Items where Subject is "N Fine Arts > ND Painting"

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Number of items at this level: 77.

Journal Article

Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Mueller, Wolfgang (2013). Lösemittelsensitivität moderner Ölfarben - Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Zeitschrift für Kunsttechnologie und Konservierung, 27, pp. 127-135.

Bäschlin, Nathalie; Läuchli, Matthias; Palmbach, Cornelius; Hoess, Anita; Ryser, Marcel; Fankhauser, Thomas; Sautter, Katharina (2015). Der Teufel steckt im Detail – Zur Praxisanwendung der Forschungsergebnisse Transport fragiler Gemälde Zeitschrift für Kunsttechnologie und Konservierung, 29(2), pp. 211-222.

Cato, Eleanor; Rossi, Antonella; Scherrer, Nadim; Ferreira, Ester S. B. (2018). An XPS study into sulphur speciation in blue and green ultramarine Journal of Cultural Heritage, 29, pp. 30-35. 10.1016/j.culher.2017.09.005

Cato, Eleanor; Scherrer, Nadim; Ferreira, Ester S. B. (2017). Raman mapping of the S3- chromophore in degraded ultramarine blue paints Journal of Raman Spectroscopy, 48(12), pp. 1789-1798. 10.1002/jrs.5256

Dariz, Petra; Schmid, Thomas (2021). Trace compounds in Early Medieval Egyptian blue carry information on provenance, manufacture, application, and ageing Scientific Reports, 11, p. 11296. Springer https://doi.org/10.1038/s41598-021-90759-6

Feldman, Julia Pelta (2018). Canon Fodder: Charline von Heyl at Petzel Gallery, New York Texte zur Kunst, 28(112), pp. 186-188.

Ferreira, Ester S. B.; Boon, Jaap J.; van der Horst, Jerre; Scherrer, Nadim; Marone, Federica; Stampanoni, Marco (2009). 3D Synchrotron x-ray microtomography of paint samples Proceedings of SPIE, 7391, 73910L. 10.1117/12.827511

Ferreira, Ester S. B.; Gros, Danièle; Wyss, Karin; Scherrer, Nadim; Zumbühl, Stefan; Marone, Federica (2015). Faded shine…. The degradation of brass powder in two nineteenth century paintings Heritage Science, 3(1), pp. 1-11. Springer International Publishing 10.1186/s40494-015-0052-3

Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine Zwitschermaschine, 9, pp. 65-66. Zentrum Paul Klee 10.5281/zenodo.3989029

Hendriks, Laura; Caseri, Walter; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Hajdas, Irka; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2020). The Ins and Outs of 14 C Dating Lead White Paint for Artworks Application Analytical Chemistry, 92(11), pp. 7674-7682. ACS American Chemical Society 10.1021/acs.analchem.0c00530

Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Carlyle, Leslie; Synal, Hans-Arno; Günther, Detlef (2019). SELECTIVE DATING OF PAINT COMPONENTS: RADIOCARBON DATING OF LEAD WHITE PIGMENT Radiocarbon, 61(2), pp. 473-493. Cambridge University Press 10.1017/rdc.2018.101

Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2018). COMBINED C-14 ANALYSIS OF CANVAS AND ORGANIC BINDER FOR DATING A PAINTING Radiocarbon, 60(1), pp. 207-218. 10.1017/rdc.2017.107

Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Smith, Gregory D.; Welte, Caroline; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2019). Uncovering modern paint forgeries by radiocarbon dating Proceedings of the National Academy of Sciences of the United States of America, 116(27), pp. 13210-13214. National Academy of Sciences (NAS) 10.1073/pnas.1901540116

Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Küffner, Markus; Scherrer, Nadim; Ferreira, Ester S. B. (2016). Microscale radiocarbon dating of paintings Applied Physics A, 122(3), p. 167. 10.1007/s00339-016-9593-x

Hölling, Hanna Barbara (2021). Unpacking the Score: Fluxus and the Material Legacy of Intermediality (In Press). On Curating: Fluxus Special Issue(51) University of the Arts Zurich

Hölling, Hanna Barbara (2021). Keeping Time: On Museum, Temporality and Heterotopia ArtMatters: International Journal for Technical Art History

Kilchhofer, Matthias; Scherrer, Nadim (2008). Konservierung von Malereien auf Lehmputzen Zeitschrift für Kunsttechnologie und Konservierung, 22, pp. 343-354.

Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius; Ryser, Marcel; Fankhauser, Thomas; Hoess, Anita (2015). Vibrationen – kleine Erschütterungen millionenfach Zeitschrift für Kunsttechnologie und Konservierung, 29(2), pp. 223-236.

Plackett, Benjamin (2020). New chemical analysis allows for less invasive dating of artwork. Carbon dating of lead white paint from canvas edges could help uncover forgeries Chemical & Engineering News, 98(22) American Chemical Society

Scherrer, Nadim; Zumbühl, Stefan; Delavy, Françoise; Fritsch, Annette; Kuehnen, Renate (2009). Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection Spectrochimica Acta Part a-Molecular and Biomolecular Spectroscopy, 73(3), pp. 505-524. 10.1016/J.Saa.2008.11.029

Senkpiel, Fabiana (2020). L’atto del divenire dell’immagine. Medialità e temporalità nell’autoritratto ‘poietico’ di Alessandro Allori (1555) Imagines, 3, pp. 144-155.

Tsiranidou, Elsa; Bernikola, Eirini; Tornari, Vivi; Fankhauser, Thomas; Läuchli, Matthias; Palmbach, Cornelius; Bäschlin, Nathalie (2011). Holographic monitoring of transportation effects on canvas paintings SPIE Newsroom SPIE 10.1117/2.1201106.003767

Zumbühl, Stefan; Brändle, Andreas; Hochuli, Andreas; Scherrer, Nadim; Caseri, Walter (2017). Derivatization Technique To Identify Specifically Carbonyl Groups by Infrared Spectroscopy: Characterization of Photooxidative Aging Products in Terpenes and Terpeneous Resins Analytical Chemistry, 89(3), pp. 1742-1748. American Chemical Society 10.1021/acs.analchem.6b04008

Zumbühl, Stefan; Hochuli, Andreas; Soulier, Jacques Balthazar; Scherrer, Nadim (2017). Fluorination technique to identify the type of resin in aged vanishes and lacquers using infrared spectroscopy Microchemical Journal, 134, pp. 317-326. 10.1016/j.microc.2017.06.013

Zumbühl, Stefan; Scherrer, Nadim (2010). Die Auswirkungen der morphologischen Strukturveränderungen auf die Materialeigenschaften von Dispersionsfarben Zeitschrift für Kunsttechnologie und Konservierung, 24, pp. 76-87.

Zumbühl, Stefan; Scherrer, Nadim; Berger, Alfons; Eggenberger, Urs (2009). Early Viridian pigment composition characterization of a (hydrated) chromium oxide borate pigment Studies in Conservation, 54, pp. 149-159. DOI: 10.1179/sic.2009.54.3.149

Zumbühl, Stefan; Scherrer, Nadim; Ferreira, Ester S. B.; Hons, Sandra; Müller, Martina; Kuehnen, Renate; Navi, Parviz (2011). Accelerated ageing of drying oil paint - an FTIR study on the chemical alteration: problems of accelerated ageing under variable conditions of light, temperature and relative humidity Zeitschrift für Kunsttechnologie und Konservierung, 25, pp. 339-351.

Newspaper or Magazine Article

Bäschlin, Nathalie; Zumbühl, Stefan (2017). The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent. Archetype Publications London, pp. 96-100.

Steckling, Friederike; Gross, Markus; Zumbühl, Stefan; Scherrer, Nadim (2018). Future prospects of conservation treatments with a micro-aspirator tool WAAC western association for art conservation Newsletter, 40, pp. 10-12. Santa Monica, CA: Western Association for Art Conservation WAAC

Book Section

Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2014). Sensitivity of modern oil paints to solvents: effects on synthetic organic pigments In: Van den Berg, Klaas Jan; Burnstock, Aviva; de Keijzer, Mathijs; Krueger, Jay W.; Learner, Tom; de Tagle, Alberto; Heydenreich, Gunnar (eds.) Issues in Contemporary Oil Paint (pp. 351-361). Springer Verlag

Cazzola, Fabiana (2016). Das Malen des Malens im Selbstporträt und die Rolle der Zeit. Substitution – Transitivität – ›zeitliche Differenz‹ In: Kuhn, Barbara (ed.) Selbst-Bild und Selbst-Bilder. Autoportrait und Zeit in Literatur, Kunst und Philosophie (pp. 41-56). München/Paderborn: Wilhelm Fink Verlag

