Beethoven’s Blue Remembered Hills
Version
Published
Date Issued
2022
Author(s)
Type
Article
Language
English
Abstract
Various commentators have noted Beethoven’s use of a monotone in the second song of his cycle An die ferne Geliebte, where the repetition of a single note serves to conjure up the power of memory. This monotone served as a model for several subsequent composers of song cycles, often in a similar context when their singer/narrator recalls things that are past, from Peter Cornelius to Arnold Bax. In the case of Arthur Somervell’s A Shropshire Lad, a further correlation is found between his poet’s “blue-remembered hills” and Beethoven’s “Berge so blau”.
Subjects
M Music
ML Literature of music
PR English literature
Publisher DOI
Journal
New Sound: International Journal of Music
ISSN
0354-818X
Organization
Volume
60
Issue
2
Publisher
Savez Organizacija Kompozitora Jugoslavije (SOKOJ) * Music Information Centre, Union of Yugoslav Composers' Organizations
Submitter
Walton, Christopher
Citation apa
Walton, C. (2022). Beethoven’s Blue Remembered Hills. In New Sound: International Journal of Music (Vol. 60, Issue 2). Savez Organizacija Kompozitora Jugoslavije (SOKOJ) * Music Information Centre, Union of Yugoslav Composers’ Organizations. https://doi.org/10.24451/arbor.18761
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Blue Remembered Hills.pdf
License
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