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von Amelunxen, Hubertus; Maceli, Mariamargherita; Bredekamp, Hosrt; Deliss, Clémentine; Fuentes, Ayesha; Peterlini, Patrizio; Hölling, Hanna Barbara; Wielocha, Aga; Ellis, Josephine Lucy (3 November 2023). Fluxus Fetish: Fluxus Study Day and public panel In: Fluxus Fetish. Berlin. November 3, 2023.
Wielocha, Aga (20 October 2023). Art in Flux: Towards the Future of Conservation In: Brill Nuncius Seminar on the Material and Visual History of Science: Histories of Conservation Science and Scientific Conservation after WW II. Utrecht, the Netherlands. Friday, 20 October 2023.
Hölling, Hanna Barbara (17 October 2023). What Does it Mean to Conserve Performance? Two Day Workshop In: Musealização da Arte: Poéticas Em Narrativas. Brasilia. October 17, 2023.
Hölling, Hanna Barbara (17 October 2023). Invited lecture: Curating and Conserving Changeability In: Federal University of Brasilia Lecture Series. Brasilia. October 17, 2023.
Hölling, Hanna Barbara (14 October 2023). Keynote: Can Performance Be Conserved? An Introduction to a Contested Field In: VII CONGRESSO ANDA # 2023. Braslia. 11, 12, 13 e 14 de outubro de 2023.
Wielocha, Aga (22 September 2023). Activation in/as Conservation Practice In: 20th ICOM-CC Triennial Conference. Valencia, Spain. September 18-22, 2023.
Pelta Feldman, Jules (2023). Lost Worlds: Jules Pelta Feldman on the art of Charles Simonds Artforum, 62(1), pp. 190-200. Artforum International Magazine
Ellis, Josephine Lucy (23 June 2023). Queering Grapefruit: Yoko Ono's Materials Matter In: Fluxus Global / Divers: The Crazies are on the Loose. Dortmund/Online. 22-23 June, 2023.
Ellis, Josephine Lucy; Hölling, Hanna Barbara; Wielocha, Aga (23 June 2023). Parsing Difference: Alison Knowles' Identical Lunch and the Question of Continuity In: Fluxus Global / Divers.: The Crazies are on the Loose. Dortmund/Online. 22-23 June, 2023.
Hölling, Hanna Barbara (2 June 2023). Performance: Who Cares? In: Lecture an der University Rio de Janeiro, Center for Heritage Management and Documentation in Museums. Rio de Janeiro. 2. Juni 2023.
Pelta Feldman, Jules (2023). Aktivist und Action Painter: über Politik in der Kunst oder als Kunst Texte zur Kunst(130), pp. 101-109. TEXTE ZUR KUNST VERLAG GMBH & CO. KG, Berlin
Hölling, Hanna Barbara (31 May 2023). Object—Event—Performance: Media, Materiality and Meaning in Video and Media Art In: Dance Studies Lecture Series. Rio de Janeiro. 31 May 2023.
Hölling, Hanna Barbara; Magnin, Emilie (30 May 2023). Writing Performance: On Preservation through Documentation in Performance-based Works In: Workshop an der University Rio de Janeiro, Center for Heritage Management and Documentation in Museums. Rio de Janeiro. 30 May 2023.
Robinson, Julia; Hölling, Hanna Barbara; Wielocha, Aga; Ellis, Josephine Lucy (25 May 2023). Julia Robinson: Working In the Spirit of Fluxus In: Thursday Lecture seminar series. Bern. 25 May 2023.
Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie; Falsnaes, Christian; Feder, Ido; Gaweda, Dorota; Grau, Pascale; Raymond, Rosanna; Sanvy, Davide-Christelle; (16 May 2023). Conserving Performance: Artists Speak - Third Annual Colloquium In: Third Annual Colloquium. Bern/Online. 16 May 2023.
Hölling, Hanna Barbara; Wielocha, Aga; Ellis, Josephine Lucy; Allgaier, Elke; Bovier, Lyonel; Gruhn, Elke; Montanari, Laura; Gazotti, Alessandro; Peterlini, Patrizio; von Ameluxen, Hubertus (5 May 2023). Activating Fluxus: In and Out of the Archive In: Two-Day Symposium and Fluxus Study Day at Foundation Bonotto. Molvena / online. 4-5 May 2022.