Cazzola-Senkpiel, Fabiana (2016). Rezension von: Hannah Baader: Das Selbst im Anderen. Sprachen der Freundschaft und die Kunst des Portraits 1370−1520 In: Zeitschrift für Kunstgeschichte 79 (pp. 128-133). Deutscher Kunstverlag

Ferreira, Ester S. B.; Wyss, Karin; de Villemereuil, Violaine; Beltinger, Karoline; Marone, Federica; Scherrer, Nadim; Zumbühl, Stefan (2016). The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902 In: Beltinger, Karoline; Nadolny, Jilleen (eds.) Painting in Tempera. KUNSTMaterial: Vol. 4 (pp. 205-227). Zürich: Archetype Publications

Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine In: Gartmann, Thomas (ed.) Von der Fuge in Rot bis zur Zwitschermaschine - Paul Klee und die Musik (pp. 7-10). Basel: Schwabe Verlag

Haiduk, Marina (2018). Prüfsteine des Betrachters. Felice Brusasorci und die Tradition der pietra di paragone als Bildträger In: Nevidíme, co nevíme: sborník příspěvků z mezinárodní konference studentů doktorských programů = We cannot see what we do not know: the proceedings of the international conference for doctoral students (pp. 81-87). Prag: Katolická teologická fakulta, Univerzita Karlova

Haiduk, Marina (2019). Kat. 3. Carlo Maratta (1625 - 1713) "Kardinal Antonio Barberini", nach 1661 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 80-81). München: Prestel

Haiduk, Marina (2019). Cat. 3. Carlo Maratta (1625–1713) „Kardinal Antonio Barberini“, nach 1661 In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 80-81). München: Prestel

Haiduk, Marina (2019). Kat. 6. Giovanni Lanfranco (1582 - 1647) "Venus spielt Harfe (Allegorie der Musik)", 1630 - 1634 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 92-93). München: Prestel

Haiduk, Marina (2019). Kat. 12. Giovanni Lanfranco (1582 - 1647) "Transfiguration", 1627 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 104-105). München: Prestel

Haiduk, Marina (2019). Kat. 13. Giovanni Lanfranco: Kreuzigung In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 106-107). München: Prestel

Haiduk, Marina (2019). Kat. 25. Tommaso Donini (Il Caravaggino): David mit dem Kopf Goliaths In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 136-137). München: Prestel

Haiduk, Marina (2019). Kat. 48. Astolfo Petrazzi (1580 - 1653) "Der Genius der Künste (Amor als Sieger)", erste Hälfte 17. Jahrhundert In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 200-201). München: Prestel

Haiduk, Marina (2019). Cat. 6. Giovanni Lanfranco: Venus Playing the Harp (Allegory of Music) In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 92-93). München: Prestel

Haiduk, Marina (2019). Cat. 12. Giovanni Lanfranco: Transfiguration In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 104-105). München: Prestel

Haiduk, Marina (2019). Cat. 13. Giovanni Lanfranco: Crucifixion In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 106-107). München: Prestel

Haiduk, Marina (2019). Cat. 25. Tommaso Donini (Il Caravaggino): David with the Head of Goliath In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 136-137). München: Prestel

Haiduk, Marina (2019). Cat. 48. Astolfo Petrazzi (1580–1653) The Genius of the Arts (Amor Vincit Omnia), first half of the seventeenth century In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 200-201). München: Prestel

Hölling, Hanna B.; Bewer, Francesca G.; Ammann, Katharina (2019). Introduction: Material Encounters In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 1-14). Boston and Leiden: Brill https://doi.org/10.1163/9789004396852

Zumbühl, Stefan; Attanasio, Francesca; Scherrer, Nadim; Müller, Wolfgang; Fenners, Nicolai; Caseri, Walter (2006). Solvent action on dispersion paint systems and the influence on the morphology-changes and destruction of the latex microstructure In: Learner, Tom; Smithen, Patricia; Krueger, Jay W.; Schilling, Michael R. (eds.) Modern Paints Uncovered. Proceedings (pp. 257-268). Tate Modern, London: The Getty Conservation Institute

Zumbühl, Stefan; Ferreira, Ester S. B.; Scherrer, Nadim; Schaible, Volker (2013). The nonideal action of binary solvent mixtures on oil and alkyd paint: influence of selective solvation and cavitation energy In: Mecklenburg, Marion F.; Charola, A. Elena; Koestler, Robert J. (eds.) New Insights into the Cleaning of Paintings 3 (pp. 1-243). Valencia: Smithsonian institution scholarly press 10.5479/si.19492359.3.1

