art--Introduction to an international conference In: Critical Grounds: Art and Politics of Landscape. Tenna, Grisons. 26.09.2020.

Hölling, Hanna Barbara (2021). Über das Nichts, die Leere und die Langeweile In: Plötzlich diese Leere. St Gallen: VGS Verlagsgenossenschaft St. Gallen

Hölling, Hanna Barbara (2021). Unpacking the Score: Notes on the Material Legacy of Intermediality On Curating: Fluxus Special Issue(51) University of the Arts Zurich

Hölling, Hanna Barbara (2021). Keeping Time: On Museum, Temporality and Heterotopia ArtMatters: International Journal for Technical Art History

Hölling, Hanna Barbara (2021). Assembling a Work of Art: An Annotated History of Fluxfilm No. 1 MAP - Media | Archive | Performance, 11(1)

Hölling, Hanna Barbara (10 June 2021). Performance: Vom Weiterleben Flüchtiger Kunst In: Vortragsreihe Still Alive. Dresden: Albertinum

Hölling, Hanna Barbara (30 April 2021). Response paper to Salvador Muñoz-Viñas: “The Role of Science in the Conservation World: A Naïve Exploration” In: Brill-Nuncius Seminar, The Making of Conservation Science. Utrecht University. April 30, 2021.

Hölling, Hanna Barbara (31 March 2021). The Contingencies of Care: On the Conservation of Video and Media Installations In: Video Festival Locarno 1980-2001 Symposium. Lausanne University.

Hölling, Hanna Barbara (2021). Introduction: Object—Event—Performance In: Object—Event—PerformanceObject—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 1-40). New York: Bard Graduate Center

Hölling, Hanna Barbara (2021). Exhausting Conservation: Object, Event, Performance in Franz Erhard Walther’s Werkstücke In: Object—Event—PerformanceObject—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 62-84). New York: Bard Graduate Center

Hölling, Hanna Barbara (2021). Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia Afterall, 52(52), pp. 106-119. University of Chicago Press 10.1086/719773

Hölling, Hanna Barbara (12 November 2021). Beyond Conservation: Object, Event, Performance in Franz Erhard Walther's Werkstücke In: Rethinking German Minimalism. Dia Art Foundation

Hölling, Hanna Barbara (29 November 2021). Post-Preservation: Paik's Virtual Archive, Potentially In: The Gift of Nam June Paik. Giheung-gu, Yongin: Nam June Paik Arts Center

Hölling, Hanna Barbara (2021). Caring For Performance: Recent Debates CeROArt – Conservation, exposition, restauration d'objets d'arts, pp. 1-13. https://doi.org/10.4000/ceroart.8119

Hölling, Hanna Barbara (2022). Post-Preservation: Paik's Virtual Archive, Potentially In: Nam June Paik Reader. Yongin, Seoul, South Korea: Nam June Paik Art Center

Hölling, Hanna Barbara (12 June 2022). Transformations and Mediations in Fluxfilm Nr.1 and Fluxus Events - invited lecture within the Summer Institute for Technical Studies in Art, Harvard Art Museums, Harvard University. In: Symposium of the Summer Institute for Technical Studies in Art, Harvard Art Museums. Harvard, Cambridge, Mass.

Hölling, Hanna Barbara (18 November 2022). Can We Talk Post-Preservation? A letter to Nam June Paik - Invited lecture at the National Museum for Modern and Contemporary Art in Soul, South Korea In: My Paik Nam June Conference. Seoul, South Korea: National Museum for Modern and Contemporary Art

Hölling, Hanna Barbara (2022). Can We Talk Post-Preservation? A letter to Nam June Paik - Conference Preprint In: My Paik Nam June (pp. 52-65). Seoul, South Korea: National Museum of Modern and Contemporary Art

Hölling, Hanna Barbara; Bewer, Francesca G.; Ammann, Katharina (2019). Introduction: Material Encounters In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 1-14). Boston and Leiden: Brill https://doi.org/10.1163/9789004396852

Hölling, Hanna Barbara; Bodor, Judit; Sitt, Andree; ]performance s p a c e[, group (18 November 2021). Curating as Expanded Conservation In: Living Archives: A Scottish Research Council Project. Dundee: University of Dundee

Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Maly, Valerian (2021). Performance: The Ethics and the Politics of Care [Movie]. In: Colloquia within the research project Performance: Conservation, Materiality, Knowledge. Bern, Switzlerland: Bern University of the Arts

Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Maly, Valerian (10 June 2022). Performance: Four Perspectives - A panel by/with Hanna B. Hölling, Jules Pelta Feldman, Emilie Magnin and Valerian Maly In: Revolving Documents #1: Narrations of the Beginnings of Performance Art - BANG BANG translocal hi:stories of performance art. Basel: Museum Tinguely

Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Wielocha, Aga (30 September 2022). Conserving Performance: Interdisciplinary Perspectives. Second Annual Colloquium organized by SNSF Performance: Conservation, Materiality, Knowledge, Bern University of the Arts. In: Conserving Performance: Interdisciplinary Perspectives. Bern, Online: Bern University of the Arts

Hölling, Hanna Barbara; Feldman, Julia Pelta; Ribeiro, Felipe; Diagne, Mariama; Lasica, Shelley (24 May 2022). The Afterlives of Performance - Keynote. With response by Jules Pelta Feldman, followed by a panel discussion with Mariama Diagne, Shelley Lasica and Felipe Ribeiro In: New School, Something Great. Berlin: New School, Something Great

Hölling, Hanna Barbara; Greyson, Saisha (22 November 2019). Art Bites Gallery Talk: Hanna Hölling and Saisha Grayson on Nam June Paik Global Grove (Unpublished). In: Art Bites Gallery Talk. Smithsonian American Art Museum, Washington DC:. November 22, 2019.

Hölling, Hanna Barbara; Hedinger, Johannes M. (2020). Introduction to Landscape In: Landscape: Institute of Land and Environmental Art. Landscape: Vol. 1 (pp. 2-7). St Gallen, Berlin: Vexer Verlag

Hölling, Hanna Barbara; Hedinger, Johannes Martin (2021). The Propensity toward Openness: Bloch as Object, Event, and Performance In: Object—Event—PerformanceObject—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 261-283). New York: Bard Graduate Center

Hölling, Hanna Barbara; Hedinger, Johannes Martin (28 August 2022). Learning from the Earth: Three-day International Conference at the Institute for Land and Environmental Art, organized on the occasion of the 4th International Summer School Alps Art Academy and the Environmental Biennale Art Safiental In: Learning from the Earth: Institute for Land and Environmental Art. Tenna: Institute for Land and Environmental Art

Hölling, Hanna Barbara; Landwehr, Dominik (2020). Zur Theorie der Landschaft [Movie]. In: Alps Art Academy, Department of Theory. Tenna, Switzerland: Institute for Land and Environmental Art

Hölling, Hanna Barbara; Miller, Peter (2020). Three Questions with Hanna Hölling [Movie]. In: Three Questions: A Series by Bard Graduate Center. New York: Bard Graduate Center

Hölling, Hanna Barbara; Otero Pailos, Jorge (2019). Materials, Objects, Transitions: Jorge Otero-Pailos in Conversation with Hanna Hölling In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1. Boston and Leiden: Brill

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Kappeler, Annette (2020). Parler aux yeux. Les pantomimes dans les Amants magnifiques de Molière In: Naudeix, Laura (ed.) Molière à la cour. "Les Amants magnifiques" en 1670 (pp. 283-294). Rennes: Presses universitaires de Rennes

Kappeler, Annette (2019). Dramatische Darstellung in ihrem organischen Zusammenhange. Lebendiges Theaterspiel um die Wende zum 19. Jahrhundert In: Belebungskünste. Praktiken der Lebendigen Darstellung um 1800 (pp. 105-125). Paderborn: Fink 10.30965/9783846762929_007

Kappeler, Annette (2016). L’oeil du prince. Auftrittsformen in der Oper des Ancien Régime Eikones. Paderborn: Fink

Kappeler, Annette (2022). Merveilleux et Mathématique. Theatre Machines and Their Dual Iconographical Representation Castle Chronicles, 8(74), pp. 197-214.

Kappeler, Annette; Bortolotti, Raphaël (1 March 2022). Un teatro in provincia. Das Theater Feltre im 19. Jahrhundert In: Vortragsreihe der Schweizerischen Musikforschenden Gesellschaft. Bern, Institut für Musikwissenschaft. 01.03.2022.

