Items where Subject is "N Fine Arts > ND Painting"

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Number of items at this level: 104.

A

Afzali, Minou; Mareis, Claudia; Aeschbacher, Daniel (1 November 2021). Was bleibt von der «guten Form»?

B

Baumgartner, Luise (October 2018). Abstract der Dissertation: „Molte belle et varie fantasie“ – Bergbau und Ruinen als zwei neue Sujets der niederländischen Landschaftsmalerei in italienischen Sammlungen des Cinquecento (Unpublished)

Baumgartner, Luise (26 June 2020). "Molte belle et varie fantasie" - mining and ruins: two new subjects in Netherlandish landscape paintings found in Italian art collections of the Cinquecento (Unpublished)

Betz, Gesine (2022). An Analysis of Sophie Taeuber-Arp's Materials and Working Methods Interlude. Sophie Taeuber-Arp, Hans Arp, and Their Contemporaries. Research by the Arp Fellows(1), pp. 10-11. Stiftung Arp e. V.

Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Mueller, Wolfgang (2013). Lösemittelsensitivität moderner Ölfarben - Empfindlichkeit synthetisch-organischer Pigmente in Künstlerfarben des 20. Jahrhunderts Zeitschrift für Kunsttechnologie und Konservierung, 27, pp. 127-135. Wernersche Verlagsgesellschaft

Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2013). Sensitivity of modern oil paints to solvents - effects on synthetic organic pigments In: Symposium Issues in Contemporary Oil Paint (ICOP). Book of Abstracts (pp. 126-128). Amersfoort, Netherlands: Cultural Heritage Agency, Ministry of Education, Culture and Science

Blumenroth, Diana; Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2014). Sensitivity of modern oil paints to solvents: effects on synthetic organic pigments In: Van den Berg, Klaas Jan; Burnstock, Aviva; de Keijzer, Mathijs; Krueger, Jay W.; Learner, Tom; de Tagle, Alberto; Heydenreich, Gunnar (eds.) Issues in Contemporary Oil Paint (pp. 351-361). Springer Verlag

Bortolotti, Raphaël (18 October 2019). La peinture de scène italienne au XIXe siècle. Le décors original du théâtre de Feltre (IT) In: Performing Arts and Technical Issues. Lucca. Du 18 au 20 octobre 2019.

Bortolotti, Raphaël (28 June 2019). 19th-century Italian stage painting In: Visuality and the Theatre in the Long Nineteenth Century. University of Warwick. 27-29 June 2019.

Bründler, Stefanie; Bunz, Sophie; Ritler, Magdalena; Scherrer, Nadim; Soppa, Karolina (22 September 2023). Dry methylcellulose foams: Investigation of simple foaming and drying methods for applications in the field of conservation and restoration In: ICOM-CC 20th Triennial Conference: Working Towards a Sustainable Past. Valencia. 18–22 September 2023.

Bäschlin, Nathalie; Läuchli, Matthias; Fankhauser, Thomas; Palmbach, Cornelius; Hoess, Anita (November 2011). Backing boards and glazing on paintings: Their damping capacity in relation to shock impact and vibration In: ICOM-CC 16th Triennial Conference. Lisbon, Portugal. 19. - 23.9.2011.

Bäschlin, Nathalie; Läuchli, Matthias; Palmbach, Cornelius; Hoess, Anita; Ryser, Marcel; Fankhauser, Thomas; Sautter, Katharina (2015). Der Teufel steckt im Detail – Zur Praxisanwendung der Forschungsergebnisse Transport fragiler Gemälde Zeitschrift für Kunsttechnologie und Konservierung, 29(2), pp. 211-222. Wernersche Verlagsgesellschaft

Bäschlin, Nathalie; Zumbühl, Stefan (2017). The Hand 1935-36 by Francis Picabia: crackle lacquer technique as a strategy for dissent. Archetype Publications London, pp. 96-100.

