Skamletz, Martin (2020). »›Auch war man hier so klug gewesen, die Partitur mit blasenden Instrumenten zu bereichern‹. Der Orchesterklang in den ersten Jahren des Theaters an der Wien am Beispiel des Aufführungsmaterials von Domenico Della Marias Le prisonnier (1801)« In: ›Klang‹: Wundertüte oder Stiefkind der Musiktheorie. 16. Jahreskongress der Gesellschaft für Musiktheorie Hannover 2016. GMTH Proceedings: Vol. 2016 (pp. 269-280). Berlin: GMTH
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The quotation in the title here is taken from the journal Zeitung für die elegante Welt of 1803, and it refers to an opera by Domenico Della Maria. But what it describes was no isolated case at the Theater an der Wien, which had opened in 1801. The works of post-Revolutionary French music theater that were popular at this time were not merely subjected to the usual processes of adaptation as Viennese versions (such as translating the texts, making cuts or adding new material), for their orchestration was also systematically altered. The treatment of wind instruments that created the sound of this »house style« was different not just from the French originals themselves, but also from the practices of other Viennese theaters of the day.
Item Type: |
Book Section (Book Chapter) |
|---|---|
Division/Institute: |
Bern Academy of the Arts Bern Academy of the Arts > Institute Interpretation |
Name: |
Skamletz, Martin 0000-0001-9634-4817 |
Subjects: |
M Music and Books on Music > M Music M Music and Books on Music > ML Literature of music |
ISSN: |
2701-9500 |
ISBN: |
978-3-00-066797-8 |
Series: |
GMTH Proceedings |
Publisher: |
GMTH |
Language: |
German |
Submitter: |
Martin Skamletz |
Date Deposited: |
03 Nov 2020 16:04 |
Last Modified: |
03 Nov 2020 16:04 |
ARBOR DOI: |
10.24451/arbor.13076 |
URI: |
https://arbor.bfh.ch/id/eprint/13076 |
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