Hölling, Hanna BarbaraHanna BarbaraHöllingHiggins, HannahHannahHigginsZinman, GregoryGregoryZinmanGyorody, AndreaAndreaGyorodyMetcalf, MeganMeganMetcalfFeldman, Julia PeltaJulia PeltaFeldman2024-11-192024-11-192023-02-22https://arbor.bfh.ch/handle/arbor/35977The SNSF research project Performance: Conservation, Materiality, Knowledge, in collaboration with the SNSF research project Activating Fluxus, is pleased to host a public presentation of the book titled  Object-Event-Performance: Art, Materiality, and Continuity Since the 1960s (2022; ed. by Hanna B. Hölling). The event will take place within the Research Wednesday seminar series. Much of the artwork that rose to prominence in the second half of the twentieth century took on novel forms—such as installation, performance, event, video, film, earthwork, and intermedia works with interactive and networked components—that pose a new set of questions about what art actually is, both physically and conceptually. For conservators, this raises an existential challenge when considering what elements of these artworks can and should be preserved.   This event features a book that revisits the traditional notions of conservation and museum collecting that developed over the centuries to suit a conception of art as static, fixed, and permanent objects. Conservators and museum professionals increasingly struggle with issues of conservation for works created from the mid-twentieth to the twenty-first century that are unstable over time. As participants in conservation, the contributors to this volume—often non-conservators—form a community of practice that share common interests. Speakers include: Hannah B Higgins, Gregory Zinman, Andrea Gyorody and Megan Metcalf. Moderator: Jules Pelta Feldman.enN1NXBook Presentation: Object—Event—Performance: Art, Materiality and Continuity since the 1960s-conference_item