C

Cato, Eleanor; Rossi, Antonella; Scherrer, Nadim; Ferreira, Ester S. B. (2018). An XPS study into sulphur speciation in blue and green ultramarine Journal of Cultural Heritage, 29, pp. 30-35. 10.1016/j.culher.2017.09.005

Cato, Eleanor; Scherrer, Nadim; Ferreira, Ester S. B. (2017). Raman mapping of the S3- chromophore in degraded ultramarine blue paints Journal of Raman Spectroscopy, 48(12), pp. 1789-1798. 10.1002/jrs.5256

Cazzola, Fabiana (2016). Das Malen des Malens im Selbstporträt und die Rolle der Zeit. Substitution – Transitivität – ›zeitliche Differenz‹ In: Kuhn, Barbara (ed.) Selbst-Bild und Selbst-Bilder. Autoportrait und Zeit in Literatur, Kunst und Philosophie (pp. 41-56). München/Paderborn: Wilhelm Fink Verlag

Cazzola-Senkpiel, Fabiana (2016). Rezension von: Hannah Baader: Das Selbst im Anderen. Sprachen der Freundschaft und die Kunst des Portraits 1370−1520 In: Zeitschrift für Kunstgeschichte 79 (pp. 128-133). Deutscher Kunstverlag

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Dariz, Petra; Schmid, Thomas (2021). Trace compounds in Early Medieval Egyptian blue carry information on provenance, manufacture, application, and ageing Scientific Reports, 11, p. 11296. Springer https://doi.org/10.1038/s41598-021-90759-6

Dariz, Petra; Schmid, Thomas (2022). Raman focal point on Roman Egyptian blue elucidates disordered cuprorivaite, green glass phase and trace compounds Scientific Reports, 12(1), pp. 1-12. Nature Publishing Group 10.1038/s41598-022-19923-w

Devesa, Joana; Carlyle, Leslie; Stols-Witlox, Maartje; Boon, Jaap J.; Fernando, Ana Luisa; Zumbühl, Stefan; de Sá, Susana França (2022). Recipe analysis, reconstruction and re-enactment: historical technical source on the cleaning of easel Paintings The Role of Sources and Performative Methods in Art Technological Studies, pp. 143-154. ICOM-CC Publications

E

Engel, Xymna (15 September 2021). «Seine Ideen sind hochaktuell» Der Bund, p. 23.

F

Feldman, Julia Pelta (2018). Canon Fodder: Charline von Heyl at Petzel Gallery, New York Texte zur Kunst, 28(112), pp. 186-188.

Ferreira, Ester S. B.; Boon, Jaap J.; van der Horst, Jerre; Scherrer, Nadim; Marone, Federica; Stampanoni, Marco (2009). 3D Synchrotron x-ray microtomography of paint samples Proceedings of SPIE, 7391, 73910L. 10.1117/12.827511

Ferreira, Ester S. B.; Gros, Danièle; Wyss, Karin; Scherrer, Nadim; Zumbühl, Stefan; Marone, Federica (2015). Faded shine…. The degradation of brass powder in two nineteenth century paintings Heritage Science, 3(1), pp. 1-11. Springer International Publishing 10.1186/s40494-015-0052-3

Ferreira, Ester S. B.; Wyss, Karin; de Villemereuil, Violaine; Beltinger, Karoline; Marone, Federica; Scherrer, Nadim; Zumbühl, Stefan (2016). The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902 In: Beltinger, Karoline; Nadolny, Jilleen (eds.) Painting in Tempera. KUNSTMaterial: Vol. 4 (pp. 205-227). Zürich: Archetype Publications

G

Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine Zwitschermaschine, 9, pp. 65-66. Zentrum Paul Klee 10.5281/zenodo.3989029

Gartmann, Thomas (2020). Von der Fuge in Rot bis zur Zwitschermaschine In: Gartmann, Thomas (ed.) Von der Fuge in Rot bis zur Zwitschermaschine - Paul Klee und die Musik (pp. 7-10). Basel: Schwabe Verlag

Gros, Danièle; Ferreira, Ester S. B.; Wyss, Karin; Scherrer, Nadim; Zumbühl, Stefan (2014). Poudre métallique dans la peinture autour de 1900: emploi et dégradation Rapport annuel 2013 SIK-ISEA, pp. 28-32. Zürich: SIK-ISEA 10.11588/sik.2014.0.68201

Gross, Markus; Scherrer, Nadim; Steckling, Friederike; Zumbühl, Stefan (2017). Studio Tip: Future Prospects of Conservation Treatments with a Micro-Aspirator Tool AIC Paintings Specialty Group Postprints, 30, pp. 115-119.

