Ramos Regino, Luis Antonio (2021). Solmisationssysteme in "El cantor instruido" von Manuel Cavaza. Ein Fallbeispiel zur Methodenvielfalt im 18. Jahrhundert Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory], 18(1), pp. 127-140. https://doi.org/10.31751/1108
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In his singing treatise El cantor instruido o Maestro aliviado (Madrid 1754) Manuel Cavaza contrasts different systems for handling solmization syllables. In addition to Guidonian solmization with hexachords and mutations, he presents two methods without mutation as well as a kind of “moveable do” system using key simulation. Cavaza’s manuscript is an excellent testimony to the diversity of solfège traditions on the European periphery in the mid-eighteenth century. According to this source, a well-informed singing teacher at that time had to be a musical polyglot.
Item Type: |
Journal Article (Original Article) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Interpretation |
Name: |
Ramos Regino, Luis Antonio |
Subjects: |
M Music and Books on Music > ML Literature of music M Music and Books on Music > MT Musical instruction and study |
ISSN: |
1862-6742 |
Language: |
German |
Submitter: |
Daniel Allenbach |
Date Deposited: |
16 Aug 2021 14:40 |
Last Modified: |
18 Aug 2022 09:08 |
Publisher DOI: |
https://doi.org/10.31751/1108 |
Related URLs: |
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Uncontrolled Keywords: |
18. Jahrhundert; 18th century; accidentals; Akzidenzien; key simulation; Manuel Cavaza; Real Capilla de Madrid; Schlüsselsimulation; Solmisation; solmization |
ARBOR DOI: |
10.24451/arbor.15222 |
URI: |
https://arbor.bfh.ch/id/eprint/15222 |
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