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Andreacchio, Sara (13 November 2021). Virtuosity in piano works of Francesco Pollini. Issues of genre, piano writing and performance practice. In: Virtuosität und Innovation. Symposium zur Klaviermusik im brillanten Stil (ca. 1790–1840). Brandenburgische Technische Universität Cottbus–Senftenberg, Institut für Instrumental- und Gesangspädagogik. 12.–14. November 2021.
Andreacchio, Sara (21 May 2021). Le composizioni per pianoforte di Francesco Pollini: Questioni e ipotesi per la catalogazione. In: Francesco Pollini e il mondo musicale milanese del primo Ottocento. Conservatorio di Musica di Milano. 20-21.05, 24.09.2021.
Andreacchio, Sara (4 December 2020). Composing Piano Sonatas in the Context of the Milan Conservatory. On the Example of Francesco Pollini’s Manuscripts In: Zur musikalischen Ausbildung im 19. Jahrhundert. Bern/online. 3./4.12.2020.
Andreacchio, Sara (17 September 2020). Improvisatory gestures into composition. Francesco Pollini’s piano introductory movements in accordance with the improvisatory practice of his time In: 1. Studientag der Schweizerische Musikforschende Gesellschaft. Universität Bern. 17.09.2020.
Andreacchio, Sara (14 February 2020). The intercultural composition education program at the University of Hawaiʻi Mānoa In: Colloque - Festival d'improvisation. Haute Ecole de Musique Genève - Neuchâtel, Salle de Spectacle IJD, Terrassière 44, Genève. 11.-14. Februar 2020.
Andreacchio, Sara (19 October 2019). Intercultural Composition at the University of Hawai'i at Manoa: Negotiating or reinventing the otherness? A case study in ethnomusicology In: Réunion d'automne / Herbsttagung der CH-EM. Fribourg. 19.10.2019.
Bacciagaluppi, Claudio; Miucci, Leonardo; Andreacchio, Sara; Di Grazia, Gigliola (2022). Lista delle fonti note per le opere di Francesco Pollini (1762–1846) [Software & Other Digital Items]