Freedom and Form in Piano Improvisation in the early 19th Century
Version
Published
Date Issued
2021
Author(s)
Eggers, Katrin
Editor(s)
Bertinetto, Alessandro
Ruta, Marcello
Type
Book Chapter
Language
English
Abstract
The articles discusses the significance of 19th century piano improvisation and considers how and why it went out of fashion, how it connects to an underlying aesthetic and to cultural tensions between freedom and form.
Therefore three pairs of oppositional concepts will be examined: individuality versus conventionality, intuition versus reflection and coherence versus singularity.
Therefore three pairs of oppositional concepts will be examined: individuality versus conventionality, intuition versus reflection and coherence versus singularity.
Subjects
BH Aesthetics
M Music
ISBN
978-0-367-20364-1
Publisher DOI
Series/Report No.
Routledge Handbooks in Philosophy
Organization
Publisher
Taylor & Francis
Submitter
LehnerM
Citation apa
Lehner, M., & Eggers, K. (2021). Freedom and Form in Piano Improvisation in the early 19th Century (A. Bertinetto & M. Ruta, Eds.). Taylor & Francis. https://doi.org/10.24451/arbor.15758
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