Ellis, Josephine Lucy; Wielocha, Aga (5 May 2023). Activating the Archive In: Activating Fluxus: In and Out of the Archive. Colsereca. 5 May, 2023.
Hölling, Hanna Barbara; Higgins, Hannah; Zinman, Gregory; Gyorody, Andrea; Metcalf, Megan; Pelta Feldman, Jules (22 February 2023). Book Presentation: Object—Event—Performance: Art, Materiality and Continuity since the 1960s In: Research Wednesday Seminar Series. Bern/Online. 22 February 2023.
Pelta Feldman, Jules (2023). A Brief History of Recent Memory: Counter Monuments and Their Successors In: Klang, Katharina (ed.) Adjustable Monuments (pp. 42-57). Dortmund: Kettler
Hölling, Hanna Barbara (2023). Urmimala Sarkar Munsi: On Dance and Preservation in India Performance: Conservation, Materiality, Knowledge - Writing, pp. 1-8. SNSF Performance, Conservation, Materiality, Knowledge / Berner Fachhochschule, Hochschule der Künste. performanceconservationmaterialityknowledge.com
Feldman, Julia Pelta (2022). On Loss - Or Feelings Thereof Texte zur Kunst(128), pp. 73-84. TEXTE ZUR KUNST VERLAG GMBH & CO. KG, Berlin
Hölling, Hanna Barbara (5 November 2022). About Fish, or Toward Radical Affinity in Paik’s Scores Activating Fluxus - Writing SNSF Activating Fluxus / Berner Fachhochschule, Hochschule der Künste
Feldman, Julia Pelta (13 July 2022). 'Sag was!' Republik, pp. 1-7. Republik AG, Zürich
Pelta Feldman, Jules (2022). Wild and Free: Jules Pelta Feldman on Byström Källblad’s ‘City Horses‘ at Tanz im August, Berlin Texte zur Kunst TEXTE ZUR KUNST VERLAG GMBH & CO. KG, Berlin
Hölling, Hanna Barbara (21 December 2021). Conserving Ourselves, Creating Ourselves: Thinking with the Philosopher Alva Noë Performance: Conservation, Materiality, Knowledge - Writing, pp. 1-9. SNSF Performance: Conservation, Materiality, Knowledge / Berner Fachhochschule, Hochschule der Künste. performanceconservationmaterialityknowledge.com
Krauter Kellein, Anne (25 September 2021). Formbar und funktional? Zu den materialsemantischen Dimensionen des Betons im Werk von Eduardo Chillida In: Warum Beton? Abschiedssymposium für Professor Ueli Fritz. Bern. 25. September 2021.
Hölling, Hanna Barbara (23 March 2021). On the Continuity of Practice in Florian Feigl’s work Performance: Conservation, Materiality, Knowledge - Writing, pp. 1-6. Performance: Conservation, Materiality, Knowledge / Berner Fachhochschule, Hochschule der Künste. performanceconservationmaterialityknowledge.com
Hölling, Hanna Barbara (2017). What is the future of media art? University of California Press Blog Post University of California Press
Hölling, Hanna Barbara (2017). 汉娜·霍玲, 白南准《禅之电影》的美学变化 2016 = The Aesthetics of Change in Paik's Zen for Film, 2016 In: Zhenhua, Lee (ed.) Time-based, Non-places, edited by Lee Zhenhua (pp. 72-97). Shenzhen: Shenzhen: 3rd Shenzhen Independent Animation Biennale & Alte Brücke Verlag
Krauter Kellein, Anne; Zumbühl, Stefan (19 April 2014). Der "Block Beuys" aus konservierungsethischer Sicht In: Hearing zum Block Beuys. Darmstadt. 18./19. April 2008.
