Yet To Come: Experiments in Reverse-Engineering and Conserving Performance - An Exhibition
Version
Published
Date Issued
2024-09-14
Author(s)
Emilie Magnin
Charles Wrapner
Type
Audiovisual Material & Event
Language
English
Abstract
Yet To Come: Experiments in Reverse-Engineering and Conserving Performance is an exhibition about a performance that has not happened yet. Not unlike a conventional display of performative works, it involves moving images, photographs, objects, scores and documentation as well as alternative means of keeping performances alive.
The exhibition reverse-engineers performance, starting, anachronically, from what the event will have generated. Here, the performance event has not occurred, and yet its “material” has already arrived. The exhibition thus experimentally questions the perceived linearity of time—a past followed by a present and a future—disrupting the ontology of causality and effect. Performance lingers in the intervals among these material forms, in the “future perfect” of potential scenarios, in the disruptive a priori of conservation.
The exhibition reverse-engineers performance, starting, anachronically, from what the event will have generated. Here, the performance event has not occurred, and yet its “material” has already arrived. The exhibition thus experimentally questions the perceived linearity of time—a past followed by a present and a future—disrupting the ontology of causality and effect. Performance lingers in the intervals among these material forms, in the “future perfect” of potential scenarios, in the disruptive a priori of conservation.
Sponsors
Swiss National Science Foundation
Project(s)
Performance: Conservation, Materiality, Knowledge
Publisher
HKB Bern Academy of the Arts
Submitter
Hölling, Hanna Barbara
Citation apa
Hölling, H. B., Mirčev, A., Emilie Magnin, & Charles Wrapner. (2024). Yet To Come: Experiments in Reverse-Engineering and Conserving Performance - An Exhibition. HKB Bern Academy of the Arts. https://arbor.bfh.ch/handle/arbor/44818
