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Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Mueller, Wolfgang (2013). Lösemittelsensitivität moderner Ölfarben - Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Zeitschrift für Kunsttechnologie und Konservierung, 27, pp. 127-135. Wernersche Verlagsgesellschaft
Bäschlin, Nathalie; Läuchli, Matthias; Palmbach, Cornelius; Hoess, Anita; Ryser, Marcel; Fankhauser, Thomas; Sautter, Katharina (2015). Der Teufel steckt im Detail – Zur Praxisanwendung der Forschungsergebnisse Transport fragiler Gemälde Zeitschrift für Kunsttechnologie und Konservierung, 29(2), pp. 211-222. Wernersche Verlagsgesellschaft
Cato, Eleanor; Rossi, Antonella; Scherrer, Nadim; Ferreira, Ester S. B. (2018). An XPS study into sulphur speciation in blue and green ultramarine Journal of Cultural Heritage, 29, pp. 30-35. 10.1016/j.culher.2017.09.005
Cato, Eleanor; Scherrer, Nadim; Ferreira, Ester S. B. (2017). Raman mapping of the S3- chromophore in degraded ultramarine blue paints Journal of Raman Spectroscopy, 48(12), pp. 1789-1798. 10.1002/jrs.5256
Dariz, Petra; Schmid, Thomas (2021). Trace compounds in Early Medieval Egyptian blue carry information on provenance, manufacture, application, and ageing Scientific Reports, 11, p. 11296. Springer https://doi.org/10.1038/s41598-021-90759-6
Dariz, Petra; Schmid, Thomas (2022). Raman focal point on Roman Egyptian blue elucidates disordered cuprorivaite, green glass phase and trace compounds Scientific Reports, 12(1), pp. 1-12. Nature Publishing Group 10.1038/s41598-022-19923-w
Feldman, Julia Pelta (2018). Canon Fodder: Charline von Heyl at Petzel Gallery, New York Texte zur Kunst, 28(112), pp. 186-188.
Ferreira, Ester S. B.; Boon, Jaap J.; van der Horst, Jerre; Scherrer, Nadim; Marone, Federica; Stampanoni, Marco (2009). 3D Synchrotron x-ray microtomography of paint samples Proceedings of SPIE, 7391, 73910L. 10.1117/12.827511
Ferreira, Ester S. B.; Gros, Danièle; Wyss, Karin; Scherrer, Nadim; Zumbühl, Stefan; Marone, Federica (2015). Faded shine…. The degradation of brass powder in two nineteenth century paintings Heritage Science, 3(1), pp. 1-11. Springer International Publishing 10.1186/s40494-015-0052-3
Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine Zwitschermaschine, 9, pp. 65-66. Zentrum Paul Klee 10.5281/zenodo.3989029
Gros, Danièle; Ferreira, Ester S. B.; Wyss, Karin; Scherrer, Nadim; Zumbühl, Stefan (2014). Poudre métallique dans la peinture autour de 1900: emploi et dégradation Rapport annuel 2013 SIK-ISEA, pp. 28-32. Zürich: SIK-ISEA 10.11588/sik.2014.0.68201
Hendriks, Laura; Caseri, Walter; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Hajdas, Irka; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2020). The Ins and Outs of 14 C Dating Lead White Paint for Artworks Application Analytical Chemistry, 92(11), pp. 7674-7682. ACS American Chemical Society 10.1021/acs.analchem.0c00530
Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Carlyle, Leslie; Synal, Hans-Arno; Günther, Detlef (2019). SELECTIVE DATING OF PAINT COMPONENTS: RADIOCARBON DATING OF LEAD WHITE PIGMENT Radiocarbon, 61(2), pp. 473-493. Cambridge University Press 10.1017/rdc.2018.101
Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2018). COMBINED C-14 ANALYSIS OF CANVAS AND ORGANIC BINDER FOR DATING A PAINTING Radiocarbon, 60(1), pp. 207-218. 10.1017/rdc.2017.107
Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Smith, Gregory D.; Welte, Caroline; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2019). Uncovering modern paint forgeries by radiocarbon dating Proceedings of the National Academy of Sciences of the United States of America, 116(27), pp. 13210-13214. National Academy of Sciences (NAS) 10.1073/pnas.1901540116
Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Küffner, Markus; Scherrer, Nadim; Ferreira, Ester S. B. (2016). Microscale radiocarbon dating of paintings Applied Physics A, 122(3), p. 167. 10.1007/s00339-016-9593-x
Hendriks, Laura Sharon; Hajdas, Irka; Scherrer, Nadim; Zumbühl, Stefan; Stenger, Jens; Welte, Caroline; Synal, Hans-Arno; Günther, Detlef (2021). Advances and limitations of 14C dating in the field of heritage sciences Technè(52), pp. 111-117. Centre de recherche et de restauration des musées de France 10.4000/techne.10278
Hélou-de La Grandière, Pauline; Boon, Jaap J.; Scherrer, Nadim; Zumbühl, Stefan (2021). Soulages’ Peinture 12 March 1960: diagnostic analytical studies and tentative consolidation of major curled-up delamination areas Meddelelser om Konservering, 1, pp. 65-79. Nordiska Konservator Foerbundet, Nordisk Konservator Forbund
Hölling, Hanna Barbara (2021). Unpacking the Score: Notes on the Material Legacy of Intermediality On Curating: Fluxus Special Issue(51) University of the Arts Zurich
Hölling, Hanna Barbara (2021). Keeping Time: On Museum, Temporality and Heterotopia ArtMatters: International Journal for Technical Art History(1), pp. 47-54. Archetype Publications
Kilchhofer, Matthias; Scherrer, Nadim (2008). Konservierung von Malereien auf Lehmputzen Zeitschrift für Kunsttechnologie und Konservierung, 22, pp. 343-354. Wernersche Verlagsgesellschaft
Koban, Miriam (2020). The Mannequin – from Tool to Projection Figure. A Study of the Mannequin in the Painting Portrait of Henri Michel-Lévy (1878/79) by Edgar Degas denkste: puppe. multidisziplinäre zeitschrift für mensch-puppen diskurse, 3(1.1), pp. 38-47. Universi - Universitaetsverlag Siegen
Konietzny, Mona; Dudew, Ella; Haller, Ursula; Scherrer, Nadim; Soppa, Karolina (2022). Klebstoffgitter aus Methylcellulosen für die Konservierung textiler Bildträger: Anwendungseigenschaften und Kennwerte im Vergleich zu Verklebungen mit BEVA® 371-Filmen Zeitschrift für Kunsttechnologie und Konservierung(1), pp. 180-194. Wernersche Verlagsgesellschaft
Krauter Kellein, Anne (2019). Wenn Farben sich verändern : die Perspektive der Restaurierung NIKE-Bulletin, 34(1), pp. 10-15. Nationale Informationsstelle zum Kulturerbe
Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius; Ryser, Marcel; Fankhauser, Thomas; Hoess, Anita (2015). Vibrationen – kleine Erschütterungen millionenfach Zeitschrift für Kunsttechnologie und Konservierung, 29(2), pp. 223-236. Wernersche Verlagsgesellschaft
Moretti, Patrizia; Zumbühl, Stefan; Scherrer, Nadim; Piqué, Francesca (2023). Traditional and modern pigments in Gino Severini's Swiss murals Color Research & Application, 49(1), pp. 124-143. Wiley-Blackwell 10.1002/col.22870
Murgia, Valeria-Santina; Soppa, Karolina (2022). Sealing Effect of Aliphatic Solvents and Cyclododecane Solutions During Adhesion of Flaking Paint with Methylcellulose International Journal of Conservation Science, 13, pp. 1603-1622. Universitatea "Alexandru Ioan Cuza" din Iasi * Arheoinvest Interdisciplinary Platform. Laboratory of Scientific Investigation & Conservation
Plackett, Benjamin (2020). New chemical analysis allows for less invasive dating of artwork. Carbon dating of lead white paint from canvas edges could help uncover forgeries Chemical & Engineering News, 98(22) American Chemical Society
Scherrer, Nadim; Zumbühl, Stefan; Delavy, Françoise; Fritsch, Annette; Kuehnen, Renate (2009). Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection Spectrochimica Acta Part a-Molecular and Biomolecular Spectroscopy, 73(3), pp. 505-524. 10.1016/J.Saa.2008.11.029
Senkpiel, Fabiana (2020). L’atto del divenire dell’immagine. Medialità e temporalità nell’autoritratto ‘poietico’ di Alessandro Allori (1555) Imagines, 3, pp. 144-155.
