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Fourie, Paula (2022). Predicting Apartheid’s Götterdämmerung? Wagnerian Spectres in the Work of Etienne Leroux The Wagner Journal, 16(2), pp. 29-40. The Wagner Journal
Fourie, Paula (2020). “Little man you’ve had a busy day”: Music in the onstage and offstage lives of “Master Harold” The Journal of Commonwealth Literature, 57(2), pp. 477-493. SAGE 10.1177/0021989419892658
Fourie, Paula (2023). “Was dit nie vir vertaalde werke nie”: ’n simptomatiese lees van Die besoek van die ou dame = An investigation of Barto Smit's translation into Afrikaans of Friedrich Dürrenmatt's play Der Besuch der alten Dame In: Hauptfleisch, Temple; Keuris, Marisa (eds.) ’N HULDIGING: BARTHO SMIT: Koorddanser tussen triomf en tragedie (pp. 133-170). Pretoria: Suid-Afrikaanse Akademie vir Wetenskap en Kuns
Fourie, Paula (2020). ‘It was here, you must remember, our children played their games’: A Historiography of District Six Musical Theatre In: African Theatre 19: Opera & Music Theatre (pp. 29-51). Boydell & Brewer 10.2307/j.ctv105bbfp.9
Fourie, Paula (2020). “Master Harold” … and the boys by Athol Fugard In: Younger, Kelly; Chirico, Miriam (eds.) How to Teach a Play: Essential Exercises for Popular Plays (pp. 235-238). Methuen Drama 10.5040/9781350017566.ch-069
Fourie, Paula (2019). “Dis Nie Myne Nie, Dis Nie Joune Nie” or Kramer and Petersen’s Ghoema: Inscribing the Past, Claiming the Present? In: Maufort, Marc; Maufort, Jessica (eds.) Forays into Contemporary South African Theatre: Devising New Stage Idioms. Cross/Cultures: Vol. 211 (pp. 293-312). Brill | Rodopi 10.1163/9789004414464_017
Fourie, Paula (2022). Mr Entertainment: the story of Taliep Petersen Midrand: Lapa
