“Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the turn of the 19th century"
Version
Unpublished
Date Issued
2017-06
Author(s)
Type
Conference Paper
Language
English
Conference
IX. Europäische Kongress musikalischer Analyse (EuroMAC 9)
Submitter
CarlisiL
Citation apa
Carlisi, L. (2017). “Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the turn of the 19th century". IX. Europäische Kongress musikalischer Analyse (EuroMAC 9). https://arbor.bfh.ch/handle/arbor/38441