Soppa, Karolina (2022). Flaking Paint on Absorbent Canvas: Approach, Possibilities and Challenges International Journal of Conservation Science, 13, pp. 1567-1582. Universitatea "Alexandru Ioan Cuza" din Iasi * Arheoinvest Interdisciplinary Platform. Laboratory of Scientific Investigation & Conservation
Stahmann, Charlotte N.; Soppa, Karolina; Glüsen, Birgit; Storevik-Tveit, Eva; Käckel, Andreas; Demuth, Petra (2022). Low molecular weight cellulose ethers as aerosols for the the consolidation of cohesively weak paint layers International Journal of Conservation Science, 13(Specia), pp. 1583-1602.
Tsiranidou, Elsa; Bernikola, Eirini; Tornari, Vivi; Fankhauser, Thomas; Läuchli, Matthias; Palmbach, Cornelius; Bäschlin, Nathalie (2011). Holographic monitoring of transportation effects on canvas paintings SPIE Newsroom SPIE 10.1117/2.1201106.003767
Wu, Qing; Soppa, Karolina; Lombardo, Tiziana; Schmidt-Ott, Katharina; Nolting, Frithjof; Watts, Benjamin (2023). Zwischgold – The Secret Nanomaterial of Medieval Gilding CHIMIA International Journal for Chemistry, 77(3), p. 163. Schweizerische Chemische Gesellschaft 10.2533/chimia.2023.163
Zumbühl, Stefan; Brändle, Andreas; Hochuli, Andreas; Scherrer, Nadim; Caseri, Walter (2017). Derivatization Technique To Identify Specifically Carbonyl Groups by Infrared Spectroscopy: Characterization of Photooxidative Aging Products in Terpenes and Terpeneous Resins Analytical Chemistry, 89(3), pp. 1742-1748. American Chemical Society 10.1021/acs.analchem.6b04008
Zumbühl, Stefan; Hochuli, Andreas; Soulier, Jacques Balthazar; Scherrer, Nadim (2017). Fluorination technique to identify the type of resin in aged vanishes and lacquers using infrared spectroscopy Microchemical Journal, 134, pp. 317-326. 10.1016/j.microc.2017.06.013
Zumbühl, Stefan; Scherrer, Nadim (2010). Die Auswirkungen der morphologischen Strukturveränderungen auf die Materialeigenschaften von Dispersionsfarben Zeitschrift für Kunsttechnologie und Konservierung, 24, pp. 76-87. Wernersche Verlagsgesellschaft
Zumbühl, Stefan; Scherrer, Nadim; Berger, Alfons; Eggenberger, Urs (2009). Early Viridian pigment composition characterization of a (hydrated) chromium oxide borate pigment Studies in Conservation, 54, pp. 149-159. DOI: 10.1179/sic.2009.54.3.149
Zumbühl, Stefan; Scherrer, Nadim; Ferreira, Ester S. B.; Hons, Sandra; Müller, Martina; Kuehnen, Renate; Navi, Parviz (2011). Accelerated ageing of drying oil paint - an FTIR study on the chemical alteration: problems of accelerated ageing under variable conditions of light, temperature and relative humidity Zeitschrift für Kunsttechnologie und Konservierung, 25, pp. 339-351. Wernersche Verlagsgesellschaft
Betz, Gesine (2022). An Analysis of Sophie Taeuber-Arp's Materials and Working Methods Interlude. Sophie Taeuber-Arp, Hans Arp, and Their Contemporaries. Research by the Arp Fellows(1), pp. 10-11. Stiftung Arp e. V.
