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Beethoven’s Blue Remembered Hills

URI
https://arbor.bfh.ch/handle/arbor/35208
Version
Published
Date Issued
2022
Author(s)
Walton, Christopher  
Type
Article
Language
English
Subjects

An die ferne Geliebte...

Song cycle

Monotone

Ludwig van Beethoven

Arthur Somervell

Abstract
Various commentators have noted Beethoven’s use of a monotone in the second song of his cycle An die ferne Geliebte, where the repetition of a single note serves to conjure up the power of memory. This monotone served as a model for several subsequent composers of song cycles, often in a similar context when their singer/narrator recalls things that are past, from Peter Cornelius to Arnold Bax. In the case of Arthur Somervell’s A Shropshire Lad, a further correlation is found between his poet’s “blue-remembered hills” and Beethoven’s “Berge so blau”.
Subjects
M Music
ML Literature of music
PR English literature
DOI
10.24451/arbor.18761
https://doi.org/10.24451/arbor.18761
Publisher DOI
10.5937/newso2260221W
Journal
New Sound: International Journal of Music
ISSN
0354-818X
Publisher URL
http://www.ojs.newsound.org.rs/index.php/NS/article/view/117
Organization
Hochschule der Künste Bern  
Institut Interpretation  
Volume
60
Issue
2
Publisher
Savez Organizacija Kompozitora Jugoslavije (SOKOJ) * Music Information Centre, Union of Yugoslav Composers' Organizations
Submitter
Walton, Christopher
Citation apa
Walton, C. (2022). Beethoven’s Blue Remembered Hills. In New Sound: International Journal of Music (Vol. 60, Issue 2). Savez Organizacija Kompozitora Jugoslavije (SOKOJ) * Music Information Centre, Union of Yugoslav Composers’ Organizations. https://doi.org/10.24451/arbor.18761
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Blue Remembered Hills.pdf

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Attribution-NonCommercial-NoDerivatives 4.0 International
Version
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