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  4. The Body of Sound: Ahmed Essyad’s Electroacoustic Music
 

The Body of Sound: Ahmed Essyad’s Electroacoustic Music

URI
https://arbor.bfh.ch/handle/arbor/44807
Version
Published
Date Issued
2024
Author(s)
Aubry, Gilles  
Essyad, Ahmed
Type
Magazine Article
Language
English
Abstract
«Art is life in the face of death», says Moroccan composer Ahmed Essyad in conversation with sound artist and researcher Gilles Aubry as part of his Norient Special Sawt, Bodies, Species. In this extended interview, Aubry speaks with Essyad about a great variety of topics, including performance in electroacoustic music, cultural roots and identity («my identity isn’t fixed»), the importance of music («music fructifies me. It’s my daily wine»), the voice and the body and its significance in the canon of Western art music («intelligence sent to the body produces insanity»), and, last but not least, nature and ecology («to make art, you have to reduce nature because it’s too complex»).
DOI
https://doi.org/10.24451/dspace/11580
Publisher URL
https://norient.com/gilles-aubry/body-sound-ahmed-essyads-electroacoustic-music
Organization
Hochschule der Künste Bern  
Institut Praktiken und Theorien der Künste  
Publisher
Norient
Submitter
Aubry, Gilles Joseph André
Citation apa
Aubry, G., & Essyad, A. (2024). The Body of Sound: Ahmed Essyad’s Electroacoustic Music. Norient. https://doi.org/10.24451/dspace/11580
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