Bausch, Sebastian (2013). «My man is nothing if he is not rhythmic» Die Ausführung kurzer rhythmischer Motive in Aufnahmen von Schülerinnen Clara Schumanns Dissonance(124), pp. 35-43. Dissonance
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Historical recordings are inestimable, if also irritating witnesses of lost interpretation traditions. The author presents recordings of Clara Schumann’s students, replaces them in their context, and proposes a method of analysis and differential description of those documents with regards to written sources. At the core of this research lies the question whether concurring interpretation styles in the 19th century can be identified and distinguished.
Item Type: |
Journal Article (Original Article) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Interpretation |
Name: |
Bausch, Sebastian |
Subjects: |
M Music and Books on Music > ML Literature of music |
ISSN: |
1660-7244 |
Publisher: |
Dissonance |
Language: |
German |
Submitter: |
Daniel Allenbach |
Date Deposited: |
03 Nov 2021 09:50 |
Last Modified: |
03 Nov 2021 09:50 |
ARBOR DOI: |
10.24451/arbor.15625 |
URI: |
https://arbor.bfh.ch/id/eprint/15625 |