H

Haiduk, Marina (2018). Prüfsteine des Betrachters. Felice Brusasorci und die Tradition der pietra di paragone als Bildträger In: Nevidíme, co nevíme: sborník příspěvků z mezinárodní konference studentů doktorských programů = We cannot see what we do not know: the proceedings of the international conference for doctoral students (pp. 81-87). Prag: Katolická teologická fakulta, Univerzita Karlova

Haiduk, Marina (2019). Kat. 3. Carlo Maratta (1625 - 1713) "Kardinal Antonio Barberini", nach 1661 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 80-81). München: Prestel

Haiduk, Marina (2019). Cat. 3. Carlo Maratta (1625–1713) „Kardinal Antonio Barberini“, nach 1661 In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 80-81). München: Prestel

Haiduk, Marina (2019). Kat. 6. Giovanni Lanfranco (1582 - 1647) "Venus spielt Harfe (Allegorie der Musik)", 1630 - 1634 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 92-93). München: Prestel

Haiduk, Marina (2019). Kat. 12. Giovanni Lanfranco (1582 - 1647) "Transfiguration", 1627 In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 104-105). München: Prestel

Haiduk, Marina (2019). Kat. 13. Giovanni Lanfranco: Kreuzigung In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 106-107). München: Prestel

Haiduk, Marina (2019). Kat. 25. Tommaso Donini (Il Caravaggino): David mit dem Kopf Goliaths In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 136-137). München: Prestel

Haiduk, Marina (2019). Kat. 48. Astolfo Petrazzi (1580 - 1653) "Der Genius der Künste (Amor als Sieger)", erste Hälfte 17. Jahrhundert In: Wege des Barock. Die Nationalgalerien Barberini Corsini in Rom (pp. 200-201). München: Prestel

Haiduk, Marina (2019). Cat. 6. Giovanni Lanfranco: Venus Playing the Harp (Allegory of Music) In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 92-93). München: Prestel

Haiduk, Marina (2019). Cat. 12. Giovanni Lanfranco: Transfiguration In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 104-105). München: Prestel

Haiduk, Marina (2019). Cat. 13. Giovanni Lanfranco: Crucifixion In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 106-107). München: Prestel

Haiduk, Marina (2019). Cat. 25. Tommaso Donini (Il Caravaggino): David with the Head of Goliath In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 136-137). München: Prestel

Haiduk, Marina (2019). Cat. 48. Astolfo Petrazzi (1580–1653) The Genius of the Arts (Amor Vincit Omnia), first half of the seventeenth century In: Baroque pathways: the National Galleries Barberini Corsini in Rome (pp. 200-201). München: Prestel

Haiduk, Marina (6 November 2021). Das Rabab und andere kleine Streichinstrumente in europäischen Bildquellen des 11. bis 13. Jahrhunderts In: Das mittelalterliche Rabab. Ein Streichinstrument mit arabisch-islamischer Vergangenheit und Gegenwart. Bern, Schweiz. 05. bis 06. November 2021.

Helmrich, Carla; Soppa, Karolina; Zumbühl, Stefan (10 November 2023). Systematic approach for analysis, plasticization, and re-adhesion of complex material mixtures of a concave elevated monochrome paint In: Future Talks 023: MATERIALS MATTER. COLD AND CURRENT CASES IN THE CONSERVATION OF THE MODERN. München. November 08 – 10, 2023.