Bäschlin, Nathalie; Zumbühl, Stefan (2017). The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent. Archetype Publications London, pp. 96-100.
Engel, Xymna (15 September 2021). «Seine Ideen sind hochaktuell» Der Bund, p. 23.
Steckling, Friederike; Gross, Markus; Zumbühl, Stefan; Scherrer, Nadim (2018). Future prospects of conservation treatments with a micro-aspirator tool WAAC western association for art conservation Newsletter, 40, pp. 10-12. Santa Monica, CA: Western Association for Art Conservation WAAC
Walton, Christopher (December 2023). Maria Schmidt und Theodor Kirchner Schweizer Musikzeitung, 26(12), pp. 26-28. NZZ Fachmedien
Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2014). Sensitivity of modern oil paints to solvents: effects on synthetic organic pigments In: Van den Berg, Klaas Jan; Burnstock, Aviva; de Keijzer, Mathijs; Krueger, Jay W.; Learner, Tom; de Tagle, Alberto; Heydenreich, Gunnar (eds.) Issues in Contemporary Oil Paint (pp. 351-361). Springer Verlag
Cazzola, Fabiana (2016). Das Malen des Malens im Selbstporträt und die Rolle der Zeit. Substitution – Transitivität – ›zeitliche Differenz‹ In: Kuhn, Barbara (ed.) Selbst-Bild und Selbst-Bilder. Autoportrait und Zeit in Literatur, Kunst und Philosophie (pp. 41-56). München/Paderborn: Wilhelm Fink Verlag
Cazzola-Senkpiel, Fabiana (2016). Rezension von: Hannah Baader: Das Selbst im Anderen. Sprachen der Freundschaft und die Kunst des Portraits 1370−1520 In: Zeitschrift für Kunstgeschichte 79 (pp. 128-133). Deutscher Kunstverlag
Ferreira, Ester S. B.; Wyss, Karin; de Villemereuil, Violaine; Beltinger, Karoline; Marone, Federica; Scherrer, Nadim; Zumbühl, Stefan (2016). The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902 In: Beltinger, Karoline; Nadolny, Jilleen (eds.) Painting in Tempera. KUNSTMaterial: Vol. 4 (pp. 205-227). Zürich: Archetype Publications
Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine In: Gartmann, Thomas (ed.) Von der Fuge in Rot bis zur Zwitschermaschine - Paul Klee und die Musik (pp. 7-10). Basel: Schwabe Verlag
Haiduk, Marina (2018). Prüfsteine des Betrachters. Felice Brusasorci und die Tradition der pietra di paragone als Bildträger In: Nevidíme, co nevíme: sborník příspěvků z mezinárodní konference studentů doktorských programů = We cannot see what we do not know: the proceedings of the international conference for doctoral students (pp. 81-87). Prag: Katolická teologická fakulta, Univerzita Karlova
Haiduk, Marina (2019). Kat. 3. Carlo Maratta (1625 - 1713) "Kardinal Antonio Barberini", nach 1661 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 80-81). München: Prestel
Haiduk, Marina (2019). Cat. 3. Carlo Maratta (1625–1713) „Kardinal Antonio Barberini“, nach 1661 In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 80-81). München: Prestel
Haiduk, Marina (2019). Kat. 6. Giovanni Lanfranco (1582 - 1647) "Venus spielt Harfe (Allegorie der Musik)", 1630 - 1634 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 92-93). München: Prestel
Haiduk, Marina (2019). Kat. 12. Giovanni Lanfranco (1582 - 1647) "Transfiguration", 1627 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 104-105). München: Prestel
Haiduk, Marina (2019). Kat. 13. Giovanni Lanfranco: Kreuzigung In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 106-107). München: Prestel
Haiduk, Marina (2019). Kat. 25. Tommaso Donini (Il Caravaggino): David mit dem Kopf Goliaths In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 136-137). München: Prestel
