Bern Academy of the Arts > Institute Interpretation > Intersection of Contemporary Music

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Number of items at this level: 27.

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Zhang, Chuyu (17 July 2024). Gebrauchsmusik: A Busonian Legacy? In: The Busoni Centenary Symposium: Busoni and His World. London, UK. 16-17 July 2024.

Sudan, Raphaël (11 November 2022). Free improvisation: hypothesis of the triple bi-parentage (Unpublished). In: Forschungskolloquium, Universität Bern. Bern. 11.11.2022.

Sudan, Raphaël; Bach, Johan Sebastian; Sudan, Raphaël (2022). J.S. Bach : Prelude and Fugue BWV 847 arranged in 7 (Unpublished). [Sheet Music]

Sudan, Raphaël (4 March 2022). Free Improvisation in the academy: A comparative study between the Conservatoire National de Paris and the Musik Akademie Basel In: 6. SINTA TAG. Bern. 4. März 2022.

King, Katelyn Rose (16 December 2021). Festival Neue Musik Rümlingen: Using Discourse as a Means of Sculpting a Festival Identity and Community In: Musicking Collective. Online, Hochschule der Künste Bern. 15.-17. December 2021.

Sudan, Raphael (13 November 2021). Techniques pianistiques étendues : Dans les entrailles de l'instrument In: Conférence d'automne EPTA. Conservatoire de Montreux-Vevey-Riviera. 13.11.2021.

King, Katelyn Rose (18 September 2021). Choir Notation in Theatrical Context – Ulrich Rasche’s 2015–2019 Productions In: CLEFNI - Choral Life in Switzerland, 19th-21st Century. Institute of Musicology, University of Bern, Hochschule der Künste Bern. 17.-18. September 2021.

Dick, Leopold (2021). Grand Opéra Tell. Eine klangszenische Phantasmagorie [Sheet Music]

Dick, Leopold; Hoffmann, Tobias; King, Katelyn Rose (16 December 2020). Performing Identities. Perspektiven aktueller Festspiel- und Musiktheaterforschung im Dialog In: Performing Identities. Perspektiven aktueller Festspiel- und Musiktheaterforschung im Dialog. Hochschule der Künste Bern. 16. Dezember 2020.

King, Katelyn Rose (16 December 2020). Extracting a Collective Identity through modes of Exclusion and Inclusion at the Festival Neue Musik Rümlingen: A Case Study within the ‘Helvetica Mediatrix’ Research Project December 2020 In: Forschungsmittwoch. Hochschule der Künste Bern. 16. December 2020.

Corajod, Mathieu Alexandre (2020). Hans Wüthrich. Parcours de l'oeuvre Brahms Ircam

Fourie, Paula (2020). “Master Harold” … and the boys by Athol Fugard In: Younger, Kelly; Chirico, Miriam (eds.) How to Teach a Play: Essential Exercises for Popular Plays (pp. 235-238). Methuen Drama 10.5040/9781350017566.ch-069

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Dick, Andreas Leopold (18 November 2022). Documentary Methods in Music Theater as a Potential Playground for Artistic Research In: Study Days: Artistic Research in Music. Berner Fachhochschule, Schwarztorstrasse 48, Bern. 17.11.2022-18.11.2022.

Dick, Andreas Leopold (February 2022). Transitzone Musiktheater: Der Basler Gare du Nord als Struktur und Metapher Musik & Theater: Das Schweizer Kulturmagazin über Klassik, Oper, Theater, Tanz, pp. 96-99. Somedia

Sudan, Raphaël (17 December 2021). Free improvisation: nod to the future, crystallization of the present or reminiscence of the past ? In: Musicking Collective. Bern - HKB (online). 15.-17.12.2021.

Dick, Andreas Leopold (15 December 2021). Réduit und Transitland – Helvetische Selbstbilder in Musiktheaterwerken von Mela Meierhans, Michel Roth und Xavier Dayer In: Musicking Collective, Internationale Tagung. online. 15.12.2021-17.12.2021.

Dick, Andreas Leopold (26 November 2021). How to Trigger Things with Words: ASMR Speech Acts on the Stage of Musical Theatre In: Textmaterial im zeitgenössischen Musiktheater. Online. 26. - 27. November 2021.

Skamletz, Martin (2 October 2021). "I belong neither to this age nor this culture" – Nochmals zu Harry Partch in Madison In: 21. Jahreskongress der Gesellschaft für Musiktheorie (GMTH): Tonsysteme und Stimmungen. Basel. 1.-3.10.2021.

Dick, Leopold (20 May 2021). Das Madrigal und die "Neue Disziplin" Ein assoziativer Streifzug In: Madrigal: Performing the public space. Bremen. 20.05.2021.

Dick, Leo (15 September 2020). Tarantella helvetica: Symbolische Transformationen animalischer Kinesis auf der Schweizer Musiktheaterbühne In: Musik als Experimentierfeld für Bewegung. Strobl am Wolfgangsee, Österreich. 14. bis 16. September 2020.

Dick, Leo (2020). ‚From the Region, for the Region‘: The Patchwork ‚Music Theatre Scene‘ in German-Speaking Switzerland In: Rebstock, Matthias (ed.) Freies Musiktheater in Europa / Independent Music Theatre in Europe (pp. 189-259). Bielefeld: transcript

Fallowfield, Ellen Harriet (2020). Cello multiphonics: technical and musical parameters Tempo, 74(291), pp. 51-69. Cambridge University Press 10.1017/s0040298219000974

Fourie, Paula (2020). ‘It was here, you must remember, our children played their games’: A Historiography of District Six Musical Theatre In: African Theatre 19: Opera & Music Theatre (pp. 29-51). Boydell & Brewer 10.2307/j.ctv105bbfp.9

Fourie, Paula (2020). “Little man you’ve had a busy day”: Music in the onstage and offstage lives of “Master Harold” The Journal of Commonwealth Literature, 57(2), pp. 477-493. SAGE 10.1177/0021989419892658

Fourie, Paula (2019). “Dis Nie Myne Nie, Dis Nie Joune Nie” or Kramer and Petersen’s Ghoema: Inscribing the Past, Claiming the Present? In: Maufort, Marc; Maufort, Jessica (eds.) Forays into Contemporary South African Theatre: Devising New Stage Idioms. Cross/Cultures: Vol. 211 (pp. 293-312). Brill | Rodopi 10.1163/9789004414464_017

Dick, Leopold; Tesche, Tassilo (8 November 2017). Liminale Prozesse im progressiven Musiktheater der Gegenwart In: Jour fixe Forschung. LMU München. 8. November 2017.

Dick, Leopold (2017). Music Theatre as Labyrinth. Extension of liminality in the production The Navidson Records by Till Wyler von Ballmoos and Tassilo Tesche Studies in Musical Theatre 11:2, Volume(Nummer), pp. 103-118. 10.1386/smt.11.2.103_1

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