Ben Johnston – Voraussetzungen und Potenzial seiner Extended Just Intonation

Kilchenmann, Marc (2017). Ben Johnston – Voraussetzungen und Potenzial seiner Extended Just Intonation In: Hochholdinger-Reiterer, Beate; Gartmann, Thomas (eds.) Beiträge der Graduate School of the Arts I. Beiträge der Graduate School of the Arts: Vol. 1 (pp. 39-51). Bern: Graduate School of the Arts

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In his work, the American composer Ben Johnston (born 1926) – one of the foremost representatives of so-called Extended Just Intonation – draws on a wide range of historical, theoretical and stylistic influences. This essay discusses the makings of Johnston’s work, which developed from Harry Partch’s Just Intonation, and highlights the oftentimes unexpected connections to concepts of microtonal composers such as Russolo, Carrillo and Wyschnegradsky.

Item Type:

Book Section (Book Chapter)

Division/Institute:

Bern University of the Arts
Bern University of the Arts > Institute Interpretation
Bern University of the Arts > HKB Teaching

Name:

Kilchenmann, Marc;
Hochholdinger-Reiterer, Beate and
Gartmann, Thomas0000-0002-0892-0261

Subjects:

M Music and Books on Music > M Music
M Music and Books on Music > ML Literature of music

ISSN:

2571-6328

ISBN:

978-3-9524098-6-2

Series:

Beiträge der Graduate School of the Arts

Publisher:

Graduate School of the Arts

Language:

German

Submitter:

Marc Kilchenmann

Date Deposited:

18 Dec 2019 12:52

Last Modified:

18 Dec 2020 13:29

Related URLs:

Additional Information:

978-3-9524098-7-9 (elektronische Version)

Uncontrolled Keywords:

Ben Johnston Extended Just Intonation Musik des 20. Jahrhunderts Neue Musik

ARBOR DOI:

10.24451/arbor.8427

URI:

https://arbor.bfh.ch/id/eprint/8427

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