Koerfer-Bürger, Angela (2018). "Pinocchio" – Metamorphose des Sich-Zeigens in der Oper von Philippe Boesmans In: Gartmann, Thomas; Schäuble, Michaela (eds.) Beiträge der Graduate School of the Arts II. Beiträge der Graduate School of the Arts: Vol. 2 (pp. 61-74). Bern: Graduate School of the Arts
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This article offers a performance analysis of Philippe Boesmans’s new opera Pinocchio (2017, Aix-en-Provence) to explore the potential of narrative and demonstrative representation as constitutive qualities of musical puppet theatre. Pinocchio combines significant criteria from puppet theatre within an epic form, and by means of the metamorphosis of the main character. Perceiving an imaginary, ideal body becomes possible. This perception is not necessarily related to a human being or to the materiality of a puppet.
Item Type: |
Book Section (Book Chapter) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Practices and Theories in the Arts Bern Academy of the Arts > HKB Teaching |
Name: |
Koerfer-Bürger, Angela; Gartmann, Thomas  0000-0002-0892-0261 and Schäuble, Michaela |
ISSN: |
2571-6328 |
ISBN: |
978-3-9524098-9-3 |
Series: |
Beiträge der Graduate School of the Arts |
Publisher: |
Graduate School of the Arts |
Language: |
German |
Submitter: |
Daniel Allenbach |
Date Deposited: |
27 Oct 2020 10:19 |
Last Modified: |
22 Mar 2023 10:33 |
Related URLs: |
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ARBOR DOI: |
10.24451/arbor.13238 |
URI: |
https://arbor.bfh.ch/id/eprint/13238 |
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