Natilee Harren: Fluxus Forms of Activation. An invited lecture and a panel discussion organized by SNSF Activating Fluxus within the Research Wednesday seminar series, Bern University of the Arts
Version
Published
Date Issued
2022-11-16
Author(s)
Type
Conference Paper
Language
English
Abstract
Following the Fluxus collective’s debut festival in late 1962, leading organizer George Maciunas wrote to Nam June Paik: “One can’t just perform the same single think [sic] over & over & over & over. We try to vary every piece in each performance.” Through their experimental performance and publishing practices, Fluxus artists tested how scores and other conceptual propositions could be interpreted and received in unforeseen ways. In a presentation that expands on arguments presented in her award-winning book Fluxus Forms: Scores, Multiples, and the Eternal Network, Natilee Harren will consider the multitude of ways Fluxus artists and the inheritors of their legacy have activated and remade one another’s works, both in the moment of the collective’s emergence in the 1960s and in more recent decades as Fluxus works have found their way into museum collections, conservation labs, and the hands of the public
Subjects
N Visual arts (General) For photography, see TR
NX Arts in general
Sponsors
Swiss National Science Foundation
Project(s)
Activating Fluxus
Conference
Research Wednesday seminar series
Publisher
SNSF Activating Fluxus
Submitter
Hölling, Hanna Barbara
Citation apa
Harren, N., Hölling, H. B., & Wielocha, A. (2022). Natilee Harren: Fluxus Forms of Activation. An invited lecture and a panel discussion organized by SNSF Activating Fluxus within the Research Wednesday seminar series, Bern University of the Arts. Research Wednesday seminar series. SNSF Activating Fluxus. https://arbor.bfh.ch/handle/arbor/34334
