Bern Academy of the Arts > Institute Interpretation > Intersection of Contemporary Music

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Number of items at this level: 23.

Journal Article

Corajod, Mathieu Alexandre (2020). Hans Wüthrich. Parcours de l'oeuvre Brahms Ircam

Fourie, Paula (2020). “Little man you’ve had a busy day”: Music in the onstage and offstage lives of “Master Harold” The Journal of Commonwealth Literature, 57(2), pp. 477-493. SAGE 10.1177/0021989419892658

Dick, Leopold (2017). Music Theatre as Labyrinth. Extension of liminality in the production The Navidson Records by Till Wyler von Ballmoos and Tassilo Tesche Studies in Musical Theatre 11:2, Volume(Nummer), pp. 103-118. 10.1386/smt.11.2.103_1

Book Section

Dick, Leo (2020). ‚From the Region, for the Region‘: The Patchwork ‚Music Theatre Scene‘ in German-Speaking Switzerland In: Rebstock, Matthias (ed.) Freies Musiktheater in Europa / Independent Music Theatre in Europe (pp. 189-259). Bielefeld: transcript

Fourie, Paula (2020). ‘It was here, you must remember, our children played their games’: A Historiography of District Six Musical Theatre In: African Theatre 19: Opera & Music Theatre (pp. 29-51). Boydell & Brewer 10.2307/j.ctv105bbfp.9

Fourie, Paula (2020). “Master Harold” … and the boys by Athol Fugard In: Younger, Kelly; Chirico, Miriam (eds.) How to Teach a Play: Essential Exercises for Popular Plays (pp. 235-238). Methuen Drama 10.5040/9781350017566.ch-069

Fourie, Paula (2019). “Dis Nie Myne Nie, Dis Nie Joune Nie” or Kramer and Petersen’s Ghoema: Inscribing the Past, Claiming the Present? In: Maufort, Marc; Maufort, Jessica (eds.) Forays into Contemporary South African Theatre: Devising New Stage Idioms. Cross/Cultures: Vol. 211 (pp. 293-312). Brill | Rodopi 10.1163/9789004414464_017

Conference or Workshop Item

Sudan, Raphaël (4 March 2022). Free Improvisation in the academy: A comparative study between the Conservatoire National de Paris and the Musik Akademie Basel (Unpublished). In: 6. SINTA TAG. Bern. 4. März 2022.

Sudan, Raphaël (17 December 2021). Free improvisation: nod to the future, crystallization of the present or reminiscence of the past ? In: Musicking Collective. Bern - HKB (online). 15.-17.12.2021.

King, Katelyn Rose (16 December 2021). Festival Neue Musik Rümlingen: Using Discourse as a Means of Sculpting a Festival Identity and Community (Unpublished). In: Musicking Collective. Online, Hochschule der Künste Bern. 15.-17. December 2021.

Sudan, Raphael (13 November 2021). Techniques pianistiques étendues : Dans les entrailles de l'instrument In: Conférence d'automne EPTA. Conservatoire de Montreux-Vevey-Riviera. 13.11.2021.

Skamletz, Martin (2 October 2021). "I belong neither to this age nor this culture" – Nochmals zu Harry Partch in Madison In: 21. Jahreskongress der Gesellschaft für Musiktheorie (GMTH): Tonsysteme und Stimmungen. Basel. 1.-3.10.2021.

King, Katelyn Rose (18 September 2021). Choir Notation in Theatrical Context – Ulrich Rasche’s 2015–2019 Productions (Unpublished). In: CLEFNI - Choral Life in Switzerland, 19th-21st Century. Institute of Musicology, University of Bern, Hochschule der Künste Bern. 17.-18. September 2021.

Dick, Leopold (20 May 2021). Das Madrigal und die "Neue Disziplin" Ein assoziativer Streifzug In: Madrigal: Performing the public space. Bremen. 20.05.2021.

Dick, Leopold; Hoffmann, Tobias; King, Katelyn Rose (16 December 2020). Performing Identities. Perspektiven aktueller Festspiel- und Musiktheaterforschung im Dialog In: Performing Identities. Perspektiven aktueller Festspiel- und Musiktheaterforschung im Dialog. Hochschule der Künste Bern. 16. Dezember 2020.

King, Katelyn Rose (16 December 2020). Extracting a Collective Identity through modes of Exclusion and Inclusion at the Festival Neue Musik Rümlingen: A Case Study within the ‘Helvetica Mediatrix’ Research Project December 2020 (Unpublished). In: Forschungsmittwoch. Hochschule der Künste Bern. 16. December 2020.

Dick, Leo (15 September 2020). Tarantella helvetica: Symbolische Transformationen animalischer Kinesis auf der Schweizer Musiktheaterbühne In: Musik als Experimentierfeld für Bewegung. Strobl am Wolfgangsee, Österreich. 14. bis 16. September 2020.

Dick, Leopold; Tesche, Tassilo (8 November 2017). Liminale Prozesse im progressiven Musiktheater der Gegenwart In: Jour fixe Forschung. LMU München. 8. November 2017.

Sheet Music

Dick, Leopold (2021). Grand Opéra Tell. Eine klangszenische Phantasmagorie [Sheet Music]

Audiovisual Material & Event

Kane, Sarah; Rasche, Ulrich (2022). 4.48 PSYCHOSE [Performance or Exhibition]. In: Wiederaufnahme Premiere. Deutsches Theater, Berlin. 9. February 2022

Weber, Gabrielle Suzanne (2021). Lucerne Festival Forward - neue Hörsituationen für neue Musik [Audio]. In: Musik unserer Zeit.

Weber, Gabrielle Suzanne (2021). Vinyl: Hype - Retro - Kult [Audio]. In: Musik unserer Zeit.

Weber, Gabrielle Suzanne (2021). Alexandre Babel: Perkussionist, Komponist, Kurator [Audio]. In: Musik unserer Zeit.

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