From a Postmodernist Sound to a Decolonized Dancefloor From Glitch to Deconstructed Club Music

URI
Version
Published
Date Issued
2022-05-12
Author(s)
Editor(s)
Ismaiel-Wendt, Johannes Salim
Type
Book Chapter
Language
English
Abstract
In this article, Nadine Schildhauer argues that the eclectic mix of genre found in deconstructed club music, with all its cultural references and signifiers, goes beyond deconstructivism and gravitates towards a postcolonial understanding of sound.
Subjects
M Music
NX Arts in general
ISBN
978-3-8376-6252-8
DOI
Publisher DOI
Series/Report No.
Sound Studies
Publisher URL
Related URL
Organization
Volume
6
Publisher
Transcript Verlag
Submitter
SchoonA
Citation apa
Schildhauer, N. (2022). From a Postmodernist Sound to a Decolonized Dancefloor From Glitch to Deconstructed Club Music (J. S. Ismaiel-Wendt & A. Schoon, Eds.; Vol. 6). Transcript Verlag. https://doi.org/10.24451/arbor.19347
Note
This text is posted here by permission of transcript Verlag for personal use only, not for redistribution
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