Kappeler, Annette; Lazardzig, Jan; Gess, Nicola (2018). Einleitung: Images d’action. Die fest- und bühnentheoretischen Schriften Claude-François Ménestriers In: Kappeler, Annette; Lazardzig, Jan; Gess, Nicola (eds.) Images d’action. Die fest- und bühnentheoretischen Schriften Claude-François Ménestriers (pp. 11-45). Fink

Kaufmann, Beatrice (2 March 2021). The Pictures of the Pandemic In: Learning from Corona – Blog.

Kaufmann, Beatrice (2 March 2021). Die Bilder der Pandemie In: Learning from Corona – Blog.

Kaufmann, Beatrice (12 November 2020). “Design for Distancing” In: Learning from Corona – Blog.

Kaufmann, Beatrice (29 June 2020). Popcorn in the Washbasin or Making Pictograms Legible In: Learning from Corona – Blog.

Kaufmann, Beatrice (15 September 2021). «Learning from Corona» – ein Wissenschaftsblog zu Designfragen rund um die Pandemie In: ScienceComm'21. Universität Fribourg. 15.9.2021.

Kaufmann, Beatrice (17 May 2022). Sprechende Bilder: eine bildbasierte Kommunikationshilfe zur Unterstützung bei Sprachbarrieren im Kindernotfall In: UX Schweiz Bern Meetup. Bern. 17. Mai 2022.

Kaufmann, Beatrice; Olalia, Loraine; Denecke, Kerstin; Lueg, Christopher; Thilo, Friederike J.S.; Drewlow, Joshua; von Kaenel, François; Haldemann, Anouk (15 March 2022). Addressing Communication Challenges in Healthcare In: SHS Public. Basel. 15. März 2022.

Klingemann, Harald; Flückiger, Michael; Bongard, Thierry; Büchi, Marlen Eva; Carrara, Marco (2020). Design and Content Quality of Alcohol-Related German, French and Italian Self-Tracking Applications Substance Use & Misuse, 55(5), pp. 851-859. Taylor & Francis 10.1080/10826084.2019.1708117

Küffer, Simon Renato (7 December 2019). Visuelle Rhetorik als Bildanalyse, Interpretation & Ideologiekritik In: Imagining the New Economy – Bildlichkeit in der Ökonomie am Beispiel der Schul- und Lehrbücher,. Cusanus Hochschule / Eutopia Bonn.

Küffer, Simon Renato (23 September 2022). The Visual Rhetoric of Money – Aesthetics, Affects and Narratives in Contemporary Mass Media Images In: Political Economy for Everybody? Popularizing and Moralizing the Economy in Political Conflicts. Leibniz-Center for Contemporary History Potsdam.

Küffer, Simon Renato (12 October 2022). Geld im Film – mit Elisabeth Bronfen und Wolfgang M. Schmitt In: Ein Abend im Museum: Money Talks. Bernisches Historisches Museum.

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Metcalf, Megan; Olinghaus, Cori; Hölling, Hanna Barbara; Feldman, Julia Pelta (2021). Living Materials: Ethics and Principles For Embodied Stewardship - A Panel and a Conversation between Cori Olinghaus and Megan Metcalf [Movie]. In: Performance: Conservation, Materiality, Knowledge. Bern University of the Arts

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Pfister, Eugen; Görgen, Arno (2020). Politische Transferprozesse in Digitalen Spielen. Eine Begriffsgeschichte In: Görgen, Arno; Simond, Stefan Heinrich (eds.) Krankheit in Digitalen Spielen. Interdisziplinäre Betrachtungen. Medical Humanities: Vol. 6 (pp. 51-74). Bielefeld: transcript Verlag 10.14361/9783839453285-004

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Schmid, Jimmy (2020). Abschlussbericht Studienauftrag «Signaletik für die Friedhöfe der Stadt Zürich» Grün Stadt Zürich

Schmid, Jimmy (2019). Arriver au but le plus rapidement possible In: Conférence Signalisation dans les bâtiments hospitalisers. Crissier-Lausanne. 19. 09. 2019.

