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  4. "Hope Is the Greatest Whore": Hope, Critique, and Management Studies in Irena Haiduk's Artwork: Unplugged – Voices
 

"Hope Is the Greatest Whore": Hope, Critique, and Management Studies in Irena Haiduk's Artwork: Unplugged – Voices

URI
https://arbor.bfh.ch/handle/arbor/39429
Version
Published
Date Issued
2018
Author(s)
Endrissat, Nada  
Alacovska, Ana
Type
Article
Language
English
Abstract
Research in management and organization may only gain by being inspired from arts, culture and humanities in order to rethink practices but also to nourish its own perspectives. Life in organizations is artificially separate from ordinary life: all of mundane objects are thus conducive to astonishment, inspiration, and even problematization. The unplugged subsection “voices” gives the opportunity to academics and non-academics to deliver an interpretation about an object from the cultural or artistic world. Interpreted objects are or not directly related to organizational life, resonate or not with the moment, but share some intriguing features. These interpretations suggest a patchwork of variations on the same object.
DOI
10.24451/arbor.6813
https://doi.org/10.24451/arbor.6813
Journal
M@n@gement
ISSN
1286-4692
Publisher URL
https://management-aims.com/index.php/mgmt/article/view/3814
Organization
Neue Arbeits- und Organisationsformen  
Wirtschaft  
Volume
21
Issue
3
Publisher
Association Internationale de Management Strategique (AIMS)
Submitter
ServiceAccount
Citation apa
Endrissat, N., & Alacovska, A. (2018). “Hope Is the Greatest Whore”: Hope, Critique, and Management Studies in Irena Haiduk’s Artwork: Unplugged – Voices. In M@n@gement (Vol. 21, Issue 3). Association Internationale de Management Strategique (AIMS). https://doi.org/10.24451/arbor.6813
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