Hendriks, Laura; Caseri, Walter; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Hajdas, Irka; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2020). The Ins and Outs of 14 C Dating Lead White Paint for Artworks Application Analytical Chemistry, 92(11), pp. 7674-7682. ACS American Chemical Society 10.1021/acs.analchem.0c00530

Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Carlyle, Leslie; Synal, Hans-Arno; Günther, Detlef (2019). SELECTIVE DATING OF PAINT COMPONENTS: RADIOCARBON DATING OF LEAD WHITE PIGMENT Radiocarbon, 61(2), pp. 473-493. Cambridge University Press 10.1017/rdc.2018.101

Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Küffner, Markus; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2018). COMBINED C-14 ANALYSIS OF CANVAS AND ORGANIC BINDER FOR DATING A PAINTING Radiocarbon, 60(1), pp. 207-218. 10.1017/rdc.2017.107

Hendriks, Laura; Hajdas, Irka; Ferreira, Ester S. B.; Scherrer, Nadim; Zumbühl, Stefan; Smith, Gregory D.; Welte, Caroline; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2019). Uncovering modern paint forgeries by radiocarbon dating Proceedings of the National Academy of Sciences of the United States of America, 116(27), pp. 13210-13214. National Academy of Sciences (NAS) 10.1073/pnas.1901540116

Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Küffner, Markus; Scherrer, Nadim; Ferreira, Ester S. B. (2016). Microscale radiocarbon dating of paintings Applied Physics A, 122(3), p. 167. 10.1007/s00339-016-9593-x

Hendriks, Laura; Hajdas, Irka; Scherrer, Nadim; Ferreira, Ester S. B.; Zumbühl, Stefan; Smith, Gregory D.; Welte, Caroline; Wacker, Lukas; Synal, Hans-Arno; Günther, Detlef (2019). Uncovering modern art forgeries. Inconsistencies between the canvas and the organic binder with 14C dating (Annual Report, Laboratory of Ion Beam Physics 2019). Basel: Librum Publishers & Editors

Hendriks, Laura Sharon; Hajdas, Irka; Scherrer, Nadim; Zumbühl, Stefan; Stenger, Jens; Welte, Caroline; Synal, Hans-Arno; Günther, Detlef (2021). Advances and limitations of 14C dating in the field of heritage sciences Technè(52), pp. 111-117. Centre de recherche et de restauration des musées de France 10.4000/techne.10278

Hochuli, Andreas; Soppa, Karolina (May 2022). Wood Bonds Wood:The Use of Digital 3D Technology and a Cellulose-based Adhesive to Glue a Separated Joint on a Medieval Limewood Relief In: AIC, 50th Annual Meeting in Los Angeles 2022, Reflecting on the Past, Imagining the Future. Los Angeles. 13.–18. Mai 2022.

Hélou-de La Grandière, Pauline; Boon, Jaap J.; Scherrer, Nadim; Zumbühl, Stefan (2021). Soulages’ Peinture 12 March 1960: diagnostic analytical studies and tentative consolidation of major curled-up delamination areas Meddelelser om Konservering, 1, pp. 65-79. Nordiska Konservator Foerbundet, Nordisk Konservator Forbund

Hölling, Hanna Barbara (2021). Unpacking the Score: Notes on the Material Legacy of Intermediality On Curating: Fluxus Special Issue(51) University of the Arts Zurich

Hölling, Hanna Barbara (2021). Keeping Time: On Museum, Temporality and Heterotopia ArtMatters: International Journal for Technical Art History(1), pp. 47-54. Archetype Publications

Hölling, Hanna Barbara (2021). Introduction: Object—Event—Performance In: Hölling, Hanna Barbara (ed.) Object—Event— Performance: Art, Materiality, Continuity since the 1960s. Cultural Histories of the Material World (pp. 1-40). New York: Bard Graduate Center / Chicago University Press

Hölling, Hanna Barbara; Bewer, Francesca G.; Ammann, Katharina (2019). Introduction: Material Encounters In: The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Cultures. Studies in Art and Materiality: Vol. 1 (pp. 1-14). Boston and Leiden: Brill https://doi.org/10.1163/9789004396852

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Kappeler, Annette; Bortolotti, Raphaël (1 March 2022). Un teatro in provincia. Das Theater Feltre im 19. Jahrhundert In: Vortragsreihe der Schweizerischen Musikforschenden Gesellschaft. Bern, Institut für Musikwissenschaft. 01.03.2022.

