Schildhauer, Nadine (2022). From a Postmodernist Sound to a Decolonized Dancefloor From Glitch to Deconstructed Club Music In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial Repercussions. On Sound Ontologies and Decolonised Listening. Sound Studies: Vol. 6 (pp. 85-99). Bielefeld: Transcript Verlag 10.14361/9783839462522-006
|
Text
6. From a Postmodernist Sound to....pdf - Published Version Available under License Publisher holds Copyright. Download (475kB) | Preview |
Official URL: https://www.transcript-verlag.de/978-3-8376-6252-8...
In this article, Nadine Schildhauer argues that the eclectic mix of genre found in deconstructed club music, with all its cultural references and signifiers, goes beyond deconstructivism and gravitates towards a postcolonial understanding of sound.
Item Type: |
Book Section (Book Chapter) |
|---|---|
Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Practices and Theories in the Arts Bern Academy of the Arts > Institute Practices and Theories in the Arts > Auditory Cultures |
Name: |
Schildhauer, Nadine; Ismaiel-Wendt, Johannes Salim  0000-0001-9818-2145 and Schoon, Andi 0000-0002-4390-5593 |
Subjects: |
M Music and Books on Music > M Music N Fine Arts > NX Arts in general |
ISBN: |
978-3-8376-6252-8 |
Series: |
Sound Studies |
Publisher: |
Transcript Verlag |
Language: |
English |
Submitter: |
Andi Schoon |
Date Deposited: |
14 Jun 2023 10:16 |
Last Modified: |
01 Jul 2023 02:30 |
Publisher DOI: |
10.14361/9783839462522-006 |
Related URLs: |
|
Additional Information: |
This text is posted here by permission of transcript Verlag for personal use only, not for redistribution |
ARBOR DOI: |
10.24451/arbor.19347 |
URI: |
https://arbor.bfh.ch/id/eprint/19347 |
Actions (login required)
 |
View Item |