Carlisi, Lydia

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Number of items: 14.

Journal Article

Carlisi, Lydia (2022). Die Geschichte der deutschsprachigen Konservatorien in drei Bänden Musik & Ästhetik, 26(103), pp. 114-117. Klett-Cotta

Carlisi, Lydia (2021). The canone armonico and Fifty Ways of Harmonizing a Scale in Gaspare Selvaggi's Trattato di armonia (1823) Studi Pergolesiani / Pergolesi Studies, 11, pp. 217-270. Bern: Peter Lang https://doi.org/10.3726/b18803

Curtice, Sean; Carlisi, Lydia (2021). "Rudimenti di Musica per Accompagnare del Sig. r Maestro Vignali, A. 1789 D." Music Theory and Analysis (MTA), 8(1), pp. 165-206. Leuven University Press 10.11116/MTA.8.1.9

Curtice, Sean; Carlisi, Lydia (2021). A Newly Discovered Annotated Partimento Manuscript : "Rudimenti di Musica per Accompagnare del Sig. r Maestro Vignali" (1789) Music Theory and Analysis (MTA), 8(1), pp. 60-88. Leuven University Press 10.11116/MTA.8.1.3

Newspaper or Magazine Article

Carlisi, Lydia (2017). Neapolitanische Musikpädagogik im 18. Jahrhundert: Theorie, Quellen und Rezeption Centro Studi Pergolesi, Università degli studi di Milano Hochschule der Künste Bern 25.–27.1.2017 Website der Gesellschaft für Musiktheorie Gesellschaft für Musiktheorie (GMTH) e.V.

Book Section

Carlisi, Lydia (2017). Il partimento e gli schemi galanti: una sintesi In: Giovani, Giulia; Aresi, Stefano (eds.) La cantata da camera e lo stile galante: Sviluppi e diffusione della “nuova musica” (pp. 181-191). Amsterdam: Stile Galante

Book

Carlisi, Lydia Aerts, Hans; Buchborn, Thade; Diergarten, Felix; Doerne, Andreas; Holtmeier, Ludwig; Lessing, Wolfgang; Loges, Natasha; Wöllner, Clemens (eds.) (2023). From Naples to Paris The Reception of the Neapolitan Partimento Tradition at the Paris Conservatoire in the Early Nineteenth Century Schriften der Hochschule für Musik Freiburg: Vol. 13. Baden Baden: Olms- Nomos 10.5771/9783487423654

Conference or Workshop Item

Carlisi, Lydia (6 October 2018). Da Napoli a Parigi. Die französische Partimento Rezeption und seiner Einfluss auf Französische Musikpädagogik und Musiktheorie. (Unpublished). In: 18. Jahreskongress der Gesellschaft für Musiktheorie (GMTH). HfK Bremen (DE). 5-7 October 2018.

Carlisi, Lydia (3 October 2018). Neapolitanische Solfeggi als analytisches Mittel für Realisierungen von Partimenti. (Unpublished). In: Forschungs-Mittwoch „Integrative listening". Hochschule der Künste Bern (CH). 03.10.2018.

Carlisi, Lydia (March 2018). From Naples to Paris: the reception of the Neapolitan partimento tradition in Paris and its leverage on French music pedagogy and music theory in the first half of the 19th Century (Unpublished). In: MUSIC THEORY AND COGNITION COLLOQUIUM. Evanston, IL (USA). March 2018.

Carlisi, Lydia (June 2017). “Conservatori vs. Conservatoire. The Neapolitan Partimento tradition and the Méthodes of the Paris Conservatoire at the turn of the 19th century" (Unpublished). In: IX. Europäische Kongress musikalischer Analyse (EuroMAC 9). Université de Strasbourg. 28.6.2017 -01.07.2017.

Carlisi, Lydia (13 May 2017). The Neapolitan school’s pedagogical methods and their influence on the founding of national music schools in France at the turn of the nineteenth century In: Enseignement de la musique et vie musicale en France et en Europe (1795-1914). Paris. 11-13.05.2017.

Carlisi, Lydia (12 July 2012). “Leonardo Leo’s partimenti: context, sources and a thematic catalogue”. (Unpublished). In: 15th Biennial International Conference on Baroque Music. Southampton, United Kingdom. 11-15 JULY 2012.

Audiovisual Material & Event

Carlisi, Lydia; Hogan, Nikhil (2019). The Nikhil Hogan Show 82: Lydia Carlisi [Audio]. In: The Nikhil Hogan Show.

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