From Naples to Paris: the reception of the Neapolitan partimento tradition in Paris and its leverage on French music pedagogy and music theory in the first half of the 19th Century

Carlisi, Lydia

From Naples to Paris: the reception of the Neapolitan partimento tradition in Paris and its leverage on French music pedagogy and music theory in the first half of the 19th Century

URI

https://arbor.bfh.ch/handle/arbor/39336

Version

Unpublished

Date Issued

2018-03

Author(s)

Carlisi, Lydia

Type

Conference Paper

Language

English

Subjects

M Music

Publisher URL

https://sites.northwestern.edu/mtcc/

Organization

Hochschule der Künste Bern

Institut Interpretation

Musiktheorie

Conference

MUSIC THEORY AND COGNITION COLLOQUIUM

Submitter

CarlisiL

Citation apa

Carlisi, L. (2018). From Naples to Paris: the reception of the Neapolitan partimento tradition in Paris and its leverage on French music pedagogy and music theory in the first half of the 19th Century. MUSIC THEORY AND COGNITION COLLOQUIUM. https://arbor.bfh.ch/handle/arbor/39336