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  4. Giovanni Battista Pergolesi and the Concept of Musical 'Orthography' – Understanding Written and Unwritten Articulation in Eighteenth-Century Music
 

Giovanni Battista Pergolesi and the Concept of Musical 'Orthography' – Understanding Written and Unwritten Articulation in Eighteenth-Century Music

URI
https://arbor.bfh.ch/handle/arbor/31707
Version
Published
Date Issued
2012-11
Author(s)
Köpp, Kai  
Editor(s)
Bacciagaluppi, Claudio  
Ottenberg, Hans-Günter
Zoppelli, Luca
Type
Article
Language
German
Subjects
M Music
ML Literature of music
DOI
10.24451/arbor.17480
https://doi.org/10.24451/arbor.17480
Journal or Serie
Studi Pergolesiani / Pergolesi Studies
ISSN
2235-2678
Publisher URL
https://www.peterlang.com/de/
Organization
Hochschule der Künste Bern  
Institut Interpretation  
Publisher
Peter Lang
Submitter
Allenbach, Daniel
Citation apa
Köpp, K. (2012). Giovanni Battista Pergolesi and the Concept of Musical “Orthography” – Understanding Written and Unwritten Articulation in Eighteenth-Century Music. In C. Bacciagaluppi, H.-G. Ottenberg, & L. Zoppelli (Eds.), Studi Pergolesiani / Pergolesi Studies (pp. 35–52). Peter Lang. https://doi.org/10.24451/arbor.17480
Note
ISBN: 978-3-0343-1206-6
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SP8_Koepp.pdf

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Version
published
Size

1.48 MB

Format

Adobe PDF

Checksum (MD5)

6fe821cb8e253a427630f268b1d46a4d

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