Hölling, Hanna Barbara (2014). From Social to Technological Interactivity: Delegating the Act, Translating the Object In: Imesch-Ochslin, Kornelia (ed.) Hannes Schmid: Momentous II, 永恒的瞬间 (pp. 52-58). Beijing: Today Art Museum Beijing / Hebei Fine Arts Publishing House
Hölling, Hanna Barbara (2013). Versions, Variations, and Variability: Ethical Considerations and Conservation Options for Computer-Based Art The Electronic Media Review, 2, pp. 33-45. American Institute for Conservation
Hölling, Hanna Barbara; Wharton, Glenn; Serexhe, Bernhard (2013). Interview: Hanna Hölling, Bernhard Serexhe, Glenn Wharton Seoul: Nam June Paik Art Center
Hölling, Hanna Barbara (2013). What’s Next? Translating Time, Transforming Objects in the Conservation of Multimedia In: Hedinger, Johannes M.; Meyer, Thorsten (eds.) What's Next ? Kunst nach der Krise: Ein Reader (pp. 251-258). Berlin: Kulturverlag Kadmos
Hölling, Hanna Barbara (2012). Monitor’s Matters In: Proctor, Jacob (ed.) Simon Denny: Full Participation (pp. 185-87). Aspen: Aspen Art Press
Hölling, Hanna Barbara (2010). Konservierung In: Hedinger, Johannes M.; Gossolt, Marcus (eds.) Lexikon zur zeitgenössischen Kunst von Com&Com (pp. 83-84). Zürich: Niggli Publishers
Hölling, Hanna Barbara (2024). Veränderlichkeit kuratieren und konservieren In: Ciuccio, Simona; Weilenmann, Katrin; Ammann, Katharina (eds.) Aargauer Kunsthaus: Mit Gegenwartskunst umgehen - der neue Sammlungskatalog (pp. 162-175). Zürich: Scheidegger & Spiess
Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (2024). Performance Conservation: A Condition Report, or a Para-Ethnography in Three Acts In: Gebhardt Fink, Sabine; Mirčev, Andrej (eds.) Revolving Documents: Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art (pp. 155-172). Zürich: Diaphanes
Hölling, Hanna Barbara (2023). Notation and Eternity in Symphonie No. 5 and Liberation Sonata for Fish In: Museum Ostwall, im Dortmunder U; Frieling, Rudolf (eds.) Nam June Paik: I Expose the Music (pp. 109-114). Leipzig: Spector Books
Hölling, Hanna Barbara (2023). Notation und Ewigkeit in Symphonie No. 5 and Liberation Sonata for Fish In: Museum Ostwall, im Dortmunder U; Frieling, Rudolf (eds.) Nam June Paik: I Expose the Music (pp. 109-114). Leipzig: Spector Books
Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) (2023). Performance: The Ethics and the Politics of Conservation and Care, Volume I Routledge Advances in Theatre & Performance Studies. London and New York: Taylor & Francis 10.4324/9781003309987
Hölling, Hanna Barbara (2023). Conserving Active Matter: Activating Conservation? Review of Conserving Active Matter, edited by Peter N. Miller and Soon Kai Poh (Bard Graduate Centre, 2022, distributed by the University of Chicago Press) Zeitschrift für Kunstgeschichte, 86(3), pp. 426-432. De Gruyter 10.1515/zkg-2023-3008
Shadreck, Chirikure; Hölling, Hanna Barbara (2023). Innovation and Preservation: Shadreck Chirikure on the Performance of Heritage In: Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) Performance: The Ethics and the Politics of Conservation and Care: Volume 1 (pp. 113-120). London and New York: Taylor & Francis
Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (2023). Introduction: Caring for Performance In: Performance: The Ethics and the Politics of Conservation and Care: Volume 1. Routledge Advances in Theatre & Performance Studies (pp. 1-20). London and New York: Taylor & Francis 10.4324/9781003309987-1
Schneider, Rebecca; Hölling, Hanna Barbara (2023). Not, Yet: When Our Art is in our Hands: Rebecca Schneider, with Antiphonal Interludes by Hanna B. Hölling In: Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) Performance: The Ethics and the Politics of Conservation and Care: Volume 1 (pp. 50-69). London and New York: Taylor & Francis
Morgan, Kelli; Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (2023). Peeling the Paint off the Walls: Kelli Morgan on Black Performance and Racial Justice in Western Institutions In: Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) Performance: The Ethics and the Politics of Conservation and Care: Volume 1. Routledge Advances in Theatre & Performance Studies (pp. 188-199). London and New York: Taylor & Francis