Haiduk, Marina (2019). Kat. 48. Astolfo Petrazzi (1580 - 1653) "Der Genius der Künste (Amor als Sieger)", erste Hälfte 17. Jahrhundert In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 200-201). München: Prestel
Haiduk, Marina (2019). Cat. 6. Giovanni Lanfranco: Venus Playing the Harp (Allegory of Music) In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 92-93). München: Prestel
Haiduk, Marina (2019). Cat. 12. Giovanni Lanfranco: Transfiguration In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 104-105). München: Prestel
Haiduk, Marina (2019). Cat. 13. Giovanni Lanfranco: Crucifixion In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 106-107). München: Prestel
Haiduk, Marina (2019). Cat. 25. Tommaso Donini (Il Caravaggino): David with the Head of Goliath In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 136-137). München: Prestel
Haiduk, Marina (2019). Cat. 48. Astolfo Petrazzi (1580–1653) The Genius of the Arts (Amor Vincit Omnia), first half of the seventeenth century In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 200-201). München: Prestel
Hölling, Hanna Barbara (2021). Introduction: Object—Event—Performance In: Hölling, Hanna Barbara (ed.) Object—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 1-40). New York: Bard Graduate Center / Chicago University Press
Hölling, Hanna Barbara; Bewer, Francesca G.; Ammann, Katharina (2019). Introduction: Material Encounters In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 1-14). Boston and Leiden: Brill https://doi.org/10.1163/9789004396852
Zumbühl, Stefan; Attanasio, Francesca; Scherrer, Nadim; Müller, Wolfgang; Fenners, Nicolai; Caseri, Walter (2006). Solvent action on dispersion paint systems and the influence on the morphology-changes and destruction of the latex microstructure In: Learner, Tom; Smithen, Patricia; Krueger, Jay W.; Schilling, Michael R. (eds.) Modern Paints Uncovered. Proceedings (pp. 257-268). Tate Modern, London: The Getty Conservation Institute
Zumbühl, Stefan; Ferreira, Ester S. B.; Scherrer, Nadim; Schaible, Volker (2013). The nonideal action of binary solvent mixtures on oil and alkyd paint: influence of selective solvation and cavitation energy In: Mecklenburg, Marion F.; Charola, A. Elena; Koestler, Robert J. (eds.) New Insights into the Cleaning of Paintings 3 (pp. 1-243). Valencia: Smithsonian institution scholarly press 10.5479/si.19492359.3.1
Zumbühl, Stefan; Scherrer, Nadim; Engel, N. L.; Mueller, W. (2014). The kinetics of dissolution of varnishes: The influence of vapour pressure on the rate of solvent action In: Bridgland, J. (ed.) ICOM-CC 17th Triennial Conference, 2014 Melbourne, Scientific Research (Art. 1610, 11). Melbourne: International Council of Museums
Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2014). Derivatisation technique for infrared spectroscopy - characterisation of oxidative ageing products in modern oil paints In: Van den Berg, Klaas Jan; Burnstock, Aviva; de Keijzer, Mathijs; Krueger, Jay W.; Learner, Tom; de Tagle, Alberto; Heydenreich, Gunnar (eds.) Issues in Contemporary Oil Paint (pp. 213-225). Springer Verlag
Hölling, Hanna Barbara; Bewer, Francesca G.; Ammann, Katharina (eds.) (2019). The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures Studies in Art and Materiality: Vol. 1. Boston and Leiden: Brill
Gartmann, Thomas (ed.) (2020). Von der Fuge in Rot bis zur Zwitschermaschine. Paul Klee und die Musik. Basel: Schwabe Verlag 10.24894/978-3-7965-4262-6
Hölling, Hanna Barbara (ed.) (2021). Object, Event, Performance: Art, Materiality, and Continuity Since The 1960s Cultural Histories of the Material World. New York: Bard Graduate Center
