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  4. “A singing phrase the way I liked it”: Friedrich Kalkbrenner’s response to the Viennese piano sound
 

“A singing phrase the way I liked it”: Friedrich Kalkbrenner’s response to the Viennese piano sound

URI
https://arbor.bfh.ch/handle/arbor/41651
Version
Published
Date Issued
2020-09-17
Author(s)
Di Grazia, Gigliola
Type
Conference Paper
Abstract
Friedrich Kalkbrenner (1785-1849) was an eminent composer and performer active in the early 19th century. As a pianist, he developed a preference for the full-rounded sound of English and French pianos which reflected his sound ideals. His opinions about pianos and piano playing focus on one particular element: sound resonance, or as he expresses it, the singing tone of the piano. Kalkbrenner took special care regarding this sonic aspect since it highly influenced his artistic choices. In 1824, during his stay in Vienna, he reported to have manipulated the damper action of a Conrad Graf piano in order to successfully play a singing phrase as expressive as he wished.
Subjects
M Music
MT Musical instruction and study
DOI
10.24451/arbor.12355
https://doi.org/10.24451/arbor.12355
Publisher URL
https://www.smg-ssm.ch/fileadmin/redaktion_smg/dokumente/Poster_Di_Grazia.pdf
Related URL
https://www.smg-ssm.ch/smg-ssm/forschungs-publikationen/studientag-fuer-den-wissenschaftlichen-nachwuchs/ org
Organization
Hochschule der Künste Bern  
Institut Interpretation  
Conference
SMG Studientag für den wissenschaftlichen Nachwuchs
Submitter
Allenbach, Daniel
Citation apa
Di Grazia, G. (2020). “A singing phrase the way I liked it”: Friedrich Kalkbrenner’s response to the Viennese piano sound. SMG Studientag für den wissenschaftlichen Nachwuchs. https://doi.org/10.24451/arbor.12355
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