Kilchhofer, Matthias; Scherrer, Nadim (2008). Konservierung von Malereien auf Lehmputzen Zeitschrift für Kunsttechnologie und Konservierung, 22, pp. 343-354. Wernersche Verlagsgesellschaft

Koban, Miriam (2020). The Mannequin – from Tool to Projection Figure. A Study of the Mannequin in the Painting Portrait of Henri Michel-Lévy (1878/79) by Edgar Degas denkste: puppe. multidisziplinäre zeitschrift für mensch-puppen diskurse, 3(1.1), pp. 38-47. Universi - Universitaetsverlag Siegen

Konietzny, Mona; Dudew, Ella; Haller, Ursula; Scherrer, Nadim; Soppa, Karolina (2022). Klebstoffgitter aus Methylcellulosen für die Konservierung textiler Bildträger: Anwendungseigenschaften und Kennwerte im Vergleich zu Verklebungen mit BEVA® 371-Filmen Zeitschrift für Kunsttechnologie und Konservierung(1), pp. 180-194. Wernersche Verlagsgesellschaft

Konietzny, Mona; Soppa, Karolina; Haller, Ursula (14 October 2023). Reliable Adhesives in New Shape: Canvas Bonding with Self-Supporting Adhesive Meshes In: Conserving Canvas. New Haven, CT. October 14, 2019.

Krauter Kellein, Anne (2019). Wenn Farben sich verändern : die Perspektive der Restaurierung NIKE-Bulletin, 34(1), pp. 10-15. Nationale Informationsstelle zum Kulturerbe

Küffer, Simon Renato (26 October 2022). Bilder des Geldes – mit Manuela Pfrunder und Cornelia Bohn In: Ein Abend im Museum: Money Talks. Bernisches Historisches Museum.

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Läuchli, Matthias; Bäschlin, Nathalie; Hoess, Anita; Fankhauser, Thomas; Palmbach, Cornelius; Ryser, Marcel (2014). Packing systems for paintings: Damping capacity in relation to transport-induced shock and vibration In: ICOM-CC 17th Triennial Conference. Melbourne, Australia. 15.-17.9.2014.

Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius; Fankhauser, Thomas; Ryser, Marcel; Sautter, Katharina (2017). Strategy of measurement and data analysis for monitoring during the transportation of paintings (Unpublished). In: Eastern Analytical Symposium (EAS). Plainsboro Township, NJ. 13. - 15.11.2017.

Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius; Ryser, Marcel; Fankhauser, Thomas; Hoess, Anita (2015). Vibrationen – kleine Erschütterungen millionenfach Zeitschrift für Kunsttechnologie und Konservierung, 29(2), pp. 223-236. Wernersche Verlagsgesellschaft

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Moretti, Patrizia; Zumbühl, Stefan; Scherrer, Nadim; Piqué, Francesca (2023). Traditional and modern pigments in Gino Severini's Swiss murals Color Research & Application, 49(1), pp. 124-143. Wiley-Blackwell 10.1002/col.22870

Murgia, Valeria-Santina; Soppa, Karolina (2022). Sealing Effect of Aliphatic Solvents and Cyclododecane Solutions During Adhesion of Flaking Paint with Methylcellulose International Journal of Conservation Science, 13, pp. 1603-1622. Universitatea "Alexandru Ioan Cuza" din Iasi * Arheoinvest Interdisciplinary Platform. Laboratory of Scientific Investigation & Conservation

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Palmbach, Cornelius; Bäschlin, Nathalie; Läuchli, Matthias; Fankhauser, Thomas; Hoess, Anita (2013). Transportmonitoring bei Gemäldetransporten – Neue Datensammlung zur Charakterisierung der Schock- und Vibrationsimmissionen In: 23. Tagung des Österreichischen Restauratorenverbandes 2012. Konservieren, Restaurieren: Vol. 14 (pp. 30-41). Wien: Österreichischer Restauratorenverband