Helio, Eléonore; Ekeba, MIchel; Hölling, Hanna Barbara; Magnin, Emilie; Badcock, Jacob; Maly, Valerian (2023). Performing the ‘Mask:’ Kongo Astronauts (Eléonore Hellio and Michel Ekeba) on Postcolonial Entanglements In: Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) Performance: The Ethics and the Politics of Conservation and Care: Volume 1 (pp. 200-216). London and New York: Taylor & Francis
Smith, Cauleen; Hölling, Hanna Barbara; Pelta Feldman, Jules (2023). Potential Afterlives: Cauleen Smith on the Relation of Film and Performance In: Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie (eds.) Performance: The Ethics and the Politics of Care, Volume I (pp. 293-304). London and New York: Taylor & Francis
Pelta Feldman, Jules (2023). Marmor, Bronze, Fleisch: zur Verteidigung von Denkmalstürzen In: Brückle, Wolfgang; Mader, Rachel; Polzer, Brita (eds.) Die Gegenwart des Denkmals: Auslegung, Zerstörung, Belebung. Kunst, Design, Medienkultur: Vol. 745 (pp. 145-157). Zürich: Diaphanes
Pelta Feldman, Jules (2023). Conserving Performance, Performing Conservation: Kim Kardashian x Marilyn Monroe Studies in Conservation, 69(6), pp. 369-387. Taylor & Francis 10.1080/00393630.2023.2260628
Hölling, Hanna Barbara (2023). Can We Talk Post-Preservation? A Letter to Paik Nam June In: London, Barbara (ed.) My Paik Nam June: Memories, Conservation, and the Spread of Discourse (pp. 83-96). Seoul: National Museum of Modern and Contemporary Art, Korea
Schäffler, Anna; Hölling, Hanna Barbara; Wielocha, Aga; Feldman, Julia Pelta; Magnin, Emilie (21 December 2022). Anna Schäffler: The Art of Preservation. An invited lecture and a panel discussion jointly organized by SNSF Activating Fluxus and SNSF Performance: Conservation, Materiality, Knowledge within the Research Wednesday seminar series, Bern University of the Arts In: Research Wednesday seminar series. Bern University of the Arts. 21 December 2022.
Hölling, Hanna Barbara (18 November 2022). Can We Talk Post-Preservation? A letter to Nam June Paik - Invited lecture at the National Museum for Modern and Contemporary Art in Soul, South Korea In: My Paik Nam June Conference. Seoul, South Korea: National Museum for Modern and Contemporary Art
Hölling, Hanna Barbara (2022). Can We Talk Post-Preservation? A letter to Nam June Paik - Conference Preprint In: My Paik Nam June (pp. 52-65). Seoul, South Korea: National Museum of Modern and Contemporary Art
Harren, Natilee; Hölling, Hanna Barbara; Wielocha, Aga (16 November 2022). Natilee Harren: Fluxus Forms of Activation. An invited lecture and a panel discussion organized by SNSF Activating Fluxus within the Research Wednesday seminar series, Bern University of the Arts In: Research Wednesday seminar series. Bern, online: SNSF Activating Fluxus
Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Wielocha, Aga (30 September 2022). Conserving Performance: Interdisciplinary Perspectives. Second Annual Colloquium organized by SNSF Performance: Conservation, Materiality, Knowledge, Bern University of the Arts. In: Conserving Performance: Interdisciplinary Perspectives. Bern, Online: Bern University of the Arts
Hölling, Hanna Barbara; Hedinger, Johannes Martin (28 August 2022). Learning from the Earth: Three-day International Conference at the Institute for Land and Environmental Art, organized on the occasion of the 4th International Summer School Alps Art Academy and the Environmental Biennale Art Safiental In: Learning from the Earth: Institute for Land and Environmental Art. Tenna: Institute for Land and Environmental Art
Hölling, Hanna Barbara (12 June 2022). Transformations and Mediations in Fluxfilm Nr.1 and Fluxus Events - invited lecture within the Summer Institute for Technical Studies in Art, Harvard Art Museums, Harvard University. In: Symposium of the Summer Institute for Technical Studies in Art, Harvard Art Museums. Harvard, Cambridge, Mass.
