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  4. Stage-gate and agile development in the digital age: Promises, perils, and boundary conditions
 

Stage-gate and agile development in the digital age: Promises, perils, and boundary conditions

URI
https://arbor.bfh.ch/handle/arbor/41001
Version
Published
Date Issued
2019-03-01
Author(s)
Paluch, Stefanie
Antons, David
Brettel, Malte
Hopp, Christian  
Salge, Torsten-Oliver
Piller, Frank
Wentzel, Daniel
Type
Article
Language
English
Abstract
Some artists begin with careful plans, sketches, preliminary drawings and even paintings before settling on one particular direction. Claude Monet, for example, carefully planned and prepared his work to coincide with specific natural light, timing his activity according to when and how daylight touched his canvas (House, 2004). His work was revolutionary: masterpieces such as his famous Impressions, Sunrise and subsequent Water Lilies series were intended to capture the feelings initiated by observation and interpretation; they exceeded the mere recording of scenery details. Other artists seemed to obtain their inspiration internally, beginning with little formal preparation. They approached the canvas experientially. Jackson Pollock adopted this style with his famous drip paintings - action pieces that were acclaimed to show motion, depicting accidents and energy.
DOI
10.24451/arbor.11984
https://doi.org/10.24451/arbor.11984
Publisher DOI
10.1016/j.jbusres.2019.01.063
Journal
Journal of Business Research
ISSN
01482963
Publisher URL
https://doi.org/10.1016/j.jbusres.2019.01.063
Organization
Abteilung Methoden und Grundlagen (AMuG)  
Wirtschaft  
Volume
110
Publisher
Elsevier
Submitter
Hopp, Christian
Citation apa
Paluch, S., Antons, D., Brettel, M., Hopp, C., Salge, T.-O., Piller, F., & Wentzel, D. (2019). Stage-gate and agile development in the digital age: Promises, perils, and boundary conditions. In Journal of Business Research (Vol. 110). Elsevier. https://doi.org/10.24451/arbor.11984
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Version
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