Plackett, Benjamin (2020). New chemical analysis allows for less invasive dating of artwork. Carbon dating of lead white paint from canvas edges could help uncover forgeries Chemical & Engineering News, 98(22) American Chemical Society

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Ritler, Magdalena; Soppa, Karolina; Eysler, Angela; Scherrer, Nadim (22 September 2023). Liquid methylcellulose foam as an adhesive-filler for lifted stiff paint flakes: The case study of <em>La Salle des Cariatides au Louvre</em> In: ICOM-CC 20th Triennial Conference: Working Towards a Sustainable Past. Valencia. 18–22 September 2023.

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Scherrer, Nadim (6 September 2011). Laser dependent shifting of Raman bands with phthalocyanine pigments In: 6th international Congress on the Application of Raman Spectroscopy in Art and Archaeology. Parma, Italy. 5.-8. September 2011.

Scherrer, Nadim (2012). Raman analysis of 19th & 20th century synthetic organic colorants In: Infrared & Raman Users Group: Raman Spectroscopy Workshop. Philadelphia Museum of Art, USA. 27-28 September 2012.

Scherrer, Nadim (17 October 2019). Some practical aspects of pigment analysis using Raman spectroscopy In: Renishaw Inside Raman Seminar. Renishaw

Scherrer, Nadim (30 January 2019). Surfaces and interfaces in multilayered paint systems – analytical challenges in art conservation sciences (Unpublished). In: EPFL CCMX WINTER SCHOOL Surface Science: Fundamentals, Properties and Selected Applications. Kandersteg, Switzerland. 30.01.2019.

Scherrer, Nadim; Ferreira, Ester S. B. (2009). Cobalt blue spectral - cobalt blue deep - Pigment Blue 74 in artist's paints: one more argument against authenticity? In: Madariaga, Juan Manuel (ed.) 5th International Congress on the application of Raman spectroscopy in Art and Archaeology Book o (pp. 20-21). Bilbao, Spain: Servicio Editorial de la Universidad del Pais Vasco

Scherrer, Nadim; Zumbühl, Stefan; Delavy, Françoise; Fritsch, Annette; Kuehnen, Renate (2009). Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection Spectrochimica Acta Part a-Molecular and Biomolecular Spectroscopy, 73(3), pp. 505-524. 10.1016/J.Saa.2008.11.029

Scherrer, Nadim; Zumbühl, Stefan; Ferreira, Ester S. B.; Cato, Eleanor (1 February 2018). Surfaces and interfaces in multilayered paint systems – analytical challenges in art conservation sciences In: Ernst, Karl-Heinz (ed.) 34th SAOG Meeting: Science of Surfaces, Interfaces and Nanostructures. HEIA Haute école d'ingénierie et d'architecture, Fribourg, Switzerland. 1 February 2018.

Schmid, Alina; Soppa, Karolina; Krug von Nidda, Eva (10 November 2023). Stabilization of rigid non-polar flakes of paint layer with liquid adhesive foam: Adhesion of methylcellulose A4M- versus Plextol D498-foam In: Future Talks 023: MATERIALS MATTER. COLD AND CURRENT CASES IN THE CONSERVATION OF THE MODERN. München. November 08 – 10, 2023.

Senkpiel, Fabiana (2013). Im Akt des Malens. Aspekte von Zeitlichkeit in Selbstporträts der italienischen Frühen Neuzeit. eikones. München/Paderborn: Wilhelm Fink Verlag

Senkpiel, Fabiana (2020). L’atto del divenire dell’immagine. Medialità e temporalità nell’autoritratto ‘poietico’ di Alessandro Allori (1555) Imagines, 3, pp. 144-155.