Zumbühl, Stefan; Zindel, Christophe (eds.) (2022). Historical siccatives for oil paint and varnishes - The use of lead oxide, alum, white vitriol, pumice, bone ash and venetian glass as driers: Historical written sources - production and raw material quality - technological significance Research for Conservators. Bern: HDW Publications, Bern
Senkpiel, Fabiana (2013). Im Akt des Malens. Aspekte von Zeitlichkeit in Selbstporträts der italienischen Frühen Neuzeit. eikones. München/Paderborn: Wilhelm Fink Verlag
Hendriks, Laura; Hajdas, Irka; Scherrer, Nadim; Ferreira, Ester S. B.; Zumbühl, Stefan; Smith, Gregory D.; Welte, Caroline; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2019). Uncovering modern art forgeries. Inconsistencies between the canvas and the organic binder with 14C dating (Annual Report, Laboratory of Ion Beam Physics 2019). Basel: Librum Publishers & Editors
Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2013). Sensitivity of modern oil paints to solvents - effects on synthetic organic pigments In: Symposium Issues in Contemporary Oil Paint (ICOP). Book of Abstracts (pp. 126-128). Amersfoort, Netherlands: Cultural Heritage Agency, Ministry of Education, Culture and Science
Bortolotti, Raphaël (18 October 2019). La peinture de scène italienne au XIXe siècle. Le décors original du théâtre de Feltre (IT) In: Performing Arts and Technical Issues. Lucca. Du 18 au 20 octobre 2019.
Bortolotti, Raphaël (28 June 2019). 19th-century Italian stage painting In: Visuality and the Theatre in the Long Nineteenth Century. University of Warwick. 27-29 June 2019.
Bründler, Stefanie; Bunz, Sophie; Ritler, Magdalena; Scherrer, Nadim; Soppa, Karolina (22 September 2023). Dry methylcellulose foams: Investigation of simple foaming and drying methods for applications in the field of conservation and restoration In: ICOM-CC 20th Triennial Conference: Working Towards a Sustainable Past. Valencia. 18–22 September 2023.
Bäschlin, Nathalie; Läuchli, Matthias; Fankhauser, Thomas; Palmbach, Cornelius; Hoess, Anita (November 2011). Backing boards and glazing on paintings: Their damping capacity in relation to shock impact and vibration In: ICOM-CC 16th Triennial Conference. Lisbon, Portugal. 19. - 23.9.2011.
Devesa, Joana; Carlyle, Leslie; Stols-Witlox, Maartje; Boon, Jaap J.; Fernando, Ana Luisa; Zumbühl, Stefan; de Sá, Susana França (2022). Recipe analysis, reconstruction and re-enactment: historical technical source on the cleaning of easel Paintings The Role of Sources and Performative Methods in Art Technological Studies, pp. 143-154. ICOM-CC Publications
Gross, Markus; Scherrer, Nadim; Steckling, Friederike; Zumbühl, Stefan (2017). Studio Tip: Future Prospects of Conservation Treatments with a Micro-Aspirator Tool AIC Paintings Specialty Group Postprints, 30, pp. 115-119.
Haiduk, Marina (6 November 2021). Das Rabab und andere kleine Streichinstrumente in europäischen Bildquellen des 11. bis 13. Jahrhunderts In: Das mittelalterliche Rabab. Ein Streichinstrument mit arabisch-islamischer Vergangenheit und Gegenwart. Bern, Schweiz. 05. bis 06. November 2021.
Helmrich, Carla; Soppa, Karolina; Zumbühl, Stefan (10 November 2023). Systematic approach for analysis, plasticization, and re-adhesion of complex material mixtures of a concave elevated monochrome paint In: Future Talks 023: MATERIALS MATTER. COLD AND CURRENT CASES IN THE CONSERVATION OF THE MODERN. München. November 08 – 10, 2023.
