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  4. Improvisatory gestures into composition. Francesco Pollini’s piano introductory movements in accordance with the improvisatory practice of his time
 

Improvisatory gestures into composition. Francesco Pollini’s piano introductory movements in accordance with the improvisatory practice of his time

URI
https://arbor.bfh.ch/handle/arbor/41443
Version
Published
Date Issued
2020-09-17
Author(s)
Andreacchio, Sara  
Type
Conference Paper
Language
English
DOI
10.24451/arbor.13240
https://doi.org/10.24451/arbor.13240
Publisher URL
https://www.smg-ssm.ch/smg-ssm/forschungs-publikationen/studientag-fuer-den-wissenschaftlichen-nachwuchs/
Related URL
https://www.smg-ssm.ch/fileadmin/redaktion_smg/dokumente/Poster_Andreacchio.pdf publication
Organization
Hochschule der Künste Bern  
Institut Interpretation  
Conference
1. Studientag der Schweizerische Musikforschende Gesellschaft
Submitter
AndreacchioS
Citation apa
Andreacchio, S. (2020). Improvisatory gestures into composition. Francesco Pollini’s piano introductory movements in accordance with the improvisatory practice of his time. 1. Studientag der Schweizerische Musikforschende Gesellschaft. https://doi.org/10.24451/arbor.13240
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Sara Andreacchio_Poster SMG.pdf

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