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  4. The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902
 

The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902

URI
https://arbor.bfh.ch/handle/arbor/37698
Version
Published
Date Issued
2016
Author(s)
Ferreira, Ester S. B.
Wyss, Karin
de Villemereuil, Violaine
Beltinger, Karoline
Marone, Federica
Scherrer, Nadim  
Zumbühl, Stefan  
Editor(s)
Beltinger, Karoline
Nadolny, Jilleen
Type
Book Chapter
Language
English
Subjects
ND Painting
ISBN
978-3-908196-85-3
DOI
10.24451/arbor.8054
https://doi.org/10.24451/arbor.8054
Series/Report No.
KUNSTMaterial
Related URL
https://www.sik-isea.ch/de-ch/Forschung-Publikationen/Forschung/Forschungsprojekte/Analyse-von-Temperafarben/Subproject-1 org
Organization
Hochschule der Künste Bern  
Institut Materialität in Kunst und Kultur  
HKB Lehre  
Materialforschung in Kunst und Kultur  
Volume
4
Publisher
Archetype Publications
Submitter
Scherrer, Nadim
Citation apa
Ferreira, E. S. B., Wyss, K., de Villemereuil, V., Beltinger, K., Marone, F., Scherrer, N., & Zumbühl, S. (2016). The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902. In K. Beltinger & J. Nadolny (Eds.), Painting in Tempera (Vol. 4, pp. 205–227). Archetype Publications. https://doi.org/10.24451/arbor.8054
Note
Date: 2016
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