Hochuli, Andreas; Soppa, Karolina (May 2022). Wood Bonds Wood:The Use of Digital 3D Technology and a Cellulose-based Adhesive to Glue a Separated Joint on a Medieval Limewood Relief In: AIC, 50th Annual Meeting in Los Angeles 2022, Reflecting on the Past, Imagining the Future. Los Angeles. 13.–18. Mai 2022.
Kappeler, Annette; Bortolotti, Raphaël (1 March 2022). Un teatro in provincia. Das Theater Feltre im 19. Jahrhundert In: Vortragsreihe der Schweizerischen Musikforschenden Gesellschaft. Bern, Institut für Musikwissenschaft. 01.03.2022.
Konietzny, Mona; Soppa, Karolina; Haller, Ursula (14 October 2023). Reliable Adhesives in New Shape: Canvas Bonding with Self-Supporting Adhesive Meshes In: Conserving Canvas. New Haven, CT. October 14, 2019.
Küffer, Simon Renato (26 October 2022). Bilder des Geldes – mit Manuela Pfrunder und Cornelia Bohn In: Ein Abend im Museum: Money Talks. Bernisches Historisches Museum.
Läuchli, Matthias; Bäschlin, Nathalie; Hoess, Anita; Fankhauser, Thomas; Palmbach, Cornelius; Ryser, Marcel (2014). Packing systems for paintings: Damping capacity in relation to transport-induced shock and vibration In: ICOM-CC 17th Triennial Conference. Melbourne, Australia. 15.-17.9.2014.
Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius; Fankhauser, Thomas; Ryser, Marcel; Sautter, Katharina (2017). Strategy of measurement and data analysis for monitoring during the transportation of paintings (Unpublished). In: Eastern Analytical Symposium (EAS). Plainsboro Township, NJ. 13. - 15.11.2017.
Palmbach, Cornelius; Bäschlin, Nathalie; Läuchli, Matthias; Fankhauser, Thomas; Hoess, Anita (2013). Transportmonitoring bei Gemäldetransporten – Neue Datensammlung zur Charakterisierung der Schock- und Vibrationsimmissionen In: 23. Tagung des Österreichischen Restauratorenverbandes 2012. Konservieren, Restaurieren: Vol. 14 (pp. 30-41). Wien: Österreichischer Restauratorenverband
Ritler, Magdalena; Soppa, Karolina; Eysler, Angela; Scherrer, Nadim (22 September 2023). Liquid methylcellulose foam as an adhesive-filler for lifted stiff paint flakes: The case study of <em>La Salle des Cariatides au Louvre</em> In: ICOM-CC 20th Triennial Conference: Working Towards a Sustainable Past. Valencia. 18–22 September 2023.
Scherrer, Nadim (6 September 2011). Laser dependent shifting of Raman bands with phthalocyanine pigments In: 6th international Congress on the Application of Raman Spectroscopy in Art and Archaeology. Parma, Italy. 5.-8. September 2011.
Scherrer, Nadim (2012). Raman analysis of 19th & 20th century synthetic organic colorants In: Infrared & Raman Users Group: Raman Spectroscopy Workshop. Philadelphia Museum of Art, USA. 27-28 September 2012.
Scherrer, Nadim (17 October 2019). Some practical aspects of pigment analysis using Raman spectroscopy In: Renishaw Inside Raman Seminar. Renishaw
Scherrer, Nadim (30 January 2019). Surfaces and interfaces in multilayered paint systems – analytical challenges in art conservation sciences (Unpublished). In: EPFL CCMX WINTER SCHOOL Surface Science: Fundamentals, Properties and Selected Applications. Kandersteg, Switzerland. 30.01.2019.