Schmid, Jimmy (2019). Signaletik – wie Zeichen uns beeinflussen und leiten. In: Fachtagung Langsamverkehr 2019 von graubündenMOBIL. Chur. 28. 05. 2019.

Schmid, Jimmy (2020). HCCD-Blog «Learning from Corona» In: Raumwelten 2020 – Panel Hochschulen und Wirtschaft: Scenography & Experience Design: Quo vadis?. D-Ludwigsburg/Stuttgart. 19. 11. 2020.

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Schmid, Jimmy; Bernasconi, Nicolo; Tschuppert, Ramona Larissa (2019). Digitale Gesamtausgabe Jeremias Gotthelf In: E-Day Humanities 2019. Universität Bern. 16. 10. 2019.

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Schmid, Jimmy; Streuli, Beat (2020). Rapport du jury «Signalétique Campus Energypolis à Sion» Service des Bâtiments, Monuments et Archéologie (Canton du Valais)

Schneider, Rebecca; Hölling, Hanna Barbara (30 May 2021). Rebecca Schneider: Not, Yet: When Our Art is in our Hands. With Antiphonal Interludes by Hanna Hölling In: Performance: The Ethics and the Politics of Care. Bern University of the Arts

Schneller, Annina (2021). Authenticity and Credibility in Science Communication Design: A Rhetorical Approach Design Issues, 37(4), pp. 59-71. MIT Press 10.1162/desi_a_00658

Schneller, Annina (2022). Perfekt unperfekt : Elaboration und Imperfektion in der Rhetorik des Designs Rhetorik-Forschungen: Vol. 24. Berlin: De Gruyter 10.1515/9783110680942

Schäffler, Anna; Hölling, Hanna Barbara; Wielocha, Aga; Feldman, Julia Pelta; Magnin, Emilie (21 December 2022). Anna Schäffler: The Art of Preservation. An invited lecture and a panel discussion jointly organized by SNSF Activating Fluxus and SNSF Performance: Conservation, Materiality, Knowledge within the Research Wednesday seminar series, Bern University of the Arts In: Research Wednesday seminar series. Bern University of the Arts. 21 December 2022.

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Senkpiel, Fabiana (16 March 2021). Modi künstlerischer Arbeiten mit Lebensmitteln als Kunstmaterial seit 1960 ‒ Materialität, multisensorische Erfahrung, Bildlichkeit In: Lebensmittel in der Gegenwartskunst ‒ Materialität und multisensorische Erfahrung. Bern (online/intern). 16.‒17. März 2021.

Senkpiel, Fabiana (14 July 2021). Life is a river in a constant state of flux ‒ Curriculum (2004/2008) by Isabelle Krieg In: Water and Sea in Word and Image - online conference 12th International IAWIS/AIERTI Conference/Session: Water as Material and Medium in Contemporary Art, Chair: Carla Taban. online / Université du Luxembourg. 12th - 16th July 2021.

Sieber, Simon Aurel (2020). Das Vergleichen vergleichen. Harun Farockis essayistische Filmpraxis figurationen. gender – literatur – kultur., Essay(01/202), pp. 85-105. böhlau

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Soom Ammann, Eva; Afzali, Minou (November 2022). Heimat im Alter – Lebensrückschau und Alltagsgestaltung de facto – Heimat im Alter(11), pp. 4-6. Bethesda Alterszentren AG, Küsnacht

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Wielocha, Aga (2016). Between Curator and the Artist: A problem of authority In: Hermens, Erma; Robertson, Frances (eds.) Authenticity in Transition: Changing Practices in Art Making and Conservation (pp. 54-61). London: Archetype Publications

Wielocha, Aga (2017). The Artist Interview as a Platform for Negotiating an Artwork's Possible Futures Sztuka i Dokumentacja │ Art and Documentation(17), pp. 31-45. Akademia Sztuk Pięknych w Gdańsku

Wielocha, Aga (2018). A museum collection in a public space In: Sunara, Sagita Mirjam; Thorn, Andrew (eds.) Conservation of Sculpture Parks (pp. 32-43). London: Archetype

Wielocha, Aga (2021). Art Objects As Documents and the Distributed Identity of Contemporary Artworks ArtMatters International Journal of Technical Art History(Specia), pp. 106-113. Archetype Publications

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