Uncovering modern paint forgeries by radiocarbon dating

Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Smith, Gregory D.; Welte, Caroline; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2019). Uncovering modern paint forgeries by radiocarbon dating Proceedings of the National Academy of Sciences of the United States of America, 116(27), pp. 13210-13214. National Academy of Sciences (NAS) 10.1073/pnas.1901540116

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Art forgeries have existed since antiquity, but with the recent rapidly expanding commercialization of art, the approach to art authentication has demanded increasingly sophisticated detection schemes. So far, the most conclusive criterion in the field of counterfeit detection is the scientific proof of material anachronisms. The establishment of the earliest possible date of realization of a painting, called the terminus post quem, is based on the comparison of materials present in an artwork with information on their earliest date of discovery or production. This approach provides relative age information only and thus may fail in proving a forgery. Radiocarbon (C-14) dating is an attractive alternative, as it delivers absolute ages with a definite time frame for the materials used. The method, however, is invasive and in its early days required sampling tens of grams of material. With the advent of accelerator mass spectrometry (AMS) and further development of gas ion sources (GIS), a reduction of sample size down to microgram amounts of carbon became possible, opening the possibility to date individual paint layers in artworks. Here we discuss two microsamples taken from an artwork carrying the date of 1866: a canvas fiber and a paint chip (<200 mu g), each delivering a different radiocarbon response. This discrepancy uncovers the specific strategy of the forger: Dating of the organic binder delivers clear evidence of a post-1950 creation on reused canvas. This microscale C-14 analysis technique is a powerful method to reveal technically complex forgery cases with hard facts at a minimal sampling impact.

Item Type:

Journal Article (Original Article)

Division/Institute:

Bern University of the Arts
Bern University of the Arts > Institute Materiality in Art and Culture

Name:

Hendriks, Laura;
Hajdas, Irka;
Ferreira, Ester S. B.;
Scherrer, Nadim0000-0002-6576-885X;
Zumbühl, Stefan0000-0002-8896-2938;
Smith, Gregory D.;
Welte, Caroline;
Wacker, Lukas;
Synal, Hans-Arno and
Günther, Detlef

Subjects:

N Fine Arts > ND Painting

ISSN:

0027-8424

Publisher:

National Academy of Sciences (NAS)

Language:

English

Submitter:

Nadim Scherrer

Date Deposited:

08 Oct 2019 10:40

Last Modified:

18 Dec 2020 13:28

Publisher DOI:

10.1073/pnas.1901540116

Related URLs:

Web of Science ID:

000473427900015

Additional Information:

Notes: ISI Document Delivery No.: IF9QP Times Cited: 2 Cited Reference Count: 38 Hendriks, Laura Hajdas, Irka Ferreira, Ester S. B. Scherrer, Nadim C. Zumbuehl, Stefan Smith, Gregory D. Welte, Caroline Wacker, Lukas Synal, Hans-Arno Guenther, Detlef Eth [eth-21 15-1] The authors thank Prof. James Hamm of State University of New York (SUNY) Buffalo State College for providing paint samples from the forged painting. The authors express their gratitude to Markus Kuffner from the Swiss Institute for Art Research as well as to Markus Christl for support during preparation of the manuscript. Funding by an ETH grant (ETH-21 15-1) is acknowledged. Natl acad sciences Washington Custom 1: Article Date: 2019

Uncontrolled Keywords:

radiocarbon dating forgery microsample organic binder gas ion-source c-14 calibration micadas routine carbon

ARBOR DOI:

10.24451/arbor.8089

URI:

https://arbor.bfh.ch/id/eprint/8089

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