Hölling, Hanna Barbara; Feldman, Julia Pelta; Magnin, Emilie; Maly, Valerian (10 June 2022). Performance: Four Perspectives - A panel by/with Hanna B. Hölling, Jules Pelta Feldman, Emilie Magnin and Valerian Maly In: Revolving Documents #1: Narrations of the Beginnings of Performance Art - BANG BANG translocal hi:stories of performance art. Basel: Museum Tinguely
Hölling, Hanna Barbara; Feldman, Julia Pelta; Ribeiro, Felipe; Diagne, Mariama; Lasica, Shelley (24 May 2022). The Afterlives of Performance - Keynote. With response by Jules Pelta Feldman, followed by a panel discussion with Mariama Diagne, Shelley Lasica and Felipe Ribeiro In: New School, Something Great. Berlin: New School, Something Great
Krauter Kellein, Anne (2022). Wie viel Interdisziplinarität braucht die Erhaltung zeitgenössischer Kunst? In: Fayet, Roger; Krähenbühl, Regula (eds.) Kunst und Material. Konzepte, Prozesse, Arbeitsteilungen. outlines: Vol. 12 (pp. 123-137). arthistoricum.net-ART-Books 10.11588/arthistoricum.1047
Hölling, Hanna Barbara (2020). Archival Activations—Nam June Paik between Text and Object Metropolis M, 41(1) Stichting Metropolis M
Krauter Kellein, Anne; Fayet, Roger; Krähenbühl, Regula; Wülfert, Stefan (2019). Kunst und Material: Arbeitsteilung im Schaffensprozess In: Kunst und Material: Arbeitsteilung im Schaffensprozess. Zürich. 14. - 15. November 2019.
Hölling, Hanna Barbara (8 September 2017). Time and Conservation In: ICOM Committee for Conservation 18th Triennial Meeting: Theory and History of Conversation (pp. 1-9). Paris: International Council of Museums ICOM
Hölling, Hanna Barbara (2017). Paik's Virtual Archive: Time, Change and Materiality in Media Art Berkley: University of California Press
Hölling, Hanna Barbara (2017). Reflections on the Impossibility of Material Continuation The Moving Image: The Journal of the Association of Moving Image Archivists, 17(1), pp. 163-166. University of Minnesota Press 10.5749/movingimage.17.1.0163
Hölling, Hanna Barbara (2017). The Technique of Conservation: On Realms of Theory and Cultures of Practice Journal of the Institute of Conservation, 40(2), pp. 87-96. Taylor & Francis 10.1080/19455224.2017.1322114
Hölling, Hanna Barbara (2017). Lost to museums? Changing media, their worlds, and performance Museum History Journal, 10(1), pp. 97-111. Routledge 10.1080/19369816.2017.1257873
Hölling, Hanna Barbara (2017). Sztuka i proces: kontynuacja, względny czas trwania i archiwum Fluxus In: Sztuka w procesie - proces w sztuce: Ku nowej filozofii ochrony dziedzictwa kultury (pp. 51-61). Warszawa: Akademia Sztuk Pieknych w Warszawie
Hölling, Hanna Barbara (2016). The Virtual Body of Art: Reflections on the Impossibility of Material Continuation: Review of The Virtual Body of Art by Elzbieta Wysocka (Warsaw: Narodowe Centrum Kultury, 2013) VDR Beiträge zur Erhaltung von Kunst- und Kulturgut(1), pp. 126-128. Verband der Restauratoren (VDR) e. V.