Senkpiel, Fabiana (16 March 2021). Modi künstlerischer Arbeiten mit Lebensmitteln als Kunstmaterial seit 1960 ‒ Materialität, multisensorische Erfahrung, Bildlichkeit In: Lebensmittel in der Gegenwartskunst ‒ Materialität und multisensorische Erfahrung. Bern (online/intern). 16.‒17. März 2021.

Soppa, Karolina (25 November 2020). Basic Steps for Adhesion of Flaking Paint and Canvas: with a focus on absorbent substrates bonded with collagen-based ahesives In: Structural treatments on double-sided paintings 1 (pp. 24-29). Venaria Reale, TO: La Venaria Reale, Centro Conservazione Restauro 10.57578/ccrlavenariareale_getty

Soppa, Karolina (2022). Flaking Paint on Absorbent Canvas: Approach, Possibilities and Challenges International Journal of Conservation Science, 13, pp. 1567-1582. Universitatea "Alexandru Ioan Cuza" din Iasi * Arheoinvest Interdisciplinary Platform. Laboratory of Scientific Investigation & Conservation

Soppa, Karolina (9 September 2023). Evakuierung, Konservierung und Restaurierung sowie Wiederaufbau des Retabels von Brienz/Brinzauls (GR) In: Europäischen Tagen des Denkmals in Winterthur an der ZHAW. Winterthur. 9. September 2023.

Soppa, Karolina; Ritler, Magdalena; Scherrer, Nadim (1 July 2022). Adhesive Foams: A First Insight In: inArt 2022: 5th International Conference on Innovation in Art Research and Technology. Paris (France). 28 Jun-1 Jul 2022.

Soppa, Karolina; Zumbühl, Stefan; Hügli, Tamara (19 May 2023). Mammalian and Fish Gelatines at Fluctuating Relative Humidity In: AIC, 51st Annual Meeting, Conservation in the Age of Environmental, Social, and Economic Climate Change. Jacksonville, Florida. 16.–20. Mai 2023.

Stahmann, Charlotte N.; Soppa, Karolina; Glüsen, Birgit; Storevik-Tveit, Eva; Käckel, Andreas; Demuth, Petra (2022). Low molecular weight cellulose ethers as aerosols for the the consolidation of cohesively weak paint layers International Journal of Conservation Science, 13(Specia), pp. 1583-1602.

Steckling, Friederike; Gross, Markus; Zumbühl, Stefan; Scherrer, Nadim (2018). Future prospects of conservation treatments with a micro-aspirator tool WAAC western association for art conservation Newsletter, 40, pp. 10-12. Santa Monica, CA: Western Association for Art Conservation WAAC

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Tsiranidou, Elsa; Bernikola, Eirini; Tornari, Vivi; Fankhauser, Thomas; Läuchli, Matthias; Bäschlin, Nathalie; Palmbach, Cornelius (2013). Studying transportation effects on canvas paintings by full field digital holographic techniques In: LACONA IX - Lasers in the conservation of artworks. London. 7. - 10. Sept. 2011.

Tsiranidou, Elsa; Bernikola, Eirini; Tornari, Vivi; Fankhauser, Thomas; Läuchli, Matthias; Palmbach, Cornelius; Bäschlin, Nathalie (2011). Holographic monitoring of transportation effects on canvas paintings SPIE Newsroom SPIE 10.1117/2.1201106.003767

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Walton, Christopher (December 2023). Maria Schmidt und Theodor Kirchner Schweizer Musikzeitung, 26(12), pp. 26-28. NZZ Fachmedien

Wu, Qing; Soppa, Karolina; Lombardo, Tiziana; Schmidt-Ott, Katharina; Nolting, Frithjof; Watts, Benjamin (2023). Zwischgold – The Secret Nanomaterial of Medieval Gilding CHIMIA International Journal for Chemistry, 77(3), p. 163. Schweizerische Chemische Gesellschaft 10.2533/chimia.2023.163

