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  4. Against Dissociation: Documentation as the Object of Care
 

Against Dissociation: Documentation as the Object of Care

URI
https://arbor.bfh.ch/handle/arbor/44493
Date Issued
2024-03
Author(s)
Wielocha, Aga  
Type
Article
Language
English
Abstract
Often durational, process or/and concept-based, transient and participatory, contemporary art understood as a paradigm of artistic practice calls for new approaches to the institutional collecting and all related practices including conservation. The intangible agents of contemporary artwork often exist as, and thus might be transmitted only through various kinds of documents. The resulting documentation does not only contain information about artwork’s provenance, history, meanings and character but it hosts an important part of the artwork itself. As decisions about the future presentations and hence interpretations of artworks are made based on documentation, the latter not only shapes but also determines the future of contemporary artworks.
DOI
https://doi.org/10.24451/dspace/11330
Publisher DOI
10.25969/mediarep/22998
ISSN
2191-0901
Publisher URL
https://mediarep.org/entities/article/a8b6a90f-2f64-4033-98ef-d75baef33e1e
Organization
Hochschule der Künste Bern  
Volume
14
Issue
1
Citation
Wielocha, Aga: Against Dissociation. Documentation as the Object of Care. In: MAP - Media | Archive | Performance, Jg. 14 (2024), Nr. 1, S. 1-9. DOI: http://dx.doi.org/10.25969/mediarep/22998.
Publisher
Universität Marburg
Submitter
Wielocha, Aga
Citation apa
Wielocha, A. (2024). Against Dissociation: Documentation as the Object of Care (Vol. 14, Issue 1). Universität Marburg. https://doi.org/10.24451/dspace/11330
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