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Afzali, Minou; Mareis, Claudia; Aeschbacher, Daniel (1 November 2021). Was bleibt von der «guten Form»?
Betz, Gesine (2019). Fügen eines "Haubenbildes" aus Polystyrol der Künstlerin Pia Linz VDR Beiträge zur Erhaltung von Kunst- und Kulturgut(1), pp. 84-93. Verband der Restauratoren (VDR) e. V.
Chichester, Lee K.; Gisler, Priska; Hürzeler, Luzia; Csernay, Sarah; Étienne, Noémie (15 October 2021). Koloniale Tiere? Tierbilder im Kontext des Kolonialismus. Eine Tagung im Rahmen der Ausstellung August Gaul. Moderne Tiere In: Koloniale Tiere? Tierbilder im Kontext des Kolonialismus. Eine Tagung im Rahmen der Ausstellung August Gaul. Moderne Tiere. Bern: Kunstmuseum Bern
Dobrusskin, Sebastian (2018). Abbildung: Jenny Holzer: "Halt Dein Leben im Fluss" (Truisms 1991) In: Destination Art – 500 Artworks Worth the Trip (p. 242). New York, NY: Phaidon Press Limited
Engel, Xymna (15 September 2021). «Seine Ideen sind hochaktuell» Der Bund, p. 23.
Feldman, Julia Pelta (2016). Chohreh Feyzdjou In: Global/Local 1960-2015: Six Artists from Iran (pp. 57-65). New York: Grey Art Gallery, New York University
Feldman, Julia Pelta; Spector, Shelley (2016). Shelley Spector: I Live Here Brooklyn: Room & Board
Haiduk, Marina (6 November 2021). Das Rabab und andere kleine Streichinstrumente in europäischen Bildquellen des 11. bis 13. Jahrhunderts In: Das mittelalterliche Rabab. Ein Streichinstrument mit arabisch-islamischer Vergangenheit und Gegenwart. Bern, Schweiz. 05. bis 06. November 2021.
Herbst, Kristina; Dobrusskin, Sebastian (2016). pARTicip – Kunstgenuss per App Restauro – Zeitschrift für Kunsttechniken, Restaurierung und Museumsfragen, 2016(6), p. 12. Georg D. W. Callwey, München
Hölling, Hanna Barbara (2021). Unpacking the Score: Notes on the Material Legacy of Intermediality On Curating: Fluxus Special Issue(51) University of the Arts Zurich
Hölling, Hanna Barbara; Bewer, Francesca G.; Ammann, Katharina (2019). Introduction: Material Encounters In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 1-14). Boston and Leiden: Brill https://doi.org/10.1163/9789004396852
Hölling, Hanna Barbara; Otero Pailos, Jorge (2019). Materials, Objects, Transitions: Jorge Otero-Pailos in Conversation with Hanna Hölling In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1. Boston and Leiden: Brill
Mayer, Ingo; Hunger, K.; Hubert, V.; Petrak, G.; Lehmann, E. (2009). Destructive and non-destructive methods for the evaluation of chlorinated pesticides concentration and emissions from wooden art objects In: COST Action IE0601 “Wood Science for Conservation of Cultural Heritage”- International Conference on Wooden Cultural Heritage: Evaluation of Deterioration and Management of Change. Hamburg, Germany. 7-10 Oct 2009.
Mohs, Johanne (2018). Back to the future – Bogomir Ecker’s ›Tropfsteinmaschine‹ as a thought experiment in stone In: Sormani, Philippe; Carbone, Guelfo; Gisler, Priska (eds.) Practicing Art / Science. Experiments in an Emerging Field (pp. 216-236). London: Routledge
Murgia, Valeria-Santina; Soppa, Karolina (2022). Sealing Effect of Aliphatic Solvents and Cyclododecane Solutions During Adhesion of Flaking Paint with Methylcellulose International Journal of Conservation Science, 13, pp. 1603-1622. Universitatea "Alexandru Ioan Cuza" din Iasi * Arheoinvest Interdisciplinary Platform. Laboratory of Scientific Investigation & Conservation
Peterer, Lea; Scherrer, Nadim; Beaulieu, Jean-Philippe (2021). Pigment Analysis of the Uli Figure of the Musée d'Ethnographie de Neuchâtel, Switzerland, inv. V.415. In: Fogel, Jonathan; (ed.) ULI - Powerful Ancestors From The Pacific (pp. 145-146). Bornival, Belgium: Primedia SPRL
Senkpiel, Fabiana (2021). Food as an Art Material. Matters of Affordances and Material Images Art Style, Art & Culture International Magazine(7), pp. 89-114. http://doi.org/10.5281/zenodo.4589396
Senkpiel, Fabiana (16 March 2021). Modi künstlerischer Arbeiten mit Lebensmitteln als Kunstmaterial seit 1960 ‒ Materialität, multisensorische Erfahrung, Bildlichkeit In: Lebensmittel in der Gegenwartskunst ‒ Materialität und multisensorische Erfahrung. Bern (online/intern). 16.‒17. März 2021.
Senkpiel, Fabiana (2021). Immersive Experience in Dieter Roth’s Studio with Selbstturm; Löwenturm (1969-1998) Carte Semiotiche. Rivista Internazionale di Semiotica e Teoria dell’Immagine, Annali 7, Annali(7), pp. 57-70. La Casa Usher
Soppa, Karolina (2022). Flaking Paint on Absorbent Canvas: Approach, Possibilities and Challenges International Journal of Conservation Science, 13, pp. 1567-1582. Universitatea "Alexandru Ioan Cuza" din Iasi * Arheoinvest Interdisciplinary Platform. Laboratory of Scientific Investigation & Conservation
Stahmann, Charlotte N.; Soppa, Karolina; Glüsen, Birgit; Storevik-Tveit, Eva; Käckel, Andreas; Demuth, Petra (2022). Low molecular weight cellulose ethers as aerosols for the the consolidation of cohesively weak paint layers International Journal of Conservation Science, 13(Specia), pp. 1583-1602.
Wu, Qing; Soppa, Karolina; Müller, Elisabeth; Müller, Julian; Odstrcil, Michal; Tsai, Esther Hsiao Rho; Späth, Andreas; Holler, Mirko; Guizar-Sicairos, Manuel; Butz, Benjamin; Fink, Rainer H.; Watts, Benjamin (2022). A modern look at a medieval bilayer metal leaf: nanotomography of Zwischgold Nanoscale, 14(40), pp. 15165-15180. Royal Society of Chemistry 10.1039/D2NR03367D
Wu, Qing; Soppa, Karolina; Scherrer, Nadim; Watts, Benjamin; Yokosawa, Tadahiro; Bernard, Laetitia; Araki, Tohru; Döbeli, Max; Meyer, Markus; Spiecker, Erdmann; Fink, Rainer H. (2018). Investigation of the foil structure and corrosion mechanisms of modern Zwischgold using advanced analysis techniques Journal of Cultural Heritage, 31, pp. 122-132. Elsevier 10.1016/j.culher.2017.12.005