Hölling, Hanna Barbara (2016). Transitional Media: Duration, Recursion, and the Paradigm of Conservation Studies in Conservation, 61(sup2), pp. 79-83. Taylor & Francis 10.1080/00393630.2016.1181929
Hölling, Hanna Barbara (2015). Revisions: Zen for Film New York / Chicago: Bard Graduate Center / The University of Chicago Press
Hölling, Hanna Barbara (2015). Archival Turn: Toward New Ways of Conceptualising Changeable Artworks In: Smits, Raitis; Manovich, Lev (eds.) Data Drift: Archiving Media And Data Art In The 21st Century (pp. 73-81). Riga: RIXC and Liepaja’s University, Art Research Lab
Hölling, Hanna Barbara (2015). Die Wandelbarkeit von Objekten und Konzepten: Zur Erhaltung von computerbasierten Medien am Beispiel von I/Eye In: Heuken, Simone (ed.) Die Vergänglichkeit des Materials (pp. 129-149). Köln: Verband Deutscher Restauratoren VDR
Hölling, Hanna Barbara (2015). The Aesthetics of Change: On the Relative Durations of the Impermanent In: Hermens, Emma; Robertson, Frances (eds.) Authenticity in Transition (pp. 13-24). London: Archetype Publications
Gros, Danièle; Ferreira, Ester S. B.; Wyss, Karin; Scherrer, Nadim; Zumbühl, Stefan (2014). Poudre métallique dans la peinture autour de 1900: emploi et dégradation Rapport annuel 2013 SIK-ISEA, pp. 28-32. Zürich: SIK-ISEA 10.11588/sik.2014.0.68201
Hölling, Hanna Barbara (2014). The Explicit Material: On the Intersections of Conservation, Art History and Human Sciences Simulacrum(1), pp. 22-27. Stichting Simulacrum
Hölling, Hanna Barbara (2014). Dal recupero alla ri-medizione; pratiche di restauro per l’arte basate sull’utilizzo del computer nel caso di I/Eye (1993) di Bill Spinhoven van Oosten In: Martore, Paolo (ed.) Tra memoria e oblio: percosi nella conservazione dell’arte contemporanea (pp. 229-250). Roma: Castelvecchi Publishers
Hölling, Hanna Barbara (2013). On the Identity of Nam June Paik’s Changeable Multimedia Installations in the Context of Their Conservation In: Park, Manu; Kim, Seong Eun; Park, Sang Ae (eds.) Hanna Hoelling, Bernhard Serexhe, Glenn Wharton: Nam June Paik Art Center Interviews (pp. 90-118). Seoul: Nam June Paik Art Center
Schneider, Alexandra; Strauven, Wanda; Hölling, Hanna Barbara (2013). Transcending obsolescence in technological ruins? Questions of conservation and presentation in Nam June Paik’s Something Pacific and Rembrandt Automatic NECSUS. European Journal of Media Studies, 2(2), pp. 465-482. Amsterdam University Press 10.5117/NECSUS2013.2.HOLL
Hölling, Hanna Barbara (2013). Seeking the authentic moment: De- and re-materialisations in Paik’s video and multimedia installations AICCM Bulletin, 34(1), pp. 85-92. Taylor & Francis 10.1179/bac.2013.34.1.010
van de Vall, Renée; Hölling, Hanna Barbara; Scholte, Tatja; Stigter, Sanneke (2011). Reflections on a Biographical Approach to Contemporary Art Conservation In: ICOM Committee for Conservation 16th Triennial Meeting (pp. 1-8). Critério Artes Gráficas, Lda. / ICOM Committee for Conservation
Hölling, Hanna Barbara (2011). On the Afterlife of Performance: de Appel Arts Centre in Amsterdam and STUK Kunstcentrum in Leuven: Part 2 Amsterdam: De Appel Arts Centre
Hölling, Hanna Barbara (2011). Virtualization as a Preservation Strategy for Computer-based Art: An (Empirical) Study into the Installation I/Eye (1993) by Bill Spinhoven van Oosten Amsterdam: Netherlands Media Art Institute NIMK
Hölling, Hanna Barbara (2010). On the Afterlife of Performance: de Appel Arts Centre in Amsterdam and STUK Kunstcentrum in Leuven: Part 1 Amsterdam: De Appel Arts Centre
Hölling, Hanna Barbara (2005). Zur Konservierung des Environments The Portable War Memorial von Edward Kienholz Kölner Museums-Bulletin: Berichte und Forschung aus den Museen der Stadt Köln(3), pp. 39-48. Museumsdienst Köln
