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Schoon, Andi (2022). Inszenierte Dokumente: zu Paul Bowles' Sammlung traditioneller marokkanischer Musik In: Feige, Daniel Martin; zur Nieden, Gesa (eds.) Musik und Subjektivität: Beiträge aus Musikwissenschaft, Musikphilosophie und kompositorischer Praxis. Musik und Klangkultur (pp. 114-120). Bielefeld: Transcript Verlag 10.14361/9783839449387-006
Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) (2022). Postcolonial repercussions: on sound ontologies and decolonised listening Sound Studies: Vol. 6. Bielefeld: Transcript Verlag
Schoon, Andi (2022). Instead of an editorial In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial repercussions: on sound ontologies and decolonised listening. Sound Studies: Vol. 6 (pp. 9-19). Bielefeld: Transcript Verlag
Schoon, Andi (2022). Tangier 1999: in search of authenticity: Paul Bowles longs for something and insists on its existence In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial repercussions: on sound ontologies and decolonised listening. Sound Studies: Vol. 6 (pp. 153-163). Bielefeld: Transcript Verlag
Panchia, Bhavisha Laxmi (2022). Playing it Back. Critical Reflections on Curating Sound In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. On Sound Ontologies and Decolonised Listening. Sound Studies: Vol. 6 (pp. 59-75). Bielefeld: Transcript Verlag 10.14361/9783839462522-004
Schildhauer, Nadine (2022). From a Postmodernist Sound to a Decolonized Dancefloor From Glitch to Deconstructed Club Music In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. On Sound Ontologies and Decolonised Listening. Sound Studies: Vol. 6 (pp. 85-99). Bielefeld: Transcript Verlag 10.14361/9783839462522-006
