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The Ethics of Repair

URI
https://arbor.bfh.ch/handle/arbor/44769
Version
Unpublished
Date Issued
2024-09
Author(s)
Hölling, Hanna Barbara  
Hochschule der Künste Bern  
Editor(s)
Berner Fachhochschule, Hochschule der Künste
Performance: Conservation, Materiality, Knowledge
Type
Conference Paper
Language
English
Subjects

Repair

Ethics

conservation

material culture

performance

Abstract
This talk explores the concept of repair, traditionally associated with fixing broken objects, and its implications for performance art and conservation practices. Starting with the etymology of “repair,” rooted in Latin meanings of restoration and renewal, the presentation probes how repair intersects with care ethics, aesthetics and conservation strategies. Drawing insights from cultural practices and thinkers like Yuriko Saito, it considers repair as a meditative act that tends to both material and human conditions. The talk invites participants to reflect on whether performance conservation can be framed as a form of repair and questions whether something must first be damaged to require such care. By rethinking repair, the discussion opens possibilities for integrating repair principles into experimental care practices and artistic performance conservation.
DOI
https://doi.org/10.24451/dspace/11550
Publisher URL
https://performanceconservationmaterialityknowledge.com/
Organization
Hochschule der Künste Bern  
Institut Materialität in Kunst und Kultur  
Sponsors
Swiss National Science Foundation
Project(s)
Performance: Conservation, Materiality, Knowledge
Conference
Research Festival: Conserving Performance, Performing Conservation
Submitter
Hölling, Hanna Barbara
Citation apa
Hölling, H. B. (2024). The Ethics of Repair (H. der K. Berner Fachhochschule & M. Performance: Conservation Knowledge, Eds.). https://doi.org/10.24451/dspace/11550
Note
This is an excerpt from an unpublished lecture given at Tanzhaus Zürich, on September 15, 2024, within Conserving Performance, Performing Conservation research festival.
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