Schoon, Andi (2022). Tangier 1999: in search of authenticity: Paul Bowles longs for something and insists on its existence In: Ismaiel-Wendt, Johannes Salim; Schoon, Andi (eds.) Postcolonial repercussions: on sound ontologies and decolonised listening. Sound Studies: Vol. 6 (pp. 153-163). Bielefeld: Transcript Verlag
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Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? »Postcolonial Repercussions« explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition. The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening.
Item Type: |
Book Section (Book Chapter) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Practices and Theories in the Arts Bern Academy of the Arts > Institute Practices and Theories in the Arts > Auditory Cultures |
Name: |
Schoon, Andi0000-0002-4390-5593; Ismaiel-Wendt, Johannes Salim and Schoon, Andi0000-0002-4390-5593 |
Subjects: |
M Music and Books on Music > M Music N Fine Arts > NX Arts in general |
ISBN: |
978-3-8376-6252-8 |
Series: |
Sound Studies |
Publisher: |
Transcript Verlag |
Projects: |
Projects 163033 not found. |
Language: |
English |
Submitter: |
Andi Schoon |
Date Deposited: |
21 Jun 2022 14:58 |
Last Modified: |
01 Jul 2023 02:30 |
Related URLs: |
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Additional Information: |
This text is posted here by permission of transcript Verlag for personal use only, not for redistribution. |
Uncontrolled Keywords: |
Postcolonial Studies, Sound Studies, Paul Bowles, Morocco |
ARBOR DOI: |
10.24451/arbor.17084 |
URI: |
https://arbor.bfh.ch/id/eprint/17084 |