Hölling, Hanna BarbaraHanna BarbaraHöllingMirčev, AndrejAndrejMirčevEmilie MagninCharles Wrapner2025-03-032025-03-032024-09-14https://arbor.bfh.ch/handle/arbor/44818Yet To Come: Experiments in Reverse-Engineering and Conserving Performance is an exhibition about a performance that has not happened yet. Not unlike a conventional display of performative works, it involves moving images, photographs, objects, scores and documentation as well as alternative means of keeping performances alive. The exhibition reverse-engineers performance, starting, anachronically, from what the event will have generated. Here, the performance event has not occurred, and yet its “material” has already arrived. The exhibition thus experimentally questions the perceived linearity of time—a past followed by a present and a future—disrupting the ontology of causality and effect. Performance lingers in the intervals among these material forms, in the “future perfect” of potential scenarios, in the disruptive a priori of conservation.enperformanceconservationexhibitionconservation on displayfuturityreverse-engineeringperformance conservationaudio_visual