Freedom and Form in Piano Improvisation in the early 19th Century

Lehner, Michael; Eggers, Katrin (2021). Freedom and Form in Piano Improvisation in the early 19th Century In: Bertinetto, Alessandro; Ruta, Marcello (eds.) The Routledge Handbook of Philosophy and Improvisation in the Arts. Routledge Handbooks in Philosophy (pp. 343-354). New York; London: Taylor & Francis 10.4324/9781003179443-28

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The articles discusses the significance of 19th century piano improvisation and considers how and why it went out of fashion, how it connects to an underlying aesthetic and to cultural tensions between freedom and form. Therefore three pairs of oppositional concepts will be examined: individuality versus conventionality, intuition versus reflection and coherence versus singularity.

Item Type:

Book Section (Book Chapter)

Division/Institute:

Bern Academy of the Arts
Bern Academy of the Arts > Institute Interpretation

Name:

Lehner, Michael;
Eggers, Katrin;
Bertinetto, Alessandro and
Ruta, Marcello

Subjects:

B Philosophy. Psychology. Religion > BH Aesthetics
M Music and Books on Music > M Music

ISBN:

978-0-367-20364-1

Series:

Routledge Handbooks in Philosophy

Publisher:

Taylor & Francis

Language:

English

Submitter:

Michael Lehner

Date Deposited:

24 Nov 2021 13:58

Last Modified:

22 Sep 2022 17:12

Publisher DOI:

10.4324/9781003179443-28

Related URLs:

ARBOR DOI:

10.24451/arbor.15758

URI:

https://arbor.bfh.ch/id/eprint/15758

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