Scherrer, Nadim; Ferreira, Ester S. B. (2009). Cobalt blue spectral - cobalt blue deep - Pigment Blue 74 in artist's paints: one more argument against authenticity? In: Madariaga, Juan Manuel (ed.) 5th International Congress on the application of Raman spectroscopy in Art and Archaeology Book o (pp. 20-21). Bilbao, Spain: Servicio Editorial de la Universidad del Pais Vasco
Scherrer, Nadim; Zumbühl, Stefan; Ferreira, Ester S. B.; Cato, Eleanor (1 February 2018). Surfaces and interfaces in multilayered paint systems – analytical challenges in art conservation sciences In: Ernst, Karl-Heinz (ed.) 34th SAOG Meeting: Science of Surfaces, Interfaces and Nanostructures. HEIA Haute école d'ingénierie et d'architecture, Fribourg, Switzerland. 1 February 2018.
Schmid, Alina; Soppa, Karolina; Krug von Nidda, Eva (10 November 2023). Stabilization of rigid non-polar flakes of paint layer with liquid adhesive foam: Adhesion of methylcellulose A4M- versus Plextol D498-foam In: Future Talks 023: MATERIALS MATTER. COLD AND CURRENT CASES IN THE CONSERVATION OF THE MODERN. München. November 08 – 10, 2023.
Senkpiel, Fabiana (16 March 2021). Modi künstlerischer Arbeiten mit Lebensmitteln als Kunstmaterial seit 1960 ‒ Materialität, multisensorische Erfahrung, Bildlichkeit In: Lebensmittel in der Gegenwartskunst ‒ Materialität und multisensorische Erfahrung. Bern (online/intern). 16.‒17. März 2021.
Soppa, Karolina (25 November 2020). Basic Steps for Adhesion of Flaking Paint and Canvas: with a focus on absorbent substrates bonded with collagen-based ahesives In: Structural treatments on double-sided paintings 1 (pp. 24-29). Venaria Reale, TO: La Venaria Reale, Centro Conservazione Restauro 10.57578/ccrlavenariareale_getty
Soppa, Karolina (9 September 2023). Evakuierung, Konservierung und Restaurierung sowie Wiederaufbau des Retabels von Brienz/Brinzauls (GR) In: Europäischen Tagen des Denkmals in Winterthur an der ZHAW. Winterthur. 9. September 2023.
Soppa, Karolina; Ritler, Magdalena; Scherrer, Nadim (1 July 2022). Adhesive Foams: A First Insight In: inArt 2022: 5th International Conference on Innovation in Art Research and Technology. Paris (France). 28 Jun-1 Jul 2022.
Soppa, Karolina; Zumbühl, Stefan; Hügli, Tamara (19 May 2023). Mammalian and Fish Gelatines at Fluctuating Relative Humidity In: AIC, 51st Annual Meeting, Conservation in the Age of Environmental, Social, and Economic Climate Change. Jacksonville, Florida. 16.–20. Mai 2023.
Tsiranidou, Elsa; Bernikola, Eirini; Tornari, Vivi; Fankhauser, Thomas; Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius (2013). Studying transportation effects on canvas paintings by full field digital holographic techniques In: LACONA IX - Lasers in the conservation of artworks. London. 7. - 10. Sept. 2011.
Zumbühl, Stefan; Scherrer, Nadim; Eggenberger, Urs; Berger, Alfons; Gross, Markus; Ferreira, Ester S. B. (14 May 2009). Early viridian pigment composition found in paintings by Van Gogh and contemporary artists: chemical and morphological characterisation of a vitreous (hydrated) chromium oxide borate pigment In: Eu-ARTECH Symposium on Van Gogh and Contemporaries. Amsterdam, Netherlands. 14-15 May 2009.
Baumgartner, Luise (October 2018). Abstract der Dissertation: „Molte belle et varie fantasie“ – Bergbau und Ruinen als zwei neue Sujets der niederländischen Landschaftsmalerei in italienischen Sammlungen des Cinquecento (Unpublished)
Baumgartner, Luise (26 June 2020). "Molte belle et varie fantasie" - mining and ruins: two new subjects in Netherlandish landscape paintings found in Italian art collections of the Cinquecento (Unpublished)
Afzali, Minou; Mareis, Claudia; Aeschbacher, Daniel (1 November 2021). Was bleibt von der «guten Form»?
