Beyond Conservation: Object, Event, Performance in Franz Erhard Walther's Werkstücke
Version
Published
Date Issued
2021-11-12
Author(s)
Type
Conference Paper
Language
English
Abstract
This presentation focuses on Franz Erhard Walther’s Werkstücke, explicating their complex materiality as not only objects and not entirely performances. In this account, the definition of Walther’s Werkstücke remains fluid, gravitating between implements and sculptures, inviting a variety of aesthetic interpretations and testing the limits of traditional conservation. Walther’s works unfold as heterogeneous artworks-assemblages of activated performances and simultaneously active physical artifacts. Their completion in the mind of the viewer adds yet another level of complexity to the work.
Subjects
N Visual arts (General) For photography, see TR
NX Arts in general
Conference
Rethinking German Minimalism
Publisher
Dia Art Foundation
Submitter
Hölling, Hanna Barbara
Citation apa
Hölling, H. B. (2021). Beyond Conservation: Object, Event, Performance in Franz Erhard Walther’s Werkstücke. Rethinking German Minimalism. Dia Art Foundation. https://arbor.bfh.ch/handle/arbor/43170