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Zumbühl, Stefan; Attanasio, Francesca; Scherrer, Nadim; Müller, Wolfgang; Fenners, Nicolai; Caseri, Walter (2006). Solvent action on dispersion paint systems and the influence on the morphology-changes and destruction of the latex microstructure In: Learner, Tom; Smithen, Patricia; Krueger, Jay W.; Schilling, Michael R. (eds.) Modern Paints Uncovered. Proceedings (pp. 257-268). Tate Modern, London: The Getty Conservation Institute

Zumbühl, Stefan; Brändle, Andreas; Hochuli, Andreas; Scherrer, Nadim; Caseri, Walter (2017). Derivatization Technique To Identify Specifically Carbonyl Groups by Infrared Spectroscopy: Characterization of Photooxidative Aging Products in Terpenes and Terpeneous Resins Analytical Chemistry, 89(3), pp. 1742-1748. American Chemical Society 10.1021/acs.analchem.6b04008

Zumbühl, Stefan; Ferreira, Ester S. B.; Scherrer, Nadim; Schaible, Volker (2013). The nonideal action of binary solvent mixtures on oil and alkyd paint: influence of selective solvation and cavitation energy In: Mecklenburg, Marion F.; Charola, A. Elena; Koestler, Robert J. (eds.) New Insights into the Cleaning of Paintings 3 (pp. 1-243). Valencia: Smithsonian institution scholarly press 10.5479/si.19492359.3.1

Zumbühl, Stefan; Hochuli, Andreas; Soulier, Jacques Balthazar; Scherrer, Nadim (2017). Fluorination technique to identify the type of resin in aged vanishes and lacquers using infrared spectroscopy Microchemical Journal, 134, pp. 317-326. 10.1016/j.microc.2017.06.013

Zumbühl, Stefan; Scherrer, Nadim (2010). Die Auswirkungen der morphologischen Strukturveränderungen auf die Materialeigenschaften von Dispersionsfarben Zeitschrift für Kunsttechnologie und Konservierung, 24, pp. 76-87. Wernersche Verlagsgesellschaft

Zumbühl, Stefan; Scherrer, Nadim; Berger, Alfons; Eggenberger, Urs (2009). Early Viridian pigment composition characterization of a (hydrated) chromium oxide borate pigment Studies in Conservation, 54, pp. 149-159. DOI: 10.1179/sic.2009.54.3.149

Zumbühl, Stefan; Scherrer, Nadim; Eggenberger, Urs; Berger, Alfons; Gross, Markus; Ferreira, Ester S. B. (14 May 2009). Early viridian pigment composition found in paintings by Van Gogh and contemporary artists: chemical and morphological characterisation of a vitreous (hydrated) chromium oxide borate pigment In: Eu-ARTECH Symposium on Van Gogh and Contemporaries. Amsterdam, Netherlands. 14-15 May 2009.

Zumbühl, Stefan; Scherrer, Nadim; Engel, N. L.; Mueller, W. (2014). The kinetics of dissolution of varnishes: The influence of vapour pressure on the rate of solvent action In: Bridgland, J. (ed.) ICOM-CC 17th Triennial Conference, 2014 Melbourne, Scientific Research (Art. 1610, 11). Melbourne: International Council of Museums

Zumbühl, Stefan; Scherrer, Nadim; Ferreira, Ester S. B.; Hons, Sandra; Müller, Martina; Kuehnen, Renate; Navi, Parviz (2011). Accelerated ageing of drying oil paint - an FTIR study on the chemical alteration: problems of accelerated ageing under variable conditions of light, temperature and relative humidity Zeitschrift für Kunsttechnologie und Konservierung, 25, pp. 339-351. Wernersche Verlagsgesellschaft

Zumbühl, Stefan; Scherrer, Nadim; Müller, Wolfgang (2014). Derivatisation technique for infrared spectroscopy - characterisation of oxidative ageing products in modern oil paints In: Van den Berg, Klaas Jan; Burnstock, Aviva; de Keijzer, Mathijs; Krueger, Jay W.; Learner, Tom; de Tagle, Alberto; Heydenreich, Gunnar (eds.) Issues in Contemporary Oil Paint (pp. 213-225). Springer Verlag

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