Harenberg, Michael (2020). Der gespielte Algorithmus : Convert (your) Ego. Eine algorithmische Komposition zum Forschungsprojekt CLEX der Hochschule der Künste Bern HKB In: Gartmann, Thomas; Pauli, Christian (eds.) Arts in Context – Kunst, Forschung, Gesellschaft (pp. 132-139). Bielefeld: transcript-Verlag 10.14361/9783839453223-016
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The development of a sensory-dynamic contrabass clarinet had the specific aim of improving the instrument in its acoustics and intonation. At the same time, electronic control enables new playing techniques and compositional approaches such as remote control by algorithms.
Item Type: |
Book Section (Book Chapter) |
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Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Interpretation BFH Centres and strategic thematic fields > BFH Centre for Arts in Context |
Name: |
Harenberg, Michael; Gartmann, Thomas  0000-0002-0892-0261 and Pauli, Christian |
ISBN: |
9783839453223 |
Publisher: |
transcript-Verlag |
Language: |
German |
Submitter: |
Daniel Allenbach |
Date Deposited: |
16 Nov 2020 10:07 |
Last Modified: |
16 Nov 2020 10:07 |
Publisher DOI: |
10.14361/9783839453223-016 |
Related URLs: |
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ARBOR DOI: |
10.24451/arbor.13202 |
URI: |
https://arbor.bfh.ch/id/eprint/13202 |
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