Zumbühl, Stefan; Scherrer, Nadim; Engel, N. L.; Mueller, W. (2014). The kinetics of dissolution of varnishes: The influence of vapour pressure on the rate of solvent action In: Bridgland, J. (ed.) ICOM-CC 17th Triennial Conference, 2014 Melbourne, Scientific Research (Art. 1610, 11). Melbourne: International Council of Museums

Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2014). Derivatisation technique for infrared spectroscopy - characterisation of oxidative ageing products in modern oil paints In: Van den Berg, Klaas Jan; Burnstock, Aviva; de Keijzer, Mathijs; Krueger, Jay W.; Learner, Tom; de Tagle, Alberto; Heydenreich, Gunnar (eds.) Issues in Contemporary Oil Paint (pp. 213-225). Springer Verlag

Book

Hölling, Hanna Barbara; Bewer, Francesca G.; Ammann, Katharina (eds.) (2019). The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures Studies in Art and Materiality: Vol. 1. Boston and Leiden: Brill

Gartmann, Thomas (ed.) (2020). Von der Fuge in Rot bis zur Zwitschermaschine. Paul Klee und die Musik. Basel: Schwabe Verlag 10.24894/978-3-7965-4262-6

Hölling, Hanna Barbara (ed.) (2021). Object, Event, Performance: Art, Materiality, and Continuity Since The 1960s (In Press). Cultural Histories of the Material World. New York: Bard Graduate Center

Senkpiel, Fabiana (2013). Im Akt des Malens. Aspekte von Zeitlichkeit in Selbstporträts der italienischen Frühen Neuzeit. eikones. München/Paderborn: Wilhelm Fink Verlag

Report

Hendriks, Laura; Hajdas, Irka; Scherrer, Nadim; Ferreira, Ester S. B.; Zumbühl, Stefan; Smith, Gregory D.; Welte, Caroline; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2019). Uncovering modern art forgeries. Inconsistencies between the canvas and the organic binder with 14C dating (Annual Report, Laboratory of Ion Beam Physics 2019). Basel: Librum Publishers & Editors

Conference or Workshop Item

Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2013). Sensitivity of modern oil paints to solvents - effects on synthetic organic pigments In: Symposium Issues in Contemporary Oil Paint (ICOP). Book of Abstracts (pp. 126-128). Amersfoort, Netherlands: Cultural Heritage Agency, Ministry of Education, Culture and Science

Bortolotti, Raphaël (18 October 2019). La peinture de scène italienne au XIXe siècle. Le décors original du théâtre de Feltre (IT) (Unpublished). In: Performing Arts and Technical Issues. Lucca. Du 18 au 20 octobre 2019.

Bortolotti, Raphaël (28 June 2019). 19th-century Italian stage painting (Unpublished). In: Visuality and the Theatre in the Long Nineteenth Century. University of Warwick. 27-29 June 2019.

Bäschlin, Nathalie; Läuchli, Matthias; Fankhauser, Thomas; Palmbach, Cornelius; Hoess, Anita (November 2011). Backing boards and glazing on paintings: Their damping capacity in relation to shock impact and vibration In: ICOM-CC 16th Triennial Conference. Lisbon, Portugal. 19. - 23.9.2011.

Gross, Markus; Scherrer, Nadim; Steckling, Friederike; Zumbühl, Stefan (2017). Studio Tip: Future Prospects of Conservation Treatments with a Micro-Aspirator Tool AIC Paintings Specialty Group Postprints, 30, pp. 115-119.

Haiduk, Marina (6 November 2021). Das Rabab und andere kleine Streichinstrumente in europäischen Bildquellen des 11. bis 13. Jahrhunderts In: Das mittelalterliche Rabab. Ein Streichinstrument mit arabisch-islamischer Vergangenheit und Gegenwart. Bern, Schweiz. 05. bis 06. November 2021.

Läuchli, Matthias; Bäschlin, Nathalie; Hoess, Anita; Fankhauser, Thomas; Palmbach, Cornelius; Ryser, Marcel (2014). Packing systems for paintings: Damping capacity in relation to transport-induced shock and vibration In: ICOM-CC 17th Triennial Conference. Melbourne, Australia. 15.-17.9.2014.

Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius; Fankhauser, Thomas; Ryser, Marcel; Sautter, Katharina (2017). Strategy of measurement and data analysis for monitoring during the transportation of paintings (Unpublished). In: Eastern Analytical Symposium (EAS). Plainsboro Township, NJ. 13. - 15.11.2017.

Palmbach, Cornelius; Bäschlin, Nathalie; Läuchli, Matthias; Fankhauser, Thomas; Hoess, Anita (2013). Transportmonitoring bei Gemäldetransporten – Neue Datensammlung zur Charakterisierung der Schock- und Vibrationsimmissionen In: 23. Tagung des Österreichischen Restauratorenverbandes 2012. Konservieren, Restaurieren: Vol. 14 (pp. 30-41). Wien: Österreichischer Restauratorenverband

Scherrer, Nadim (6 September 2011). Laser dependent shifting of Raman bands with phthalocyanine pigments In: 6th international Congress on the Application of Raman Spectroscopy in Art and Archaeology. Parma, Italy. 5.-8. September 2011.

Scherrer, Nadim (2012). Raman analysis of 19th & 20th century synthetic organic colorants In: Infrared & Raman Users Group: Raman Spectroscopy Workshop. Philadelphia Museum of Art, USA. 27-28 September 2012.

Scherrer, Nadim (17 October 2019). Some practical aspects of pigment analysis using Raman spectroscopy In: Renishaw Inside Raman Seminar. Renishaw

Scherrer, Nadim (30 January 2019). Surfaces and interfaces in multilayered paint systems – analytical challenges in art conservation sciences (Unpublished). In: EPFL CCMX WINTER SCHOOL Surface Science: Fundamentals, Properties and Selected Applications. Kandersteg, Switzerland. 30.01.2019.

Scherrer, Nadim; Ferreira, Ester S. B. (2009). Cobalt blue spectral - cobalt blue deep - Pigment Blue 74 in artist's paints: one more argument against authenticity? In: Madariaga, Juan Manuel (ed.) 5th International Congress on the application of Raman spectroscopy in Art and Archaeology Book o (pp. 20-21). Bilbao, Spain: Servicio Editorial de la Universidad del Pais Vasco

Scherrer, Nadim; Zumbühl, Stefan; Ferreira, Ester S. B.; Cato, Eleanor (1 February 2018). Surfaces and interfaces in multilayered paint systems – analytical challenges in art conservation sciences In: Ernst, Karl-Heinz (ed.) 34th SAOG Meeting: Science of Surfaces, Interfaces and Nanostructures. HEIA Haute école d'ingénierie et d'architecture, Fribourg, Switzerland. 1 February 2018.

Senkpiel, Fabiana (16 March 2021). Modi künstlerischer Arbeiten mit Lebensmitteln als Kunstmaterial seit 1960 ‒ Materialität, multisensorische Erfahrung, Bildlichkeit (Unpublished). In: Lebensmittel in der Gegenwartskunst ‒ Materialität und multisensorische Erfahrung. Bern (online/intern). 16.‒17. März 2021.

Tsiranidou, Elsa; Bernikola, Eirini; Tornari, Vivi; Fankhauser, Thomas; Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius (2013). Studying transportation effects on canvas paintings by full field digital holographic techniques In: LACONA IX - Lasers in the conservation of artworks. London. 7. - 10. Sept. 2011.

Zumbühl, Stefan; Scherrer, Nadim; Eggenberger, Urs; Berger, Alfons; Gross, Markus; Ferreira, Ester S. B. (14 May 2009). Early viridian pigment composition found in paintings by Van Gogh and contemporary artists: chemical and morphological characterisation of a vitreous (hydrated) chromium oxide borate pigment In: Eu-ARTECH Symposium on Van Gogh and Contemporaries. Amsterdam, Netherlands. 14-15 May 2009.

Working Paper

Baumgartner, Luise (October 2018). Abstract der Dissertation: „Molte belle et varie fantasie“ – Bergbau und Ruinen als zwei neue Sujets der niederländischen Landschaftsmalerei in italienischen Sammlungen des Cinquecento (Unpublished)

Baumgartner, Luise (26 June 2020). "Molte belle et varie fantasie" - mining and ruins: two new subjects in Netherlandish landscape paintings found in Italian art collections of the Cinquecento (Unpublished)

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